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  3. Vol. 5 No. 2 (2016): Spring 2016

Vol. 5 No. 2 (2016): Spring 2016

Published: 2016-10-11

Editor's Note

  • Editorial

    Bengisu Bayrak
    1-3
    • PDF

Articles

  • Power, command and violence in von Trier’s Manderlay. A political and philosophical analysis of pseudo-democracies.

    Sara Marino
    4-27
    • PDF
  • Howard Hughes and the Cold War Aviation Film Jet Pilot (1957)

    Richard Andrew Voeltz
    28-52
    • PDF
  • Tragicomedy, Melodrama, and Genre in Early Sound Films: The Case of Two “Sad Clown” Musicals

    Michael G. Garber
    53-86
    • PDF
  • Audience Reactions to the Different Aspects of Nollywood Movies

    Uchenna Onuzulike
    87-104
    • PDF
  • Bollywood of India: Geopolitical Texts of Belonging and Difference and Narratives of Mistrust and Suspicion

    Iqbal Shailo
    105-129
    • PDF
  • Screening the Urban: An Analysis of the Urban Life and Subjectivities in the Assamese Films of Bhabendra Nath Saikia and Jahnu Barua

    Minakshi Dutta
    130-146
    • PDF
  • Pueblos Silenciosos/Silent Comunities: Within the Grain, Against the Grain

    Özge Karayalçın
    147-155
    • PDF
  • House of Affection: On the Way to the School

    Volkan Yücel
    156-167
    • PDF
  • Labyrinths and Illusions in David Lynch’s Mulholland Drive and Inland Empire

    Ebrahim Barzegar
    168-188
    • PDF

Book Reviews

  • Review of Christophe Honore

    Margaret C. Flinn
    189-192
    • PDF
  • Review of The Bloomsbury Companions to Contemporary Film-makers: Peter Jackson

    María Seijo-Richart
    193-196
    • PDF
  • Review of Postcolonial Theory and Avatar

    Kosuke Fujiki
    197-201
    • PDF

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