Books Received


  • Murat Akser University of Ulster



cinema, media


In 2014 we have received a variety of books onc inema and media from these publishers: Bloomsbury Academic, Cambridge Scholars Publishing, Continuum, Edinburgh University Press, Focal Press, Intellect, Paradigm, Peter Lang, Routledge, University of California Press, Wayne State University Press.


Sarah Atkinson. Beyond the Screen: Emerging Cinema and Engaging Audiences. London: Bloomsbury Academic, 2014.

Murat Akser and Deniz Bayrakdar eds. New Cinema, New Media: Reinventing Turkish Cinema. Newcastle-upon-tyne: Cambridge Scholars Publishing, 2014.

Paula Blair. Old Borders, New Technologies: Reframing Film and Visual Culture in Contemporary Northern Ireland. Peter Lang, 2014.

Marina Levina, Diem-My T. Bui eds. Monster Culture in the 21st Century: A Reader. London: Bloomsbury Academic, 2013.

Roberta Pearson, Máire Messenger Davies. Star Trek and American Television. Berkeley: University of California Press, 2014.

David Scott Diffrient. Omnibus Films: Theorizing Transauthorial Cinema. Edinburgh: Edinburgh University Press, 2014.

Bryan Cardinale-Powell, Marc DiPaolo eds., Devised and Directed by Mike Leigh. London: Bloomsbury Academic, 2013.

Bert Cardullo ed. Stage and Screen: Adaptation Theory from 1916 to 2000. London: Bloomsbury Academic, 2013.

Corey K. Creekmur, Linda Y. Mokdad and Corey Creekmur eds. The International Film Musical. Edinburgh: Edinburgh University Press, 2013.

Michael Deangelis. Reading the Bromance: Homosocial Relationships in Film and Television. Detroit: Wayne State University Press, 2014.

Dean J. DeFino. The HBO Effect. London: Bloomsbury Academic, 2014.

Sally Faulkner. A History of Spanish Film: Cinema and Society 1910-2010. London: Bloomsbury Academic, 2013.

Nancy Reardon and Tom Flynn. On Camera: How To Report, Anchor & Interview. Boston: Focal Press, 2013.

Lincoln Geraghty. Cult Collectors. London: Routledge, 2014.

Stephen Gundle. Politics as Form in Lars von Trier: A Post-Brechtian Reading. London: Bloomsbury Academic, 2013.

Michael Haas. Hollywood Raises Political Consciousness: Political Messages in Feature Films. Peter Lang, 2014.

Achilleas Hadjikyriacou. Masculinity and Gender in Greek Cinema : 1949-1967. London: Bloomsbury Academic, 2013.

Raz Yosef, Boaz Hagin eds. Deeper than Oblivion: Trauma and Memory in Israeli Cinema. London: Bloomsbury Academic, 2013.

Hannah Hamad. Postfeminism and Paternity in Contemporary US Film: Framing Fatherhood. London: Routledge, 2013.

Anjeana K. Hans. Gender and the Uncanny in Films of the Weimar Republic. Detroit: Wayne State University Press, 2014.

Daniel Herbert. Videoland: Movie Culture at the American Video Store. Berkeley: University of California Press, 2014.

John Hodgkins. The Drift: Affect, Adaptation, and New Perspectives on Fidelity. London: Bloomsbury Academic, 2013.

Helen Hughes. Green Documentary: Environmental Documentary Film in the 21st Century. London: Intellect, 2014.

Rebecca Weaver-Hightower and Peter Hulme eds. Postcolonial Film: History, Empire, Resistance. London: Routledge, 2014.

Noah Isenberg. Edgar G. Ulmer: A Filmmaker at the Margins. Berkeley: University of California Press, 2014.

Erika Fischer-Lichte, Torsten Jost and Saskya Iris Jain eds. The Politics of Interweaving Performance Cultures: Beyond Postcolonialism. London: Routledge, 2014.

Seung-hoon Jeong. Cinematic Interfaces: Film Theory After New Media. London: Routledge, 2014.

Douglas Kahn. Earth Sound Earth Signal: Energies and Earth Magnitude in the Arts. Berkeley: University of California Press, 2013.

Thomas Deane Tucker, Stuart Kendall eds. Terrence Malick: Film and Philosophy. London: Bloomsbury Academic, 2014.

Philip Kuberski. Kubrick's Total Cinema: Philosophical Themes and Formal Qualities. London: Bloomsbury Academic, 2014.

Tarja Laine. Feeling Cinema: Emotional Dynamics in Film Studies. London: Bloomsbury Academic, 2013.

David Landau. Lighting for Cinematography. London: Bloomsbury Academic, 2014.

Moya Luckett. Cinema and Community: Progressivism, Exhibition and Film Culture in Chicago, 1907-1917. Detroit: Wayne State University Press, 2013.

Scott Macdonald. American Ethnographic Film and Personal Documentary: The Cambridge Turn. Berkeley: University of California Press, 2013.

Scott Mackenzie ed. Film Manifestos and Global Cinema Cultures: A Critical Anthology. Berkeley: University of California Press, 2014.

Sebastian Manley. The Cinema of Hal Hartley. London: Bloomsbury Academic, 2013.

Janine Marchessault, Dan Adler and Sanja Obradovic eds. 3D Cinema and Beyond. London: Intellect, 2014.

Chris Meigh-Andrews. A History of Video Art. London: Bloomsbury Academic, 2013.

Vincent Mosco. To the Cloud: Big Data in a Turbulent World. Paradigm, 2014.

James Naremore. An Invention without a Future: Essays on Cinema. Berkeley: University of California Press, 2014.

Geoffrey Nowell-Smith. Making Waves: New Cinemas of the 1960s. Continuum, 2013.

Jill Daniels, Cahal McLaughlin and Gail Pearce eds. Truth, Dare or Promise: Art and Documentary Revisited. Newcastle-upon-tyne: Cambridge Scholars Publishing, 2013.

Murray Pomerance ed. The Last Laugh: Strange Humors of Cinema. Detroit: Wayne State University Press, 2013.

Christian Fuchs and Marisol Sandoval eds. Critique, Social Media and the Information Society. London: Routledge, 2014.

Philip J. Skerry. Dark Energy: Hitchcock's Absolute Camera and the Physics of Cinematic Spacetime. London: Bloomsbury Academic, 2013.

Barry Keith Grant and Jeannette Sloniowski eds. Documenting the Documentary: Close Readings of Documentary Film and Video. Detroit: Wayne State University Press, 2014.

Jeff Smith. Film Criticism, the Cold War, and the Blacklist: Reading the Hollywood Reds. Berkeley: University of California Press, 2014.

Roy Stafford. The Global Film Book. London: Routledge, 2014.

Duncan Petrie and Rod Stoneman. Educating Film-makers Past, Present and Future. London: Intellect, 2014.

John Storey. From Popular Culture to Everyday Life. London: Routledge, 2014.

Dana Och, Kirsten Strayer eds. Transnational Horror Across Visual Media: Fragmented Bodies. London: Routledge, 2014.

J. P. Telotte. Science Fiction TV. London: Routledge, 2014.

Niamh Thornton. Revolution and Rebellion in Mexican Film. London: Bloomsbury Academic, 2013.

David Tomas. Vertov, Snow, Farocki: Machine Vision and the Posthuman. London: Bloomsbury Academic, 2013.

Graeme Turner. Understanding Celebrity. London: SAGE, 2013.

Tom Brown, Belén Vidal eds. The Biopic in Contemporary Film Culture. London: Routledge, 2014.

Patricia Vieira. Portugese Film, 1930-1960: The Staging of the New State Regime. London: Bloomsbury Academic, 2013.

J Emmett Winn. Documenting Racism: African Americans in US Department of Agriculture Documentaries, 1921-42. London: Bloomsbury Academic, 2014.

Robin Wood. Arthur Penn. Detroit: Wayne State University Press, 2014.




How to Cite

Akser, M. (2014). Books Received. CINEJ Cinema Journal, 3(2), 268–271.



Books Received