Vol. 11 No. 2 (2023): Winter

Articles

• An Examination of Red Dragon (2002) in Light of the Deleuzian Theory of Becoming‑Animal

  Kemal Yardimci

  1-20

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• Reading Bhadralok Cultural Memory, Kitsch And Culture Industry In Ritwik Ghatak’s Films

  Sarbani Banerjee

  21-49

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• When Silence Becomes Overstretched: Exploring the Loud Silence in Women's Struggle for Liberation in Contemporary Nollywood

  Osakpolor Emwinromwankhoe

  50-76

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• Demystifying the state of Minorities in Contemporary India: Reading Amit Masurkar's Sherni (The Tigress) from the Vantage Point of Marginality

  Purbali Sengupta

  77-97

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• Excursion among the Countries, Documentary, and Essay: Layered Narratives and Self-Representation in A Dog Called Money

  Özgür Çalışkan

  98-126

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• Autobiographical Traces in Chantal Akerman’s Jeanne Dielman and Meetings with Anna

  Stephen Carruthers

  127-148

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• Exploring Time Travel Rules in Time Travel Films

  Jarvis Tyrell Curry

  149-176

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• Experimenting with Epos: 3 Characters from 3 Directors in Turkish Cinema

  Selma Köksal

  177-199

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• Framing the Subaltern: Humanitarian Violence in Liz Mermin’s documentary The Beauty Academy of Kabul

  Deepthi Siriwardena

  200-224

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• Cinematic Mythology in the Narrative and Design of Tomm Moore’s The Secret of Kells

  Yasemin Kılınçarslan

  225-249

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• Seeking the Political Function of Time-Image in New Turkish Cinema from a Deleuzian Perspective

  Azime Cantaş

  250-274

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• Cinematic Views on Critical Representations of the Economic Policies of the Democrat Party Era: Social Realist Film Initiatives in Turkish Cinema

  Betül Sarı Aksakal

  275-332

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• Short History of Industrialization: A Cinematographic Approach

  Hasan Yüksel

  333-388

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• Joker: Film, Working Class and Post-Truth

  Yildirim Uysal

  389-417

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• A Corpus-Based Socio-Onomastic Analysis On Turkish And American Horror Film Naming

  Ferdi Bozkurt, Mandana Kolahdouz Mohammadi

  418-445

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• The Embodiment of the Post-human Child in Malayalam Films

  Rona Reesa Kurian, Dr. Preeti Navaneeth

  446-473

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• Representation of Teachers in Turkish Cinema Between 1940 and 1980

  Murat Cem Acaralp, Fevzi Kasap, Mustafa Ufuk Çelik

  474-497

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• Existence is a Location: “The Others” in the Form of Conceptual Metaphor

  Park Morgan Mok-Won

  498-518

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• Beyond The “Joker” Movie: Cinema As A Politainment Agent

  Ibrahim Dalkılıç

  519-551

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