Vol. 1 No. 2 (2012)

Articles

• Return to Reality: Towards A More Tactile Cognition of Film Theory

  Murat Akser

  1-2

  • PDF

• To Find Is To Choose, To Choose Is To Create: Culture(s) in Cinematic and Architectural Space(s)

  Asu Besgen

  3-28

  • PDF

• The Avenging Females: A Comparative Analysis of Kill Bill Vol.1-2, Death Proof and Sympathy for Lady Vengeance

  Basak Göksel Demiray

  29-35

  • PDF

• Historical “Truth,” Constructed Memory: Restaging Germany’s Reunification in Thomas Berger’s Television Melodrama Wir sind das Volk. Liebe kennt keine Grenzen (We are the people. Love without limits) (2008)

  Katrin B Mascha

  36-49

  • PDF

• Necessary Fictions: From Cinéma vérité to Ciné, ma vérité(s)

  Rowena Santos Aquino

  50-61

  • PDF

• Secrets, Trauma, and the Memory Market (or the return of the repressed in recent Argentine post-dictatorship cultural production)

  Silvia R Tandeciarz

  62-71

  • PDF

• The Thin Blue Line: How can we destroy actuality with editing?

  Özlem Tuğçe Kaymaz

  72-78

  • PDF

• Seeking God in Early Bergman: The Cases of The Seventh Seal and Winter Light

  Esma Kartal

  79-85

  • PDF

• Transperance Me I Want to be Visible: Gay Gaze in Tom Ford’s film A Single Man

  Selen Gokcem

  86-91

  • PDF

• Garden of Ambivalence The Topology of the Mother-child Dyad in Grey Gardens

  Defne Tüzün

  92-101

  • PDF
  • PDF