Panoptic Pranksters: Power, Space and Visibility in the Information Panopticon in Scare Campaign

Authors

  • Elloit Cardozo Karmaveer Bhaurao Patil College, Vashi

DOI:

https://doi.org/10.5195/cinej.2017.174

Keywords:

Information Panopticon, Power, Visibility, Space.

Abstract

Foucault, in his seminal work Discipline and Punish: The Birth of the Prison (1975) discusses Bentham’s architectural design of the Panopticon as a means to exercise power and enforce discipline. He extends this metaphor to speak of Panopticism as a social phenomenon used to discipline work forces through covert strategies. Shoshana Zuboff, in In the Age of the Smart Machine: The Future of Work and Power (1988) contextualizes Foucault’s discussion in an age where the work culture uses Information Systems extensively for surveillance. She calls such a structure an “Information Panopticon”.  This paper aims to bring out the various nuances of the Information Panopticon in Cameron and Colin Cairnes’ film Scare Campaign (2016) and how it facilitates the exercise of power. The paper firstly looks at Zuboff’s Information Panopticon in light of Foucault’s discussion before evaluating the Information Panopticon created in the film and its hierarchal structure. Next it endeavours to demonstrate how the Information Panopticon in the film is not solely reliant on literal visibility. It wraps up with a discussion on the relation between spatiality, visibility and power in the film’s Information Panopticon.

Author Biography

Elloit Cardozo, Karmaveer Bhaurao Patil College, Vashi

Assistant Professor, Department of English

References

Foucault, Michel. 1995. “Panopticism.” In Discipline and Punish: The Birth of the Prison. 1st arg. New York: Vintage Books.

Koskela, Hille. 2000. "‘The gaze without eyes’: video-surveillance and the changing nature of urban space". Progress in Human Geography 24 (2): 243-265. http://old.geog.psu.edu/courses/geog497b/Readings/Koskela.pdf .

Koskela, Hille. 2003. "‘Cam Era’ – the contemporary urban Panopticon". Surveillance & Society 1 (3): 292-313. http://ojs.library.queensu.ca/index.php/surveillance-and-society/article/view/3342.

McMullan, Thomas. 2015. "What does the panopticon mean in the age of digital surveillance?". The Guardian. https://www.theguardian.com/technology/2015/jul/23/panopticon-digital-surveillance-jeremy-bentham.

Ezez. 2016. Scare Campaign. Video. Australia: Cameron Cairnes and Colin Cairnes, Bonsai Films.

Simon, Bart. 2005. "The Return of Panopticism: Supervision, Subjection and the New Surveillance". Surveillance and Society 3 (1): 1-20. http://ojs.library.queensu.ca/index.php/surveillance-and-society/article/view/3317.

Soja, Edward W. 1996. Thirdspace: Journeys to Los Angeles and other Real-and-Imagine Places. 1st arg. Cambridge, Mass.: Blackwell.

Zuboff, Shoshana. 1988. “The Information Panopticon.” In In the Age of the Smart Machine: The Future of Work and Power. 1st arg. New York: Basic Books.

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Published

2018-04-25

How to Cite

Cardozo, E. (2018). Panoptic Pranksters: Power, Space and Visibility in the Information Panopticon in Scare Campaign. CINEJ Cinema Journal, 6(2), 112–128. https://doi.org/10.5195/cinej.2017.174

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Section

Articles