Vol. 2 No. 2 (2013): Spring 2013

Articles

• Editorial

  Murat Akser

  1-3

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• The Tale Of Gandhi Through The Lens: An Inter-Textual Analytical Study Of Three Major Films- Gandhi, The Making Of The Mahatma, And Gandhi, My Father

  C.S.H.N. Murthy, Oinam Bedajit Meitei, Dapkupar Tariang

  4-37

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• Chop Shop and Foreign Parts settle on the fuzzy boundary between fiction and documentary: new representations of New York City in Contemporary Cinema.

  Fernando Canet

  38-50

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• The American Dark Ages and the Terrorist Witch in Season of the Witch

  Tom Vercruysse

  51-65

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• Liu Na’ou And The 1930s Soft Film Movement: A New Approach In Revisionist Chinese Film Historiography

  Donna Ong

  66-81

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• Wenders in Motion: A Study On The Way Of Characterization In Wim Wenders’ Road Movies

  Erman Pehlivan

  82-109

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• Same Story But Different Cover: The Substitution Principle in Religion and Understanding It Through Watching Films

  Gökhan Uğur

  110-125

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• Nostalgia for the Light: A ‘Documemory’ and The Conflict between History and Memory

  Didem Durak

  126-139

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• Defining Italian Neorealism: A Compulsory Movement

  Esma Kartal

  140-148

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• Nation, Genre and Female Performance in Canadian Cinema

  Murat Akser

  149-166

  • PDF