Vol. 11 No. 1 (2023): Fall 2023

Articles

• Socio-Cultural Archetypes: Interrogating African Virginity Discourse in Tunde Kelani’s Films.

  Adeyoola Mercy Ojemola

  1-29

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• Understanding masculinity in Turkey through the films of male auteur directors

  Hasan Gürkan, Işıl Yarcı

  30-59

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• The Songs of Pyaasa - A Narrative within a Narrative

  Srijana Siri Murthy

  60-88

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• The Mortality Narratives in Cultural Representations: Themes and Tropes in Malayalam Cinema

  Swapna Gopinath

  89-114

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• For Western Eyes: Nelofer Pazira's Accented Returns to Afghanistan

  Rahat Imran

  115-169

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• The Acoustic Mirror and Subversive Visual Strategies in Park Chan Wook’s The Handmaiden

  Javier Zapata Claveria

  170-192

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• Exposing the world through Emanuel Lubezki's method

  Majid Bagherzadeh, Elyas Sanati, Masoud Naghipour

  193-215

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• Ancient Telling, Contemporary Showing: A Reading of The Killing of a Sacred Deer (2017) As Film Adaptation

  Poya Raissi, Morteza Ghaffari

  216-239

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• The Blair Witch Project: Metatextual Layers of Subverting the Female Gaze

  Emily Moeck

  240-257

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• Deceptive Retrospective Narrative Strategy and Synchronistic Prerequisite: Case Study on The Design of Impossible Puzzles

  Yu Yang

  258-288

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• Othering New Women: A Multimodal Approach to The Hymn of Death

  Morgan Mok-Won Park

  289-315

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• Slow Steps: The Institutional Development of Slovak Film From Proto-National to National Film 1939-1950

  Nicholas David Hudac

  316-338

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• A Narrative of An Ideological Destruction: Where Do We Go Now?

  Gamzenur Aygün, Ayça Tunç Cox

  339-357

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• From “Makers of Images” to Cineastes? Looking Critically at Festivals and Critics’ Reception of Nollywood

  Floribert Patrick C. Endong

  358-386

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• Getting Your Money Back: Swedish Funding Institutions and Questions About Quality Films

  Zehra Cerrahoğlu

  387-412

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