Author Details | CINEJ Cinema Journal

CINEJ Cinema Journal Vol. 7 No. 1 (2018): Spring 2018 - Articles
What’s in the Backdrop: Representation of Landscape in Bollywood Cinema
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CINEJ Cinema Journal Vol. 9 No. 2 (2021): Fall 2021 - Articles
Changes in Women’s Representations in Turkish Cinema from the 1980s to the Early 1990s
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CINEJ Cinema Journal Vol. 4 No. 1 (2014): Fall 2014 - Articles
Reading of the Architectural Identity via Cinema
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CINEJ Cinema Journal CINEJ Special Issue 1 (2011): IMAGES - Films as Spaces of Cultural Encounter. The 2011 IMAGES Project Publication - Thematical Articles
The Wing Beat of the Butterfly. The Causality of Asymmetric Cultural Encounters and Escalation in Babel (2006) and Valley of Wolves – Iraq/ Kurtlar Vadisi – Irak (2006)
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CINEJ Cinema Journal Vol. 4 No. 1 (2014): Fall 2014 - Articles
Editorial
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CINEJ Cinema Journal Vol. 8 No. 2 (2020): Fall 2020 - Articles
Crushing Life in the Anthropocene? Destroying Simulated "Nature" in The Cabin in the Woods
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CINEJ Cinema Journal Vol. 2 No. 2 (2013): Spring 2013 - Articles
Same Story But Different Cover: The Substitution Principle in Religion and Understanding It Through Watching Films
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CINEJ Cinema Journal Vol. 5 No. 2 (2016): Spring 2016 - Articles
Labyrinths and Illusions in David Lynch’s Mulholland Drive and Inland Empire
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CINEJ Cinema Journal Vol. 7 No. 2 (2019): Spring/Summer 2019 - Book Reviews
Changemakers: Twenty Women Transforming Bollywood Behind the Scenes
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CINEJ Cinema Journal Vol. 10 No. 1 (2022): Fall 2022 - Articles
Minik Serçe as a Contrary Example Among the Singer Films in Turkish Cinema
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CINEJ Cinema Journal Vol. 9 No. 1 (2021): Spring 2021 - Articles
Baudrillard, Hyperreality, and the Evil in Othello and The Hateful Eight
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CINEJ Cinema Journal Vol. 2 No. 2 (2013): Spring 2013 - Articles
The American Dark Ages and the Terrorist Witch in Season of the Witch
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CINEJ Cinema Journal Vol. 6 No. 2 (2017): Fall 2017 - Articles
Stereotype Representation of Women in Nigerian Films
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CINEJ Cinema Journal Vol. 3 No. 1 (2013): Fall 2013 - Articles
Pattern of the Body Image in La Maison en Petits Cubes on the Basis of Milieu and Individual Relationship
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CINEJ Cinema Journal Vol. 7 No. 2 (2019): Spring/Summer 2019 - Articles
The Homosexual Male Gaze: Normalizing Homosexuality through the Use of Heteronormative Narrative Techniques in Film
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CINEJ Cinema Journal Vol. 8 No. 2 (2020): Fall 2020 - Book Reviews
Review of Audio-Vision: Sound on Screen
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CINEJ Cinema Journal Vol. 3 No. 2 (2014): Spring 2014 - Book Reviews
Review of Japanese Horror Films and the Their American Remakes
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CINEJ Cinema Journal Vol. 3 No. 2 (2014): Spring 2014 - Book Reviews
Review of Politics as Form in Lars von Trier: A Post-Brechtian Reading
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CINEJ Cinema Journal CINEJ Special Issue 1 (2011): IMAGES - Films as Spaces of Cultural Encounter. The 2011 IMAGES Project Publication - Editor's Note
Editors' Note
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CINEJ Cinema Journal Vol. 5 No. 1 (2015): Fall 2015 - Articles
Cowboys and kings: The coming of age film in 1990s Irish cinema
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CINEJ Cinema Journal Vol. 9 No. 1 (2021): Spring 2021 - Book Reviews
Review of A Christian Approach to Cinema: Tarkovsky. Film as Prayer
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CINEJ Cinema Journal Vol. 1 No. 2 (2012) - Articles
Secrets, Trauma, and the Memory Market (or the return of the repressed in recent Argentine post-dictatorship cultural production)
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CINEJ Cinema Journal Vol. 5 No. 1 (2015): Fall 2015 - Editor's Note
Editorial
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CINEJ Cinema Journal Vol. 7 No. 2 (2019): Spring/Summer 2019 - Articles
Samsara documentary: narrative and discourse analysis and a possible interpretation
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CINEJ Cinema Journal Vol. 9 No. 1 (2021): Spring 2021 - Articles
The Liminal and the Surreal: The Space of Limbo and Dreams in Luis Bunuel’s The Discreet Charm of the Bourgeoisie
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CINEJ Cinema Journal Vol. 6 No. 1 (2017): Spring 2017 - Book Reviews
Beyond the screen: Emerging cinema and engaging audiences
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CINEJ Cinema Journal Vol. 8 No. 2 (2020): Fall 2020 - Articles
An analytical study of the ritual ceremonies in Iranian performing arts, a case study of Travellers
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CINEJ Cinema Journal Vol. 2 No. 2 (2013): Spring 2013 - Articles
Editorial
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CINEJ Cinema Journal Vol. 8 No. 2 (2020): Fall 2020 - Articles
Antiochia As A Cinematic Space and Semir Aslanyürek as a Film Director From Antiochia
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CINEJ Cinema Journal Vol. 3 No. 2 (2014): Spring 2014 - Articles
Pan-American Highways: American Tourism to Mexico and 1950s Hollywood film
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CINEJ Cinema Journal Vol. 8 No. 2 (2020): Fall 2020 - Book Reviews
Review of Allegory in Iranian Cinema: The Aesthetics of Poetry and Resistance
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CINEJ Cinema Journal CINEJ Special Issue 1 (2011): IMAGES - Films as Spaces of Cultural Encounter. The 2011 IMAGES Project Publication - Articles on Cinematic Language and Aesthetics of Conveying Cultural Encounters: Imagery and Music
The ‘Return to Home’: The Musical Construction of a Common Trope in New Turkish Cinema
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CINEJ Cinema Journal Vol. 3 No. 2 (2014): Spring 2014 - Articles
Bicycles, Airplanes and Peter Pans: Flying Scenes in Steven Spielberg's Films
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CINEJ Cinema Journal Vol. 7 No. 1 (2018): Spring 2018 - Articles
Violence in the Postcolonial Ghetto: Ngozi Onwurah's Welcome II the Terrordome (1994)
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CINEJ Cinema Journal Vol. 5 No. 1 (2015): Fall 2015 - Articles
Reinventing Consumption Traditions through the Process of Unification of a Country: Understanding “Good Bye Lenin!”
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CINEJ Cinema Journal Vol. 7 No. 1 (2018): Spring 2018 - Articles
Political Claustrophobia in Lars von Trier’s Europa and America Trilogies
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CINEJ Cinema Journal Vol. 1 No. 2 (2012) - Articles
Garden of Ambivalence The Topology of the Mother-child Dyad in Grey Gardens
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CINEJ Cinema Journal Vol. 6 No. 1 (2017): Spring 2017 - Articles
A hybrid documentary genre: Animated documentary and the analysis of Waltz with Bashir (2008) Movie
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CINEJ Cinema Journal Vol. 8 No. 1 (2020): Winter 2020 - Articles
Performing Heteronormativity: The Discourse of the College Hook up Culture and Sexuality
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CINEJ Cinema Journal Vol. 9 No. 2 (2021): Fall 2021 - Articles
Post-Coloniality: Projection of Ghana In Video-Films
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CINEJ Cinema Journal Vol. 2 No. 2 (2013): Spring 2013 - Articles
The Tale Of Gandhi Through The Lens: An Inter-Textual Analytical Study Of Three Major Films- Gandhi, The Making Of The Mahatma, And Gandhi, My Father
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CINEJ Cinema Journal Vol. 6 No. 1 (2017): Spring 2017 - Articles
For Those Who Seek Mastery and Personality, by Halit Refiğ
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CINEJ Cinema Journal Vol. 8 No. 1 (2020): Winter 2020 - Articles
Music and sound in documentary film communication: an exploration of Une Affaire de Nègres and Chef!
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CINEJ Cinema Journal Vol. 6 No. 2 (2017): Fall 2017 - Articles
Holocaust Cinema as Depicted by Film Advisory Boards in Five English Speaking Countries
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CINEJ Cinema Journal CINEJ Special Issue 1 (2011): IMAGES - Films as Spaces of Cultural Encounter. The 2011 IMAGES Project Publication - Thematical Articles
Across Cultural and National Borders: Diasporic Chinese Family in Pushing Hands
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CINEJ Cinema Journal Vol. 3 No. 2 (2014): Spring 2014 - Articles
Towards a Singular Cinematic Pedagogy: Gilles Deleuze and Manoel de Oliveira
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CINEJ Cinema Journal Vol. 6 No. 2 (2017): Fall 2017 - Articles
Women in the Cinema of Nuri Bilge Ceylan
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CINEJ Cinema Journal Vol. 9 No. 2 (2021): Fall 2021 - Articles
Reading the Simultaneous Motion and Reality Bending Concepts through Doctor Strange
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CINEJ Cinema Journal Vol. 3 No. 2 (2014): Spring 2014 - Books Received
Books Received
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CINEJ Cinema Journal Vol. 5 No. 2 (2016): Spring 2016 - Articles
Howard Hughes and the Cold War Aviation Film Jet Pilot (1957)
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CINEJ Cinema Journal Vol. 7 No. 2 (2019): Spring/Summer 2019 - Articles
Inner and deeper: Motifs of fiction in Werner Herzog's films
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CINEJ Cinema Journal Vol. 2 No. 1 (2012): Fall 2012 - Articles
Response to “Seeking God in Early Bergman: The Cases of The Seventh Seal and Winter Light”
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CINEJ Cinema Journal Vol. 7 No. 2 (2019): Spring/Summer 2019 - Editor's Note
Editorial
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CINEJ Cinema Journal Vol. 2 No. 2 (2013): Spring 2013 - Articles
Liu Na’ou And The 1930s Soft Film Movement: A New Approach In Revisionist Chinese Film Historiography
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CINEJ Cinema Journal Vol. 9 No. 2 (2021): Fall 2021 - Articles
Locating the Storyteller in Silent Waters: Sabiha Sumar’s Cinematic Tale of Shared Histories and Divided Identities
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CINEJ Cinema Journal Vol. 8 No. 2 (2020): Fall 2020 - Articles
The Study of Rubaiyat attributed to Khayyam in Movies
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CINEJ Cinema Journal Vol. 3 No. 1 (2013): Fall 2013 - Articles
Festival Review: TIFF 2013, The Neoliberal Labyrinth of Cinema
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CINEJ Cinema Journal Vol. 6 No. 2 (2017): Fall 2017 - Articles
Women Trauma and Stereotype Tradition in Tunde Kelani’s Film, Thunderbolt
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CINEJ Cinema Journal Vol. 9 No. 1 (2021): Spring 2021 - Articles
The Millennial Antinostalgic: Yoav in Nadav Lapid’s Synonymes
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CINEJ Cinema Journal Vol. 4 No. 1 (2014): Fall 2014 - Articles
Subtitling in the Nigerian Film Industry, Informative or Misleading?
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CINEJ Cinema Journal Vol. 3 No. 2 (2014): Spring 2014 - Book Reviews
Review of Dark Energy: Hitchcock’s Absolute Camera and the Physics of Cinematic Spacetime
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CINEJ Cinema Journal Vol. 10 No. 1 (2022): Fall 2022 - Articles
Deterritorializing The Self: Becoming-Child in the Characters of Reha Erdem’s What’s A Human Anyway? (2004)
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CINEJ Cinema Journal Vol. 4 No. 1 (2014): Fall 2014 - Articles
From Past To Present A Cognitive Work On “New Turkish Cinema”
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CINEJ Cinema Journal Vol. 7 No. 1 (2018): Spring 2018 - Book Reviews
Global Cinematic Cities: New Landscape of Film and Media
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CINEJ Cinema Journal Vol. 8 No. 2 (2020): Fall 2020 - Articles
A Moebial Ride through Polanski’s Repulsion
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CINEJ Cinema Journal Vol. 1 No. 2 (2012) - Articles
Necessary Fictions: From Cinéma vérité to Ciné, ma vérité(s)
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CINEJ Cinema Journal Vol. 5 No. 2 (2016): Spring 2016 - Articles
Bollywood of India: Geopolitical Texts of Belonging and Difference and Narratives of Mistrust and Suspicion
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CINEJ Cinema Journal Vol. 8 No. 2 (2020): Fall 2020 - Articles
Wild Pear Trees, Patrimonial Legacies: Father-Son Relationship in Nuri Bilge Ceylan's The Wild Pear Tree
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CINEJ Cinema Journal Vol. 10 No. 1 (2022): Fall 2022 - Articles
Zombie-Themes Outbreak Films and World War Z (2013)
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CINEJ Cinema Journal Vol. 2 No. 1 (2012): Fall 2012 - Articles
Editorial
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CINEJ Cinema Journal Vol. 6 No. 1 (2017): Spring 2017 - Book Reviews
The last laugh: Strange humors of cinema
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CINEJ Cinema Journal Vol. 3 No. 1 (2013): Fall 2013 - Articles
‘Not A Terrorist’: The Representational Alternative of Reality TV in All-American Muslim
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CINEJ Cinema Journal Vol. 6 No. 2 (2017): Fall 2017 - Articles
Bollywood in the Hollywood Era: Narratives of Ultra-nationalism, Terrorism and Violence
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CINEJ Cinema Journal Vol. 8 No. 2 (2020): Fall 2020 - Articles
The Effects of Film Illumination Hues – An Exploration Study
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CINEJ Cinema Journal CINEJ Special Issue 1 (2011): IMAGES - Films as Spaces of Cultural Encounter. The 2011 IMAGES Project Publication - Thematical Articles
Strangers No More: the Initial Hitchcock murder
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CINEJ Cinema Journal Vol. 3 No. 1 (2013): Fall 2013 - Editor's Note
Editorial: Thank You to CINEJ Reviewers
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CINEJ Cinema Journal Vol. 6 No. 2 (2017): Fall 2017 - Articles
Ceylan's Winter Sleep: From Ambiguity to Nothingness
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CINEJ Cinema Journal Vol. 10 No. 1 (2022): Fall 2022 - Articles
Exploring Modes of Surveillance in Films
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CINEJ Cinema Journal CINEJ Special Issue 1 (2011): IMAGES - Films as Spaces of Cultural Encounter. The 2011 IMAGES Project Publication - Film Projects of Intercultural Effort
Istanbul Crossroads Establishing Mutual Understanding and Inter-Cultural Dialog through Images
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CINEJ Cinema Journal Vol. 3 No. 2 (2014): Spring 2014 - Book Reviews
Review of Monster Culture in the 21st Century: A Reader
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CINEJ Cinema Journal Vol. 7 No. 1 (2018): Spring 2018 - Articles
The Black Tent (1956) and Bengazi (1955): The Image of Arabs in Two post-Empire Journeys into the Deserts of Libya
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CINEJ Cinema Journal Vol. 10 No. 1 (2022): Fall 2022 - Articles
The Black magic: An aesthetic analysis of its illustration in the sociohorteur film: Dachra
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CINEJ Cinema Journal Vol. 5 No. 1 (2015): Fall 2015 - Articles
Between genres and styles in the films of Robert Bresson
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CINEJ Cinema Journal Vol. 1 No. 2 (2012) - Articles
Return to Reality: Towards A More Tactile Cognition of Film Theory
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CINEJ Cinema Journal Vol. 5 No. 2 (2016): Spring 2016 - Articles
House of Affection: On the Way to the School
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CINEJ Cinema Journal Vol. 9 No. 2 (2021): Fall 2021 - Articles
Yilmaz Güney’s The Fields of Yuréghir and Arkadaş: From Despair to Hope
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CINEJ Cinema Journal Vol. 8 No. 2 (2020): Fall 2020 - Articles
The Urbanization of Labor and Its Struggle for Unionism in Turkish Cinema
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CINEJ Cinema Journal Vol. 10 No. 1 (2022): Fall 2022 - Articles
Politicizing the superhero genre: The case of Watchmen (HBO, 2019)
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CINEJ Cinema Journal Vol. 6 No. 1 (2017): Spring 2017 - Articles
“Ever heard of EVEL Knievel?”: James Bond meets the Rural sheriff
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CINEJ Cinema Journal Vol. 8 No. 2 (2020): Fall 2020 - Articles
Transformation of Love in the Digital Age: The film Her and Reaching God through the love in the Perspective of Sufism
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CINEJ Cinema Journal Vol. 10 No. 1 (2022): Fall 2022 - Articles
Thirteen Days: A Political Reading
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CINEJ Cinema Journal Vol. 3 No. 1 (2013): Fall 2013 - Articles
The Body As Cogito: A Certain Contemporary Film In The Light of Merleau-Ponty
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CINEJ Cinema Journal CINEJ Special Issue 1 (2011): IMAGES - Films as Spaces of Cultural Encounter. The 2011 IMAGES Project Publication - Articles on Cinematic Language and Aesthetics of Conveying Cultural Encounters: Imagery and Music
Sedimentations: Some Thoughts on Schoenberg’s Musical Accompaniment to a Cinematographic Scene
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CINEJ Cinema Journal Vol. 3 No. 2 (2014): Spring 2014 - Articles
Recurrence: A Filmosophic Re-thinking of A Long Story/ Uzun Hikaye
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CINEJ Cinema Journal Vol. 7 No. 1 (2018): Spring 2018 - Articles
Presentation of Nuri Bilge Ceylan and his Cinema in the Turkish Media
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CINEJ Cinema Journal Vol. 8 No. 2 (2020): Fall 2020 - Book Reviews
Review of The Supernatural Sublime: The Wondrous Ineffability of the Everyday in Films from Mexico and Spain
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CINEJ Cinema Journal Vol. 3 No. 2 (2014): Spring 2014 - Articles
Editorial
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CINEJ Cinema Journal Vol. 9 No. 1 (2021): Spring 2021 - Book Reviews
Review of Towards A Political Aesthetics of Cinema: The Outside of Film
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CINEJ Cinema Journal Vol. 7 No. 1 (2018): Spring 2018 - Articles
Going Beyond Boundaries: There is a Way and the Use of English Medium in Hausa Film Industry
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CINEJ Cinema Journal Vol. 5 No. 2 (2016): Spring 2016 - Articles
Power, command and violence in von Trier’s Manderlay. A political and philosophical analysis of pseudo-democracies.
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CINEJ Cinema Journal Vol. 7 No. 1 (2018): Spring 2018 - Articles
Halit Refig's I Lost My Heart to a Turk: Woman, Islam and Modernity in Turkish Cinema
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CINEJ Cinema Journal Vol. 6 No. 1 (2017): Spring 2017 - Book Reviews
HBO Effect
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CINEJ Cinema Journal Vol. 8 No. 2 (2020): Fall 2020 - Articles
Emerging Discourses, Changing Perspectives: Iraq in Oscar Documentary Films
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CINEJ Cinema Journal Vol. 8 No. 2 (2020): Fall 2020 - Articles
Cinema, Life and Other Viruses: The Future of Filmmaking, Film Education and Film Studies in the Age of Covid-19 Pandemic
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CINEJ Cinema Journal Vol. 2 No. 2 (2013): Spring 2013 - Articles
Chop Shop and Foreign Parts settle on the fuzzy boundary between fiction and documentary: new representations of New York City in Contemporary Cinema.
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CINEJ Cinema Journal Vol. 5 No. 2 (2016): Spring 2016 - Editor's Note
Editorial
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CINEJ Cinema Journal Vol. 9 No. 2 (2021): Fall 2021 - Articles
Mapping Yeşilçam: A relational approach to the Turkish film industry
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CINEJ Cinema Journal Vol. 8 No. 1 (2020): Winter 2020 - Articles
Deglamming as Estrangement: Ugly in Monster, The Hours, and Cake
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CINEJ Cinema Journal Vol. 3 No. 1 (2013): Fall 2013 - Articles
The Role Of The Refugee And The Impact Of Fragmented Identities In Diasporic Filmmakers. A Review Of Dogville By Lars von Trier
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CINEJ Cinema Journal Vol. 6 No. 2 (2017): Fall 2017 - Articles
Nollywood in Cameroon: Transnationalisation and Reception of a Dynamic Cinematic Culture
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CINEJ Cinema Journal CINEJ Special Issue 1 (2011): IMAGES - Films as Spaces of Cultural Encounter. The 2011 IMAGES Project Publication - Thematical Articles
Gender and Identity at Boarding Schools: Outcast Teachers in Maedchen in Uniform (1958) vs Loving Annabelle (2006)
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CINEJ Cinema Journal Vol. 7 No. 1 (2018): Spring 2018 - Articles
Interpersonal Relations as a Tool to Film Directing
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CINEJ Cinema Journal Vol. 3 No. 2 (2014): Spring 2014 - Book Reviews
Review of Devised and Directed by Mike Leigh
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CINEJ Cinema Journal Vol. 6 No. 2 (2017): Fall 2017 - Book Reviews
The Orientation of Future Cinema: Technology, Aesthetics, Spectacle
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CINEJ Cinema Journal Vol. 4 No. 1 (2014): Fall 2014 - Articles
New Media and Film Festivals in the Middle East
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CINEJ Cinema Journal Vol. 7 No. 1 (2018): Spring 2018 - Book Reviews
Queer Theory and Brokeback Mountain
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CINEJ Cinema Journal Vol. 9 No. 1 (2021): Spring 2021 - Articles
Formation Of The Ambiguous Heroic Archetype: Three Jewish-American Film Actors And The United States’ Film System, 1929-1948
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CINEJ Cinema Journal Vol. 1 No. 2 (2012) - Articles
Historical “Truth,” Constructed Memory: Restaging Germany’s Reunification in Thomas Berger’s Television Melodrama Wir sind das Volk. Liebe kennt keine Grenzen (We are the people. Love without limits) (2008)
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CINEJ Cinema Journal Vol. 5 No. 2 (2016): Spring 2016 - Articles
Audience Reactions to the Different Aspects of Nollywood Movies
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CINEJ Cinema Journal Vol. 7 No. 2 (2019): Spring/Summer 2019 - Books Received
Books Recevied 2018-19
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CINEJ Cinema Journal Vol. 2 No. 1 (2012): Fall 2012 - Articles
Memory, Identity and Desire: A Psychoanalytic Reading of David Lynch’s Mulholland Drive
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CINEJ Cinema Journal Vol. 5 No. 2 (2016): Spring 2016 - Book Reviews
Review of Postcolonial Theory and Avatar
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CINEJ Cinema Journal Vol. 10 No. 1 (2022): Fall 2022 - Articles
Güneş Ne Zaman Doğacak?: A different approach from the perspective of Turkish cinematic art
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CINEJ Cinema Journal Vol. 2 No. 2 (2013): Spring 2013 - Articles
Defining Italian Neorealism: A Compulsory Movement
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CINEJ Cinema Journal Vol. 3 No. 2 (2014): Spring 2014 - Articles
It Is a Man's World: Romantic Relief In The Hollywood Blockbuster
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CINEJ Cinema Journal Vol. 9 No. 1 (2021): Spring 2021 - Articles
The Social Implications of Metaphor in Bong Joon-ho’s Parasite
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CINEJ Cinema Journal CINEJ Special Issue 1 (2011): IMAGES - Films as Spaces of Cultural Encounter. The 2011 IMAGES Project Publication - Thematical Articles
Changing Landscape of Moral Registers and Urban Pathology in ‘Bombay’ Cinema: Decline of Biological Family and Birth of the Individual through Awara (1951), Deewar (1951), (1975) and Satya (1998)
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CINEJ Cinema Journal Vol. 1 No. 1 (2011) - Articles
Reinvigorating Film Studies: An Immodest Proposal
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CINEJ Cinema Journal Vol. 3 No. 2 (2014): Spring 2014 - Book Reviews
Review of Vertov, Snow, Farocki: Machine Vision and the Posthuman
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CINEJ Cinema Journal Vol. 7 No. 1 (2018): Spring 2018 - Articles
Order, Disobedience and Power in Kieslowski’s Dekalog
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CINEJ Cinema Journal Vol. 8 No. 2 (2020): Fall 2020 - Book Reviews
Review of The Mummy on Screen: Orientalism and Monstrosity in Horror Cinema
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CINEJ Cinema Journal CINEJ Special Issue 1 (2011): IMAGES - Films as Spaces of Cultural Encounter. The 2011 IMAGES Project Publication - Editor's Note
The IMAGES Project (www.images-1.over-blog.org) and the IMAGES Project 2011 Publication IMAGES - Films as Spaces of Cultural Encounter
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CINEJ Cinema Journal Vol. 5 No. 1 (2015): Fall 2015 - Articles
Monstrosity and War Memories in Latin American Post-conflict Cinema
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CINEJ Cinema Journal Vol. 9 No. 1 (2021): Spring 2021 - Articles
The Impulse-Image of Vampiric Capital and the Politics of Vision and Disability: Evil and Horror in Don’t Breathe
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CINEJ Cinema Journal Vol. 7 No. 2 (2019): Spring/Summer 2019 - Articles
Reclaiming Subjectivities: A Psychoanalytic-Feminist Perspective on Item Songs in Contemporary Indian Cinema
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CINEJ Cinema Journal Vol. 1 No. 2 (2012) - Articles
Transperance Me I Want to be Visible: Gay Gaze in Tom Ford’s film A Single Man
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CINEJ Cinema Journal Vol. 5 No. 2 (2016): Spring 2016 - Articles
Pueblos Silenciosos/Silent Comunities: Within the Grain, Against the Grain
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CINEJ Cinema Journal Vol. 8 No. 1 (2020): Winter 2020 - Articles
Cinema, Human Rights And Development: The Cinema As A Pedagogical Practice
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CINEJ Cinema Journal Vol. 10 No. 1 (2022): Fall 2022 - Articles
The Ambivalent Object(s) of America in Wim Wenders
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CINEJ Cinema Journal Vol. 2 No. 2 (2013): Spring 2013 - Articles
Wenders in Motion: A Study On The Way Of Characterization In Wim Wenders’ Road Movies
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CINEJ Cinema Journal Vol. 6 No. 2 (2017): Fall 2017 - Articles
Transnational Life: Where’d I Be Happy? A Research on the Films of Immigrant Directors From Turkey Living in Austria
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CINEJ Cinema Journal Vol. 8 No. 1 (2020): Winter 2020 - Book Reviews
Review of Cinema/Politics/Philosophy
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CINEJ Cinema Journal Vol. 9 No. 1 (2021): Spring 2021 - Articles
Disgraced of the West, Deserted of the East: Men in the Films Shame and Issız Adam (Alone)
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CINEJ Cinema Journal Vol. 3 No. 1 (2013): Fall 2013 - Articles
The Otolith Group’s “Monuments to Dead Television.” Independent Cinema and the Migrant Experience in Europe between Television and the Museum
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CINEJ Cinema Journal Vol. 1 No. 1 (2011) - Articles
Cinema on Cinema: The Kinship between Cinema Paradiso and Zıkkımın Kökü, Karpuz Kabuğundan Gemiler Yapmak, Sinema Bir Mucizedir
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CINEJ Cinema Journal Vol. 8 No. 2 (2020): Fall 2020 - Articles
Transformation of Comedy with Streaming Services: The Case of Bartu Ben
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CINEJ Cinema Journal Vol. 3 No. 2 (2014): Spring 2014 - Articles
Technology and the Turkish Mind: Internet Animation as Counter Culture in Turkey
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CINEJ Cinema Journal Vol. 7 No. 1 (2018): Spring 2018 - Book Reviews
Comic Venus: Women and Comedy in American Silent Film
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CINEJ Cinema Journal Vol. 9 No. 1 (2021): Spring 2021 - Book Reviews
Review of Shoe Reels: The History and Philosophy of Footwear in Film
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CINEJ Cinema Journal Vol. 7 No. 1 (2018): Spring 2018 - Editor's Note
Editorial
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CINEJ Cinema Journal Vol. 2 No. 1 (2012): Fall 2012 - Articles
Islam goes Hollywood. An exploratory study on Islam in Turkish cinema
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CINEJ Cinema Journal Vol. 6 No. 1 (2017): Spring 2017 - Articles
Same-sex love in Muslim cultures through the lens of Hindustani Cinema
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CINEJ Cinema Journal Vol. 10 No. 1 (2022): Fall 2022 - Articles
The Relation of Female Characters to Nature in the Turkish Series Wounded Love (2016–2018): Ecofeminist Approaches
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CINEJ Cinema Journal Vol. 7 No. 2 (2019): Spring/Summer 2019 - Book Reviews
Comic Venus: Women and Comedy in American Silent Film
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CINEJ Cinema Journal Vol. 8 No. 2 (2020): Fall 2020 - Books Received
Books Received 2020
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CINEJ Cinema Journal Vol. 4 No. 1 (2014): Fall 2014 - Articles
The City on Screen: A Methodological Approach on Cinematic City Studies
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CINEJ Cinema Journal Vol. 8 No. 2 (2020): Fall 2020 - Articles
Evaluation of Neurocinema as An Introduction to an Interdisciplinary Science
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CINEJ Cinema Journal Vol. 3 No. 1 (2013): Fall 2013 - Articles
Law, Urban Violence and Order: Cop Shows as a Brazilian TV Genre
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CINEJ Cinema Journal Vol. 6 No. 2 (2017): Fall 2017 - Articles
Panoptic Pranksters: Power, Space and Visibility in the Information Panopticon in Scare Campaign
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CINEJ Cinema Journal Vol. 10 No. 1 (2022): Fall 2022 - Articles
Victims and Survivors in the Rape-Revenge Narrative: A Comparison of Black Christmas (2019) and I May Destroy You (2020)
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CINEJ Cinema Journal Vol. 9 No. 1 (2021): Spring 2021 - Articles
Female Representation in Select Films of Frank Rajah Arase: Evidence of Male Chauvinist Tendencies in the Ghanaian Film Culture
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CINEJ Cinema Journal Vol. 1 No. 2 (2012) - Articles
To Find Is To Choose, To Choose Is To Create: Culture(s) in Cinematic and Architectural Space(s)
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CINEJ Cinema Journal Vol. 3 No. 2 (2014): Spring 2014 - Articles
Rudaali in Film Narrative: Looking Through the Feminist Lens
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CINEJ Cinema Journal Vol. 7 No. 1 (2018): Spring 2018 - Articles
From Box Office to Memory: Telling Stories is not an Innocent Act
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CINEJ Cinema Journal Vol. 3 No. 2 (2014): Spring 2014 - Book Reviews
Review of Guillermo del Toro: Film as Alchemic Art
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CINEJ Cinema Journal Vol. 9 No. 2 (2021): Fall 2021 - Articles
Some Problems with Gendered Subjectivity and Representation: Baise Moi and Hard-Core Pornography
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CINEJ Cinema Journal Vol. 1 No. 2 (2012) - Articles
The Avenging Females: A Comparative Analysis of Kill Bill Vol.1-2, Death Proof and Sympathy for Lady Vengeance
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CINEJ Cinema Journal Vol. 5 No. 1 (2015): Fall 2015 - Book Reviews
Post-TV: Piracy, Cord-Cutting, and the Future of Television
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CINEJ Cinema Journal Vol. 8 No. 1 (2020): Winter 2020 - Articles
Venom: A Desiring Machine
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CINEJ Cinema Journal Vol. 3 No. 1 (2013): Fall 2013 - Articles
Auteur and Style in National Cinema: A Reframing of Metin Erksan's Time To Love
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CINEJ Cinema Journal Vol. 5 No. 2 (2016): Spring 2016 - Book Reviews
Review of The Bloomsbury Companions to Contemporary Film-makers: Peter Jackson
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CINEJ Cinema Journal Vol. 9 No. 1 (2021): Spring 2021 - Books Received
Books Received 2021
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CINEJ Cinema Journal Vol. 2 No. 2 (2013): Spring 2013 - Articles
Nation, Genre and Female Performance in Canadian Cinema
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CINEJ Cinema Journal Vol. 6 No. 2 (2017): Fall 2017 - Articles
Cinematic Orientalism: Bab el Oued City & The Time that Remains
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CINEJ Cinema Journal CINEJ Special Issue 1 (2011): IMAGES - Films as Spaces of Cultural Encounter. The 2011 IMAGES Project Publication - Thematical Articles
Re-Organizing Cultural Values: Vers le Sud by Laurent Cantet
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CINEJ Cinema Journal CINEJ Special Issue 1 (2011): IMAGES - Films as Spaces of Cultural Encounter. The 2011 IMAGES Project Publication - Thematical Articles
UFA Orientalism. The “Orient” in Early German Film: Lubitsch and May
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CINEJ Cinema Journal Vol. 3 No. 2 (2014): Spring 2014 - Book Reviews
Review of Postfeminism and Paternity in Contemporary U.S. Film: Framing Fatherhood
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CINEJ Cinema Journal Vol. 6 No. 2 (2017): Fall 2017 - Editor's Note
Editorial
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CINEJ Cinema Journal Vol. 5 No. 1 (2015): Fall 2015 - Articles
Control and Resistance in the Heterotopic Spatiality of Pleasantville
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CINEJ Cinema Journal Vol. 7 No. 2 (2019): Spring/Summer 2019 - Articles
Star Wars: The Force Awakens [the Western Pleasure Principle]
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CINEJ Cinema Journal Vol. 9 No. 1 (2021): Spring 2021 - Articles
“About Miracles”: Seeing the “real thing” in Hong Sang-soo’s Woman on the Beach and Éric Rohmer’s Le Rayon vert
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CINEJ Cinema Journal Vol. 1 No. 2 (2012) - Articles
Seeking God in Early Bergman: The Cases of The Seventh Seal and Winter Light
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CINEJ Cinema Journal Vol. 8 No. 1 (2020): Winter 2020 - Articles
Rethinking Pornography within the Context of the New French Extremity: The Case of Baise-Moi
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CINEJ Cinema Journal Vol. 4 No. 1 (2014): Fall 2014 - Articles
Authorship in Cinema: Author & Reader
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CINEJ Cinema Journal Vol. 6 No. 1 (2017): Spring 2017 - Articles
Kingdom of Heaven and its ideological message
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CINEJ Cinema Journal Vol. 8 No. 1 (2020): Winter 2020 - Book Reviews
Review of The Dynamic Frame: Camera Movement in Classical Hollywood
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CINEJ Cinema Journal Vol. 9 No. 1 (2021): Spring 2021 - Articles
The world of Assamese celluloid: ‘yesterday and today’
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CINEJ Cinema Journal Vol. 3 No. 1 (2013): Fall 2013 - Articles
Fiction Criticizing Reality: Abbas Kiarostami and the Cracked Windshield of Cinema
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CINEJ Cinema Journal CINEJ Special Issue 1 (2011): IMAGES - Films as Spaces of Cultural Encounter. The 2011 IMAGES Project Publication - Thematical Articles
Identity, Cultural Representation and Feminism in the Movie Head-On
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CINEJ Cinema Journal Vol. 3 No. 2 (2014): Spring 2014 - Articles
Bikes and Movies: A Brief History Of Motorcycle In Cinema
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CINEJ Cinema Journal Vol. 9 No. 1 (2021): Spring 2021 - Articles
Portrayal of Women in Contemporary Nollywood Films: Isoken and King of Boys in Focus
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CINEJ Cinema Journal Vol. 4 No. 1 (2014): Fall 2014 - Articles
Mulholland Drive: An Intertextual Reading
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CINEJ Cinema Journal Vol. 9 No. 1 (2021): Spring 2021 - Articles
I’ll be back? The Deconstruction of the 1980s and the 1990s Hard Body Movies
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CINEJ Cinema Journal Vol. 9 No. 1 (2021): Spring 2021 - Articles
Cinema: Not Frames But Veils
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CINEJ Cinema Journal Vol. 5 No. 1 (2015): Fall 2015 - Articles
Sleaze, Slur... and the Search for a Sanitized Identity: Bhojpuri Media at a Crossroads
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CINEJ Cinema Journal Vol. 7 No. 1 (2018): Spring 2018 - Articles
Let’s Make it American: American Remakes of the British Films
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CINEJ Cinema Journal Vol. 2 No. 1 (2012): Fall 2012 - Articles
The impact of sound technology on the distribution of shot lengths in Hollywood cinema, 1920 to 1933
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CINEJ Cinema Journal Vol. 5 No. 2 (2016): Spring 2016 - Book Reviews
Review of Christophe Honore
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CINEJ Cinema Journal Vol. 7 No. 2 (2019): Spring/Summer 2019 - Book Reviews
Miyazakiworld: A Life in Art
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CINEJ Cinema Journal Vol. 6 No. 2 (2017): Fall 2017 - Articles
Aestheticizing the Downfall of Industrial Capitalism: Jim Jarmusch’s Tale of Intellectual Vampires in Zombies’ World
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CINEJ Cinema Journal Vol. 3 No. 1 (2013): Fall 2013 - Book Reviews
Book Review: Screen Distribution and the New King Kongs of the Online World
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CINEJ Cinema Journal Vol. 6 No. 1 (2017): Spring 2017 - Editor's Note
Editorial
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CINEJ Cinema Journal Vol. 8 No. 1 (2020): Winter 2020 - Articles
Remembering Thomas Elsaesser and Peter Wollen
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CINEJ Cinema Journal Vol. 1 No. 1 (2011) - Articles
A Quantitative Approach to Variables Affecting Production of Short Films in Turkey
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CINEJ Cinema Journal Vol. 3 No. 2 (2014): Spring 2014 - Articles
Film As Nation Building: The UAE Goes Into the Movie Business
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CINEJ Cinema Journal Vol. 7 No. 1 (2018): Spring 2018 - Articles
Apocalypse at Painting to Cinema: The end of Western Civilization and Hegemony
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CINEJ Cinema Journal Vol. 3 No. 2 (2014): Spring 2014 - Book Reviews
Review of Masculinity and Gender in Greek Cinema
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CINEJ Cinema Journal Vol. 8 No. 2 (2020): Fall 2020 - Articles
“Billions in Debt and Still Surviving”: Curing the Female Shopper in Confessions of a Shopaholic
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CINEJ Cinema Journal Vol. 7 No. 1 (2018): Spring 2018 - Book Reviews
The War that Won't Die: The Spanish Civil War in Cinema
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CINEJ Cinema Journal Vol. 9 No. 1 (2021): Spring 2021 - Articles
“not conducive for sobriety”: Sex Addiction and Neoliberal Masculinity in Don Jon and Thanks for Sharing
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CINEJ Cinema Journal CINEJ Special Issue 1 (2011): IMAGES - Films as Spaces of Cultural Encounter. The 2011 IMAGES Project Publication - Articles on Cinematic Language and Aesthetics of Conveying Cultural Encounters: Imagery and Music
The Language of Colours. A Semiotic Analysis of Colours and Symbolic Imagery in Francis Ford Coppola’s "Bram Stoker’s Dracula" (1992)
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CINEJ Cinema Journal Vol. 5 No. 2 (2016): Spring 2016 - Articles
Tragicomedy, Melodrama, and Genre in Early Sound Films: The Case of Two “Sad Clown” Musicals
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CINEJ Cinema Journal Vol. 9 No. 2 (2021): Fall 2021 - Articles
Real, Reel and the Anthropocene: Eco-trauma Testimonies in the Film Valiya Chirakulla Pakshikal
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CINEJ Cinema Journal Vol. 8 No. 2 (2020): Fall 2020 - Articles
“Youtuber Movies” From New Media to the Cinema
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CINEJ Cinema Journal Vol. 6 No. 1 (2017): Spring 2017 - Articles
Zippo Marx
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CINEJ Cinema Journal Vol. 9 No. 1 (2021): Spring 2021 - Articles
Diversity and Inclusion in Film, Television and Media Sector: Policy Alternatives for an Inclusive Film Industry and Training
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CINEJ Cinema Journal Vol. 2 No. 2 (2013): Spring 2013 - Articles
Nostalgia for the Light: A ‘Documemory’ and The Conflict between History and Memory
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CINEJ Cinema Journal Vol. 8 No. 1 (2020): Winter 2020 - Articles
Becoming-Animal in the Narrative and the Form of Reha Erdem’s Kosmos
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CINEJ Cinema Journal Vol. 7 No. 2 (2019): Spring/Summer 2019 - Articles
Bollywood in the Hollywood Era: Narratives of Ultra-nationalism, Terrorism and Violence
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CINEJ Cinema Journal CINEJ Special Issue 1 (2011): IMAGES - Films as Spaces of Cultural Encounter. The 2011 IMAGES Project Publication - Thematical Articles
The Relation between Hollywood and the New Threat Perception of the USA after the End of the Cold War from the Perspective of Postmodernism
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CINEJ Cinema Journal CINEJ Special Issue 1 (2011): IMAGES - Films as Spaces of Cultural Encounter. The 2011 IMAGES Project Publication - Thematical Articles
New Turkish Cinema – Some Remarks On The Homesickness Of The Turkish Soul
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CINEJ Cinema Journal Vol. 3 No. 2 (2014): Spring 2014 - Book Reviews
Review of The Drift: Affect, Adaptation and New Perspectives on Fidelity
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CINEJ Cinema Journal Vol. 9 No. 2 (2021): Fall 2021 - Articles
Coming of Age in the Diaspora: Bollywood and the Representation of Second Generation British Indian Diaspora
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CINEJ Cinema Journal Vol. 5 No. 1 (2015): Fall 2015 - Articles
The Problem of Homosexuality: Desire-in-Uneasiness, Friendship, Family, Freedom
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CINEJ Cinema Journal Vol. 1 No. 2 (2012) - Articles
The Thin Blue Line: How can we destroy actuality with editing?
Abstract PDF How can we destroy actuality with editing?
CINEJ Cinema Journal Vol. 5 No. 2 (2016): Spring 2016 - Articles
Screening the Urban: An Analysis of the Urban Life and Subjectivities in the Assamese Films of Bhabendra Nath Saikia and Jahnu Barua
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CINEJ Cinema Journal Vol. 9 No. 1 (2021): Spring 2021 - Book Reviews
Review of Theorizing Film Through Contemporary Art: Expanding Cinema
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CINEJ Cinema Journal Vol. 8 No. 1 (2020): Winter 2020 - Articles
Man In A Hat: Martin Balsam And The Refining Of Male Character Acting In American Films, 1957-1976
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CINEJ Cinema Journal Vol. 6 No. 1 (2017): Spring 2017 - Book Reviews
The architecture of David Lynch
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CINEJ Cinema Journal Vol. 8 No. 2 (2020): Fall 2020 - Articles
A Reading of Bhabendra Nath Saikia's Films from Feminist Lens
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CINEJ Cinema Journal Vol. 9 No. 1 (2021): Spring 2021 - Articles
The reception of Cameroon Films and home videos in student residential areas: the case of Bambili – Cameroon
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CINEJ Cinema Journal Vol. 8 No. 1 (2020): Winter 2020 - Books Received
Books received
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CINEJ Cinema Journal Vol. 1 No. 1 (2011) - Articles
Down the Rabbit Hole of Reality: Abbas Kiarostami’s Certified Copy
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CINEJ Cinema Journal Vol. 4 No. 1 (2014): Fall 2014 - Articles
A Film Buff’s Paradox: The Evolution of Illusion vs. Reality
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CINEJ Cinema Journal Vol. 3 No. 2 (2014): Spring 2014 - Book Reviews
Review of Terrence Malick: Film and Philosophy
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CINEJ Cinema Journal Vol. 7 No. 1 (2018): Spring 2018 - Book Reviews
Film and Television Genres of the Late Soviet Era
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CINEJ Cinema Journal Vol. 9 No. 2 (2021): Fall 2021 - Articles
Rocky Balboa: The Innocent and the Invincible Hero of Low Income Class
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CINEJ Cinema Journal CINEJ Special Issue 1 (2011): IMAGES - Films as Spaces of Cultural Encounter. The 2011 IMAGES Project Publication - Rear Matter
The Special Issue Editors
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CINEJ Cinema Journal Vol. 5 No. 1 (2015): Fall 2015 - Articles
Of Genes and Germs: The Agenda of Health in Contemporary Hollywood
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CINEJ Cinema Journal Vol. 8 No. 2 (2020): Fall 2020 - Articles
Shattered Identity of Immigrant Artist and Creation of Art in a Hybridized Space: The Case Study of A Girl Walks Home Alone at Night
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CINEJ Cinema Journal Vol. 9 No. 1 (2021): Spring 2021 - Articles
Waking (Dreaming): A Vedantic Reflection on Richard Linklater’s Waking Life
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CINEJ Cinema Journal Vol. 2 No. 1 (2012): Fall 2012 - Articles
Music, Magic, and the Mythic: The Dynamics of Visual and Aural Discourse in Souleymane Cissé’s Yeelen
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CINEJ Cinema Journal Vol. 6 No. 1 (2017): Spring 2017 - Articles
The politics of spectatorship in the Tree of Wooden Clogs
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CINEJ Cinema Journal Vol. 8 No. 1 (2020): Winter 2020 - Articles
Cinema And Society In The Light Of Emile Zola’s Naturalism
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CINEJ Cinema Journal Vol. 6 No. 1 (2017): Spring 2017 - Books Received
Books received
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CINEJ Cinema Journal Vol. 10 No. 1 (2022): Fall 2022 - Book Reviews
Review of An Orthodox Monk Watching Films
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CINEJ Cinema Journal Vol. 8 No. 1 (2020): Winter 2020 - Articles
Politics of Succession in Nollywood Films, Saworoide and Ikoka
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CINEJ Cinema Journal Vol. 3 No. 1 (2013): Fall 2013 - Articles
Hollywood, The American Image And The Global Film Industry
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CINEJ Cinema Journal Vol. 1 No. 1 (2011) - Articles
Violence, Oppression, and Double Standards in Three Colombian Films
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CINEJ Cinema Journal Vol. 3 No. 2 (2014): Spring 2014 - Articles
Preternatural Claims, Precarious Workers: The Content and Distribution of the Most Successfully Crowdfunded Documentary
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