Vol. 14 No. 1 (2026): Spring

Articles

• Representation of Women in Iranian Cinema: Jafar Panâhi Films

  Aybike Serttaş, Alihan Çaparlar

  1-41

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• The Symbolic Significance of Deer in Ildiko Enyedi’s On Body and Soul

  Sanjay Surin

  42-67

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• Double-Edged Sword: Unearthing Toxicity in Bollywood’s Empowered Female Characters

  Piyush Kumar, Milan Chauhan, Ajeet Singh

  68-100

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• Decoding the Interlocking Factors of Caste-Gender Dynamism, Intersectionality and Suffering in the Web Series Dahaad

  Debdatta Chakraborty, Sarbani Banerjee

  101-137

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• Cinematic Representations of the Bengal Famine of 1943

  Godwin Emmanuel, Richard Rego

  138-163

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• Representations of Heteronormativity and Masculinity Crisis in Nuri Bilge Ceylan's Cinema: Uzak (2002) and Kış Uykusu (2014)

  Hatice İlay Karaoğlu

  164-197

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• Tired Warrior: A Case Study of the Destruction of a Turkish TV Series

  Dilara Balcı

  198-230

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• Where Commerce Meets Art: Hybrid Complexity and Narrative Ambiguity in Post-1990s Cinema

  Yu Yang

  231-267

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• The House as a Character: The Role of Set Design in the Film I'm Still Here

  Mariana Schwartz

  268-298

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• Confronting Gendered Ageism: The Substance

  Meltem Cemiloğlu

  299-346

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• Jump Cut: Montage as Metaphysics in Kubrick’s 2001

  Matthew Gumpert

  347-373

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• The New Threshold of Creative Labor: Qualitative Insights from Turkish Cinema Professionals

  Sevcan Sönmez, Halil Göker Gülay

  374-417

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• An Example of Acting Forms In Modern Greek Cinema, Yannis Economides

  Çağlar Atilla Alpar

  418-441

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• Examining Toxic Masculinity under the Guise of ‘Romance’ in Sandeep Reddy Vanga’s Hindi Films

  Juhi Singh, Shubham Pathak, Swasti Mishra

  442-471

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• Interweaving Border Folklore and Cultural Identity: An Exploration of Sound Aesthetics in The Story of Southern Islet

  Xingyao Jiang, Rosdeen bin Suboh

  472-511

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• Locating the Cultural Geography of Kolkata's Cinema Para: From Single-Screen Film Theatres to Cinemallisation

  Sk Abbasuddin, Syed Murtaza Alfarid Hussain

  512-547

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• The Cinematic Narrative of Space and Ambiguity Interaction: The Case of the Film Arrival

  Beyza Sıla Selçuk, Asu Beşgen

  548-587

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• Baghdadi Street Life: Examining the Challenges of Representing and Recreating Baghdad in Interactive Documentary – A Practice-Based Case Study

  Hsham Aburghif

  588-600

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• Mindspacing, Mental Health Discourse, and Midsommar (2019)

  Moritz Wischert-Zielke

  601-639

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• Ethical Experience and Narrative Ambiguity in Contemporary Turkish Cinema: Hesitation Line

  Aysu Uğur Balcı

  640-677

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• Contemporary Memory Loss Narratives: Romanticized or Realistic?

  Terry Creagh

  678-709

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• The representation of the Sociocultural Landscape of India through Bollywood cinema costumes from the early 20th to the 21st century

  Neetu Singh

  710-740

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