Halit Refig's I Lost My Heart to a Turk: Woman, Islam and Modernity in Turkish Cinema
DOI:
https://doi.org/10.5195/cinej.2018.223Keywords:
Woman, Islam, Cinema, Film, Refig, TurkeyAbstract
Defined by some critics as the ultimate national cinema movement piece, Halit Refiğ’s I Lost My Heart to a Turk(1969), the love story of a German woman and a Turkish worker in the ancient town of Kayseri becomes an allegory for the Turkish nation’s identity crisis. This paper identifies the parameters used by Refiğ to position the Turkish identity in his film and emphasize the special role of women in Turkish modernization.References
Akser, M. (2015). Turkish Independent Cinema: Between Bourgeois Auteurism and Political Radicalism. In D. Baltruschat & M. Erickson (Eds.), Independent Filmmaking Around the Globe (pp. 131-148). Toronto: University of Toronto Press.
Akser, M. (2017). For Those Who Seek Mastery and Personality, by Halit Refiğ. CINEJ Cinema Journal, 6(1), 119-134.
Akser, M. (2018). Locating Turkish Cinema Between Populist Tendencies and Art Cinema. In A.H.J. Magnan-Park, G. Marchetti, G. & S.K Tan (Eds.), The Palgrave Handbook of Asian Cinema (pp. 150-170). Bakingstoke: Palgrave.
Akser, M., & Durak-Akser, D. (2017). Fight for a National Cinema: An Introductory Text and Translation (Halit Refiğ, 1971). Film Studies, 16(1), 56-77.
Anon. (1969). Eva Bender - Yeşilçam'ın Laponyalı güzeli. Ses. no.43.
Anthias, F., & Yuval-Davis, N. Eds. (1989). Woman-nation-state. New York: Palgrave Macmillan.
Arat, Y. (1997). The project of modernity and women in Turkey. In S. Bozdoğan & Reşat Kasaba (Eds.), Rethinking Modernity and National Identity in Turkey (pp. 95-112). Seattle: University of Washington Press.
Arat, Y. (2004). Contestation and collaboration: Women's struggles for empowerment in Turkey. In R. Kasaba (ed.) The Cambridge History of Turkey Volume 4: Turkey in the Modern World, (pp. 388-418). Cambridge: Cambridge University Press.
Fanon, F. (2004). The Wretched of the Earth. 1961. Trans. Richard Philcox. New York: Grove.
Hristidis-Kılıç, Ş. (2007). Sinemada Ulusal Tavır-Halit Refiğ Kitabı. İstanbul: Türkiye İş Bankası Kültür Yayınları.
Kandiyoti, D. (Ed.). (1991). Women, Islam and the state. Philadelphia: Temple University Press.
Karaveli, H. (2018). Why Turkey is Authoritarian: From Ataturk to Erdogan. London: Pluto Press.
Kayaoglu, E. (2012). Figurationen der Migration im türkischen Film. In S. Ozil, Y. Dayioglu-Yücel & M. Hofmann (Eds.), 51 Jahre türkische Gastarbeitermigration in Deutschland (pp. 81-104). Göttingen: V&R unipress.
Özkırımlı, U. (2017). Theories of nationalism: A critical introduction 3rd edition. Basingstoke: Palgrave.
Refiğ, H., & Türk, İ. (2001). Halit Refiğ: düşlerden düşüncelere söyleşiler. İstanbul: Kabalcı Yayınevi.
Refiğ, H., & Zileli, I. (2009). Doğruyu aradım güzeli sevdim. İstanbul: Bizim kitaplar.
Walby, S. (1996). The ‘declining significance’ or the ‘changing forms’ of patriarchy?. In V. M. Moghadam (Ed.), Patriarchy and Development: Women’s Positions at the End of the Twentieth Century (pp. 19-33). Oxford: Clarendon Press.
White, J. B. (2003). State feminism, modernization, and the Turkish republican woman. NWSA Journal, 15(3), 145-159.
Xavier, B. I. (1999). Historical Allegory in T. Miller and R. Stam (Eds.), A Companion to Film Theory (pp. 333-334). Malden, MA: Blackwell.
Yıldırım, T. (2015) Halit Refiğ’in Bir Türk’e Gönül Verdim Filminde Oyun ve Oyuncak Temaları Üzerinden Yayılan Kültürel Temsiller. Akademik Sosyal Araştırmalar Dergisi, 3(13), 210-228.
Yüksel, S. D. (2010). Sinemada Ulusal Kimliğin Pekiştiricisi Olarak Kadınlar. Selçuk Üniversitesi İletişim Fakültesi Akademik Dergisi, 6(3), 85-99.
Yuval-Davis, N. (1997). Gender and Nation. Thousand Oaks: Sage.
Downloads
Published
How to Cite
Issue
Section
License
Authors who publish with this journal agree to the following terms:
- The Author retains copyright in the Work, where the term “Work” shall include all digital objects that may result in subsequent electronic publication or distribution.
- Upon acceptance of the Work, the author shall grant to the Publisher the right of first publication of the Work.
- The Author shall grant to the Publisher and its agents the nonexclusive perpetual right and license to publish, archive, and make accessible the Work in whole or in part in all forms of media now or hereafter known under a Creative Commons Attribution 4.0 International License or its equivalent, which, for the avoidance of doubt, allows others to copy, distribute, and transmit the Work under the following conditions:
- Attribution—other users must attribute the Work in the manner specified by the author as indicated on the journal Web site;
- The Author is able to enter into separate, additional contractual arrangements for the nonexclusive distribution of the journal's published version of the Work (e.g., post it to an institutional repository or publish it in a book), as long as there is provided in the document an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post online a prepublication manuscript (but not the Publisher’s final formatted PDF version of the Work) in institutional repositories or on their Websites prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work. Any such posting made before acceptance and publication of the Work shall be updated upon publication to include a reference to the Publisher-assigned DOI (Digital Object Identifier) and a link to the online abstract for the final published Work in the Journal.
- Upon Publisher’s request, the Author agrees to furnish promptly to Publisher, at the Author’s own expense, written evidence of the permissions, licenses, and consents for use of third-party material included within the Work, except as determined by Publisher to be covered by the principles of Fair Use.
- The Author represents and warrants that:
- the Work is the Author’s original work;
- the Author has not transferred, and will not transfer, exclusive rights in the Work to any third party;
- the Work is not pending review or under consideration by another publisher;
- the Work has not previously been published;
- the Work contains no misrepresentation or infringement of the Work or property of other authors or third parties; and
- the Work contains no libel, invasion of privacy, or other unlawful matter.
- The Author agrees to indemnify and hold Publisher harmless from Author’s breach of the representations and warranties contained in Paragraph 6 above, as well as any claim or proceeding relating to Publisher’s use and publication of any content contained in the Work, including third-party content.
Revised 7/16/2018. Revision Description: Removed outdated link.