Vol. 6 No. 2 (2017): Fall 2017

Published: 2018-04-25

Editor's Note

Editorial

Bengisu Bayrak

1-5
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Articles

Transnational Life: Where’d I Be Happy? A Research on the Films of Immigrant Directors From Turkey Living in Austria

Hasan Gürkan

6-31
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Aestheticizing the Downfall of Industrial Capitalism: Jim Jarmusch’s Tale of Intellectual Vampires in Zombies’ World

Bahar Muratoğlu Pehlivan, Gül Esra Atalay

32-48
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Stereotype Representation of Women in Nigerian Films

Andrew Ali Ibbi

49-70
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Bollywood in the Hollywood Era: Narratives of Ultra-nationalism, Terrorism and Violence

Iqbal Shailo

71-87
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Holocaust Cinema as Depicted by Film Advisory Boards in Five English Speaking Countries

Alon Lazar, Tal Litvak Hirsch

88-111
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Panoptic Pranksters: Power, Space and Visibility in the Information Panopticon in Scare Campaign

Elloit Cardozo

112-128
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Nollywood in Cameroon: Transnationalisation and Reception of a Dynamic Cinematic Culture

Floribert Patrick C. Endong

129-143
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Women Trauma and Stereotype Tradition in Tunde Kelani’s Film, Thunderbolt

Olugbenga Elegbe

144-164
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Cinematic Orientalism: Bab el Oued City & The Time that Remains

Volkan Yücel, Ziya Toprak

165-180
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Ceylan's Winter Sleep: From Ambiguity to Nothingness

Aslı Daldal

181-199
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Women in the Cinema of Nuri Bilge Ceylan

Funda Masdar Kara, Şakir Eşitti

200-221
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Book Reviews

The Orientation of Future Cinema: Technology, Aesthetics, Spectacle

Anthony James Ballas

222-227
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