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Vol. 7 No. 1 (2018): Spring 2018
Vol. 7 No. 1 (2018): Spring 2018
Published:
2018-12-21
Editor's Note
Editorial
Bengisu Bayrak
1-4
PDF
Articles
Halit Refig's I Lost My Heart to a Turk: Woman, Islam and Modernity in Turkish Cinema
Murat Akser
5-29
PDF
Presentation of Nuri Bilge Ceylan and his Cinema in the Turkish Media
Zafer Parlak, Mehmet Işık
30-57
PDF
Apocalypse at Painting to Cinema: The end of Western Civilization and Hegemony
Selma Köksal
58-71
PDF
From Box Office to Memory: Telling Stories is not an Innocent Act
Ayla Kanbur
72-90
PDF
Interpersonal Relations as a Tool to Film Directing
Caio Augusto Camargo Bogoni, Renate B. Michel
91-115
PDF
What’s in the Backdrop: Representation of Landscape in Bollywood Cinema
Naveen Mishra
116-141
PDF
Order, Disobedience and Power in Kieslowski’s Dekalog
Janet Barış
142-168
PDF
The Black Tent (1956) and Bengazi (1955): The Image of Arabs in Two post-Empire Journeys into the Deserts of Libya
Richard Andrew Voeltz
169-188
PDF
Violence in the Postcolonial Ghetto: Ngozi Onwurah's Welcome II the Terrordome (1994)
Emilie Herbert
189-204
PDF
Going Beyond Boundaries: There is a Way and the Use of English Medium in Hausa Film Industry
Muhammad Muhsin Ibrahim, Aliyu Yakubu Yusuf
205-224
PDF
Political Claustrophobia in Lars von Trier’s Europa and America Trilogies
Özlem Denli
225-237
PDF
Let’s Make it American: American Remakes of the British Films
Elif Kahraman Dönmez
238-261
PDF
Book Reviews
Film and Television Genres of the Late Soviet Era
Jeanine Pfahlert
262-266
PDF
Comic Venus: Women and Comedy in American Silent Film
Patrick Adamson
267-271
PDF
The War that Won't Die: The Spanish Civil War in Cinema
Sarah Lonsdale
272-276
PDF
Queer Theory and Brokeback Mountain
James Hodgson
277-282
PDF
Global Cinematic Cities: New Landscape of Film and Media
Maria Korolkova
283-286
PDF
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