Transperance Me I Want to be Visible: Gay Gaze in Tom Ford’s film A Single Man

Authors

  • Selen Gokcem "Kadir Has University"

DOI:

https://doi.org/10.5195/cinej.2012.46

Keywords:

Film, Cinema, Gaze, Homosexuality

Abstract

Classic gaze theory that was underlined by Laura Mulvey in 1975 which claims the male gaze objectifies woman and turns the woman into a sex object, is lack in the explaining gaze from man to man. In Tom Ford’s A Single Man the gaze is used from man to man different from man to woman and it is not perceived as something negative. By providing a queer gaze analysis, this article will show how homosexual people live their intimate feelings by gaze and how gay gaze can be different from the classic gaze in a way that it does not reduces the other one in an interior position.

Author Biography

Selen Gokcem, "Kadir Has University"

Graduate assistant at Cinema and Television

References

Clum, M. John. (1992). Still Acting Gay: Male Homosexuality in Modern Drama. Columbia University Press.

Dyer, R. (2002). The Culture of Queers. Routledge, London.

Heale, J.M. (2001). The Sixties in America, History, Politics and Protest. Edinburgh University Press.

Hill, J. Gibson, C. (1998). The Oxford Guide to Film Studies. Oxford University Press.

Patrick, H. (1993). A Queer Reader. New Press.

Quinn E., Dolan J. P. (1968). The Sense of the 60s. New York the Free Press.

Smith, P. Juliana. (1999). The Queer Sixties. Routledge. London.

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Published

2012-04-20

How to Cite

Gokcem, S. (2012). Transperance Me I Want to be Visible: Gay Gaze in Tom Ford’s film A Single Man. CINEJ Cinema Journal, 1(2), 86–91. https://doi.org/10.5195/cinej.2012.46

Issue

Vol. 1 No. 2 (2012)

Section

Articles

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