Review of Dark Energy: Hitchcock’s Absolute Camera and the Physics of Cinematic Spacetime

Authors

  • Anthony Collamati Alma College

DOI:

https://doi.org/10.5195/cinej.2014.105

Keywords:

Hitchcock, cosmology, montage, Eisenstein

Abstract

Skerry’s Dark Energy draws from astrophysics’ most popular and intriguing concepts—from Eisenstein’s theories of relativity to questions surrounding the expanding universe—and trace them metaphorically through Hitchcock’s films.

References

Gladwell, M. (2005). Blink: The power of thinking without thinking. New York: Little, Brown and Co.

Philip J. Skerry, Dark Energy: Hitchcock’s Absolute Camera and the Physics of Cinematic Spacetime. New York: Bloomsbury Publishing, 2013.

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Published

2014-10-13

How to Cite

Collamati, A. (2014). Review of Dark Energy: Hitchcock’s Absolute Camera and the Physics of Cinematic Spacetime. CINEJ Cinema Journal, 3(2), 234–238. https://doi.org/10.5195/cinej.2014.105

Issue

Vol. 3 No. 2 (2014): Spring 2014

Section

Book Reviews

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