The Avenging Females: A Comparative Analysis of Kill Bill Vol.1-2, Death Proof and Sympathy for Lady Vengeance

Authors

  • Basak Göksel Demiray Bahcesehir University

DOI:

https://doi.org/10.5195/cinej.2012.40

Keywords:

Revenge movies, male gaze, assaultive gaze, Laura Mulvey, Carol Clover

Abstract

This paper provides a comparative analysis of Quentin Tarantino’s Kill Bill Vol.1-2 (2003, 2004), Death Proof (2007) and Park Chan Wook’s Sympathy for Lady Vengeance (Chinjeolhan Geumjassi, 2005). The primary objectives of this study are: (1) to reveal the gender-biases inherent to the fundamental discursive structures of the foregoing films; (2) to compare and contrast the films through an analysis of the ‘gaze(s)’ and possible ‘pleasures’,  which are inherent in their narratives, in relation to Laura Mulvey’s and Carol Clover’s approaches; and (3) to distinguish Kill Bill Vol.1-2 from the foregoing two and the ‘avenging female’ clichés of the other horror/violence movies in the context of the replaced positionings of its protagonist and antagonist inherent in its distinct narrative style.

Author Biography

Basak Göksel Demiray, Bahcesehir University

Cinema and Television

Downloads

Published

2012-04-08

How to Cite

Göksel Demiray, B. (2012). The Avenging Females: A Comparative Analysis of Kill Bill Vol.1-2, Death Proof and Sympathy for Lady Vengeance. CINEJ Cinema Journal, 1(2), 29–35. https://doi.org/10.5195/cinej.2012.40

Issue

Vol. 1 No. 2 (2012)

Section

Articles

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