The Body As Cogito: A Certain Contemporary Film In The Light of Merleau-Ponty

Authors

  • Julio Bezerra Universidade Federal do Rio de Janeiro

DOI:

https://doi.org/10.5195/cinej.2013.79

Keywords:

Contemporary Film, Body, Phenomenology, Merleau-Ponty, Experience.

Abstract

Contemporary film is displaying a kind of "transnational new wave" that seems unique since the mid-60s. Filmmakers as diverse as Tsai Ming-Liang, Karim Aïnouz, and Apichatpong Weerasethakul, show a similar sensitivity towards the values of the world and of the cinema. What brings the work of these directors together is the taste for a realism more focused on the phenomenon of experience, on issues of skin and surface, and a different look at the body. Our hypothesis is that the phenomenology of Merleau-Ponty provides us with valuable tools to broaden the debate. The discussion will be carried out by an analysis of the work of Tsai Ming-Liang, Apichatpong Weerasethakul and Karim Aïnouz.

Author Biography

Julio Bezerra, Universidade Federal do Rio de Janeiro

Post-doctoral researcher at UFRJ, Rio de Janeiro, Brazil.

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Published

2014-04-08

How to Cite

Bezerra, J. (2014). The Body As Cogito: A Certain Contemporary Film In The Light of Merleau-Ponty. CINEJ Cinema Journal, 3(1), 75–92. https://doi.org/10.5195/cinej.2013.79

Issue

Vol. 3 No. 1 (2013): Fall 2013

Section

Articles

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