Editorial

Authors

DOI:

https://doi.org/10.5195/cinej.2019.250

Keywords:

male gaze, heteronormativity, Hollywood, Bollywood, Soviet movies, Ultra-nationalism, Masculinity, Violence, Identity, marketing, branding, psychoanalysis, Star Wars, Item songs, psychoanalytic feminism, feminine subjectivities, Werner Herzog

Abstract

Volume 7.2 (2019) includes six articles by Lauren Rohrs, Iqbal Shailo, Alexander S. Rose, Syed Zulkifil Haider Shah, Elijah Cory, Chantal Poch, and Ricardo Henrique Almeida Dias; and three book reviews by Engin Akdas, Joshua Louis Moss, and Diksha Mittal. 

Author Biography

Murat Akser, University of Ulster

Murat Akser is lecturer in cinematic arts, in the School of Creative Arts, University of Ulster, UK. Between 2006-2013 he has been an associate professor of cinema and media studies, chair of new media department and the founding director of the Cinema and Television MA program at Kadir Has University Istanbul, Turkey. He has his MA in Film and PhD in communication and culture from York University, Canada. He works extensively on political economy of film festivals, film genres and has recently published a book length study of Turkish cinema from Lambert: Green Pine Resurrected: Film Genre, Parody, and Intertextuality in Turkish Cinema. Also an independent filmmaker Dr. Akser has directed short films, music videos and is a member of International Cinematographers Guild and Academy of Canadian Film and Television.

References

Akser, M. and McCollum, V. (Eds.) (2019). Alternative media in contemporary turkey: sustainability, activism and resistance. London: Rowman and Littlefield.

Elsaasser, T. (2018) European Cinema and Continental Philosophy: Film as Thought Experiment. London: Bloomsbury Academic.

Gerhardt, C. (2018). Screening the red army faction. London: Bloomsbury.

McCollum, V. (2019) Make america hate again: trump-era horror and the politics of fear. London: Routledge.

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Published

2019-09-20

How to Cite

Akser, M. (2019). Editorial. CINEJ Cinema Journal, 7(2), 1–4. https://doi.org/10.5195/cinej.2019.250

Issue

Section

Editor's Note