The world of Assamese celluloid: ‘yesterday and today’
DOI:
https://doi.org/10.5195/cinej.2021.358Keywords:
Assamese cinema, Regional cinema, Jyotiprasad Agarwala, Regional filmmaker, Covid-19, OTT platformAbstract
The study explores the entire journey of the Assamese cinema, which means a journey that will narrate many stories from its past and present, furthermore also will try to analyze its future potential. This paper deals with the trends emerging in genres, technical advancement, and visual representation along with a cult that emphasized the commercial success of cinema by toeing the style of Bollywood and world cinema. It explores the new journey of Assamese cinema, which deals with small budgets, realistic approaches, and portraying stories from the native lanes. It also touches upon the phase of ‘freeze’ that the Assamese cinema industry was undergoing due to global pandemic Covid-19.
References
Acharya, S.. (2015). Bollywood and Globalization. San Francisco State University.
Barnouw, E. and Krishnaswamy, S. (1980). Indian Film. New York, Oxford University Press.
Barpujari, M. (2013). Assamese Cinema: Dreams, reality and dichotomies: Routledge Handbook of Indian Cinemas. Routledge Online Publication.
Bazin, A. (1967). What is Cinema?. I. University of California Press, London.
Blandford, S., Grant, B. K. and Hillier, J. (Eds.). (2000). The Film Studies Dictionary. Oxford University Press.
Das, A. L. (2010). Axomiya solochitrar Etihakh (A history of Assamese films). Guwahati, Sishu Sashi Prakashan.
Das, P. (2017). Problems and Perspective of the Relationship between the Media and Human Rights. Cambridge Scholars Publishing.
Datta, U. (2019). Chalachitrar Rakhachadan. Purbayon Publication.
Deori, M. and Bora, A. (2020). Assamese Cinema Through Nine Decades: Challenging Journey with Encouraging Trends. Global Media Journal-Indian Edition, 12 (2).
Goswami, P, Borah, M and Barbaruah, A. (2012). Get shortly Voicing concerns against conflict, eclectic Times.
Kalita, G. and Borpujari, M. (2008). Perspectives on Cinema of Assam. Guwahati Cine Club.
Monaco, J. (2000). How to read a film: The world of Movies, Media, and Multimedia. Oxford University Press.
Rajadhyaksha, A. (1999). Encyclopedia of Indian Cinema, (2nd ed.). Routledge.
Ray, S. (2001). Our Films Their Films. Kolkata: Orient Longman Limited.
Sharma, A. (2005). Jyoti Prasad as a Film Maker. Rajib Baruah Adi Publications.
Sharma, B. (2014). The Moving Image and Assamese Culture: Joymoti, Jyotiprasad Agarwala and Assamese Cinema. OUP India.
Singh, R. K. (2009). Encyclopaedia of Assamese Literature. 2. Amol Publications Pvt.Ltd, New Delhi.
Thoraval, Y. (2007). Cinemas of India. Delhi: Macmillan Publishers India, 2007.
Downloads
Published
How to Cite
Issue
Section
License
Authors who publish with this journal agree to the following terms:
- The Author retains copyright in the Work, where the term “Work” shall include all digital objects that may result in subsequent electronic publication or distribution.
- Upon acceptance of the Work, the author shall grant to the Publisher the right of first publication of the Work.
- The Author shall grant to the Publisher and its agents the nonexclusive perpetual right and license to publish, archive, and make accessible the Work in whole or in part in all forms of media now or hereafter known under a Creative Commons Attribution 4.0 International License or its equivalent, which, for the avoidance of doubt, allows others to copy, distribute, and transmit the Work under the following conditions:
- Attribution—other users must attribute the Work in the manner specified by the author as indicated on the journal Web site;
- The Author is able to enter into separate, additional contractual arrangements for the nonexclusive distribution of the journal's published version of the Work (e.g., post it to an institutional repository or publish it in a book), as long as there is provided in the document an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post online a prepublication manuscript (but not the Publisher’s final formatted PDF version of the Work) in institutional repositories or on their Websites prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work. Any such posting made before acceptance and publication of the Work shall be updated upon publication to include a reference to the Publisher-assigned DOI (Digital Object Identifier) and a link to the online abstract for the final published Work in the Journal.
- Upon Publisher’s request, the Author agrees to furnish promptly to Publisher, at the Author’s own expense, written evidence of the permissions, licenses, and consents for use of third-party material included within the Work, except as determined by Publisher to be covered by the principles of Fair Use.
- The Author represents and warrants that:
- the Work is the Author’s original work;
- the Author has not transferred, and will not transfer, exclusive rights in the Work to any third party;
- the Work is not pending review or under consideration by another publisher;
- the Work has not previously been published;
- the Work contains no misrepresentation or infringement of the Work or property of other authors or third parties; and
- the Work contains no libel, invasion of privacy, or other unlawful matter.
- The Author agrees to indemnify and hold Publisher harmless from Author’s breach of the representations and warranties contained in Paragraph 6 above, as well as any claim or proceeding relating to Publisher’s use and publication of any content contained in the Work, including third-party content.
Revised 7/16/2018. Revision Description: Removed outdated link.