Vol. 13 No. 2 (2025): Fall

Published: 2025-12-03

Articles

The Filmic Representation of Women: Paradigm Versus Perspective in the Depiction of Women in Funke Akindele’s Two Selected Works

Sanjo Ilori, Adewale Oyewo, Olamiposi Oyeleye

1-18
- PDF
Silent Frames of Social Realism: Exploring Economic Disparities, Urban Life, and Ethical Concerns in Pushpak Vimanam

Gopi Sathya Srinivas Narayanam, Gomatam Mohana Charyulu

19-29
- PDF
From Cinema to Youtube: Globalization and Active Audience of KKN Di Desa Penari Film

Dony Arung Triantoro, M. Agung Pramana

30-58
- PDF
Singin’ in the Cave: Singin’ in the Rain and Hollywood’s Sparkling Shadows

Talya Alon-Altman

59-85
- PDF
‘The Dude is not in’: How the Coen Bros.’ slacker detective upends Joseph Campbell’s hero’s arc

Eric Althoff

86-115
- PDF
The Deconstruction of Patriarchal Honor in Turkish Cinema: An Analysis Of Female Characters Resisting Patriarchy Across Three Genres

Hakan Ün

116-165
- PDF
Deconstructing Japanese Romance Films through the Lens of Wabi-sabi, Mono no aware, Yūgen, and Kawaii (1990-2010)

Fengmuhan Li

166-193
- PDF
Joyland: A Cinematic Representation of Pakistani Patriarchal Joint Family

Rizwan Bashir Baloch, Abul Hassan, Syed Atef Amjad Ali, Ali Ab Ul Hassan

194-220
- PDF
‘Everything Must Go’: Joker as a Banner for Postmodernism

Valdir da Silva Bezerra, Justin Rathbun

221-244
- PDF
Frank Sinatra: Jazz Actor

Frank Tomasulo

245-267
- PDF
Spatial Thresholds and Existential Dilemmas in New Turkish Cinema: A Reading of Something Useful

Ozlem Ozgür, Mehmet Serdar Büyükpala

268-311
- PDF
Coding And Signification In Cinema: Semiological Perusal Of The Film In The Shadows

Semra Kotan

312-358
- PDF
The Relation of Film, Literature, and Music: The Big Lebowski’s Soundtrack as a Means of Significance Beyond the Anglophone World

Carlos Gerald Pranger, Cintia Gutierrez Reyes

359-388
- PDF
Is She Still There?: Child Sex Trafficking, Traumatic Memory and Resilience in Mischa Marcus’ Film I Am Still Here

Sheetal Kumari

389-425
- PDF
An Investigation of the Relationship Between Violence and Emotion Perception: Evidence from Turkish Cinema

Semra Keleş, Filiz Mergen

426-459
- PDF
Queer Cinema and Melodrama: A Perspective from Queer Directors

Esra Yılmaz, Çiğdem Tanyel Başar

460-488
- PDF
Dementia, Cognitive Narratology, and Unreliable Narration in Florian Zeller’s The Father

Slavica Srbinovska

489-530
- PDF
Oral History Study on Erotic Cinema: Turkish Cinema from 1974 to 1980

Bahadir Kapir, Ferhat Zengin

531-580
- PDF
Representations of Gothic and Spectral Identities in the Global South: A Study of Manichitrathazhu and its Adaptations

Sethulakshmi Subhash, Rukmini S

581-614
- PDF
Deconstruction of Chinese Masculinity, Adaptation of Hong Kong Gangster Films, and Political Criticism in Television Series The Knockout

Xuechun Jin

615-640
- PDF
Use of ASMR Technique in Movies

Fatih Diren

641-660
- PDF
Symbolic Metaphors of Film Epidemic Narratives: A Comparative Study of Chinese and Foreign Epidemic Disaster Films

Yankun Zhu, Ming Cheung

661-703
- PDF
Evaluating Turkish Comedy Cinema From the Perspective of a Female Audience

Nergiz Karadaş Toktaş

704-733
- PDF
Audiovisual Strategies and the Unity in Diversity Principle of the EU: A Cultural Dimensions Perspective on European and Turkish Cinema

Çağrı Kara, Ayça Can Kırgız Özer, M. Hakan Keskin

734-772
- PDF
Zeki Demirkubuz as a Creator of Meaning: A Critique of the Film Hayat

Barış Kılınç, Elif Pınar Kılınç

773-811
- PDF
The Aesthetics of Imperfection: A Theoretical Evaluation of the Meaning Layers of Glitch Aesthetics in Communication Design and Cinema

Zuhal Akmeşe

812-844
- PDF
The Interrelation of TV-series and Interior Design in the Construction of Meaning: Cinematic Narratives and the Psychological Function of Space

İdil Bolat, Oylum Dikmen Güleryüz

845-884
- PDF

Book Reviews

Review of Rated A: Soft Porn Cinema and Mediations of Desire in India

Sourav Saha, Shyamkiran Kaur

885-892
- PDF
Review of Architecture in Cinema

Ebru Erdoğan

893-906
- PDF
Review of Exposing Vulnerability: Self-Mediation in Scandinavian Films by Women

Sinem Yankı Özcan

907-915
- PDF
Review of Contemporary Art Cinema Culture in China

Ke Zhu

916-923
- PDF

Vol. 13 No. 2 (2025): Fall

Articles

The Filmic Representation of Women: Paradigm Versus Perspective in the Depiction of Women in Funke Akindele’s Two Selected Works

Silent Frames of Social Realism: Exploring Economic Disparities, Urban Life, and Ethical Concerns in Pushpak Vimanam

From Cinema to Youtube: Globalization and Active Audience of KKN Di Desa Penari Film

Singin’ in the Cave: Singin’ in the Rain and Hollywood’s Sparkling Shadows

‘The Dude is not in’: How the Coen Bros.’ slacker detective upends Joseph Campbell’s hero’s arc

The Deconstruction of Patriarchal Honor in Turkish Cinema: An Analysis Of Female Characters Resisting Patriarchy Across Three Genres

Deconstructing Japanese Romance Films through the Lens of Wabi-sabi, Mono no aware, Yūgen, and Kawaii (1990-2010)

Joyland: A Cinematic Representation of Pakistani Patriarchal Joint Family

‘Everything Must Go’: Joker as a Banner for Postmodernism

Frank Sinatra: Jazz Actor

Spatial Thresholds and Existential Dilemmas in New Turkish Cinema: A Reading of Something Useful

Coding And Signification In Cinema: Semiological Perusal Of The Film In The Shadows

The Relation of Film, Literature, and Music: The Big Lebowski’s Soundtrack as a Means of Significance Beyond the Anglophone World

Is She Still There?: Child Sex Trafficking, Traumatic Memory and Resilience in Mischa Marcus’ Film I Am Still Here

An Investigation of the Relationship Between Violence and Emotion Perception: Evidence from Turkish Cinema

Queer Cinema and Melodrama: A Perspective from Queer Directors

Dementia, Cognitive Narratology, and Unreliable Narration in Florian Zeller’s The Father

Oral History Study on Erotic Cinema: Turkish Cinema from 1974 to 1980

Representations of Gothic and Spectral Identities in the Global South: A Study of Manichitrathazhu and its Adaptations

Deconstruction of Chinese Masculinity, Adaptation of Hong Kong Gangster Films, and Political Criticism in Television Series The Knockout

Use of ASMR Technique in Movies

Symbolic Metaphors of Film Epidemic Narratives: A Comparative Study of Chinese and Foreign Epidemic Disaster Films

Evaluating Turkish Comedy Cinema From the Perspective of a Female Audience

Audiovisual Strategies and the Unity in Diversity Principle of the EU: A Cultural Dimensions Perspective on European and Turkish Cinema

Zeki Demirkubuz as a Creator of Meaning: A Critique of the Film Hayat

The Aesthetics of Imperfection: A Theoretical Evaluation of the Meaning Layers of Glitch Aesthetics in Communication Design and Cinema

The Interrelation of TV-series and Interior Design in the Construction of Meaning: Cinematic Narratives and the Psychological Function of Space

Book Reviews

Review of Rated A: Soft Porn Cinema and Mediations of Desire in India

Review of Architecture in Cinema

Review of Exposing Vulnerability: Self-Mediation in Scandinavian Films by Women

Review of Contemporary Art Cinema Culture in China

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