An analytical study of the ritual ceremonies in Iranian performing arts, a case study of Travellers
DOI:
https://doi.org/10.5195/cinej.2020.260Keywords:
rites, ceremony, performing arts, TravellersAbstract
Rites and myths are important parts of the identity and the culture of every nation. Iranian rites and performing arts, as a part of Iranian art and culture, which has always got attention throughout history, can help us recognize ancient Iranian culture and history. Cinema, among other interactive arts, has sometimes been able to portray ritual arts well. Travellers movie, made by Bahram Beyzai, is one of the most prominent examples of the visualization of ritual arts in Iran, because the movie consists of three parts, like the three theaters, in which the rites are portrayed as the main story of the movie, and the Persian culture and customs have been exhibited. This paper, which its research method is descriptive-analytical, examines the standing of rites and ritual arts in Travellers movie and analyzes its atmosphere regarding to performing rituals. Its scene design changes as the script process, so that the application of elements such as light and color, and their intensity and reduction in different mental conditions, from pleasure to mourning, has been considered wisely, and the atmosphere has a dramatic impact on the audience in different scenes. The lighting and the coloring of the scenes in the movie, indicates a tribute to beliefs and faith in rites and ritual arts.References
Aghapour, V. (2009). The study of the concept of ritual and ritual ritual from the perspective of Grotovsky in the theater.tehran
Alizadeh, H.; Afshar, M., (1395). Re-creation of the religion by the suspension of time. place and personality in the cinema Bahram Beyzaee. Quarterly Journal of Dramatic Literature and Visual Arts. (3), Summer, 100-79.
Bracket, S. G. (1366). World Theater History, Translation by Houshang
Azadevar, Volume I. First Edition. Tehran: Pearl Publishing.
Beyzai, B. (1371). Travellers Movie. Tehran: Roshangar Publishing House.
Beyzai, B. (1344). Show in Iran. First Edition. Tehran: Kavian Publishing House.
Chevalier, J. and Gheerbrant, A. (2005). Symbol Culture. Translation by Soodabeh Fazaheli, Volume One A (Eomanis-Mirne). Second Edition. Tehran: Jayoun Publishing.
Eliade, M. et al. (1388). Myths and Rites (from ancient times to today). translation by Abolghasem Esmailpour, Tehran: Myth Publishing.
Eliade, M. (2009). Holy and Unholy (The Nature of Religion). Translation by Behzad Saleki, Second Edition. Tehran: Scientific and Cultural Publishing.
Eliade, M. (1388). The myth of the eternal return. translated by Bahman Sarkarati, Tehran: Ghatra Publishing.
Ferasati, M. (2002). Missing at Labirent Times (Travellers by Bahram Beizai), Cinema Review, No. (35), pp.11-3.
Ghenaat, H. (1999). Travellers From the Viewpoint of Old Religious Beliefs. Reviewing and Introducing Beyzyani's Works. Collector Ghukkasyan Zavon. Tehran: AJ Publishing.
Ghukkasyan, Zavon. 1371. on Travellers. Tehran: Roshangar Publishing House.
Maleki, M. (1391). Seven windows towards mystical architecture. Tehran: Royan Pajouh Publication.
Mohammadi, I. and Afshar, M. (1393). A translated video of mythical time in Beyzaee Cinema. Literary Review. 25, 210-185.
nedaee, A.; Alvandi, N.; Irani, s., (1394). Reviewing the function of Zen ritual arts in the spring, summer, autumn, winter and spring spring. Journal of Music Performing Arts, No., (11), Autumn and Winter, 63-51.
Rouholamini, M. (2004). Rites and Celebrations in Iran today. Tehran: Azad Publication.
Shahin, S. (2004). The study of the color symbol in the literary theater and in the religion of the nations. The Art of Fine Arts., (18), Summer, 99-108.
Shayegan, D.(1380). eternal idols and mental memory. Tehran: Amir Kabir.
Downloads
Published
How to Cite
Issue
Section
License
Authors who publish with this journal agree to the following terms:
- The Author retains copyright in the Work, where the term “Work” shall include all digital objects that may result in subsequent electronic publication or distribution.
- Upon acceptance of the Work, the author shall grant to the Publisher the right of first publication of the Work.
- The Author shall grant to the Publisher and its agents the nonexclusive perpetual right and license to publish, archive, and make accessible the Work in whole or in part in all forms of media now or hereafter known under a Creative Commons Attribution 4.0 International License or its equivalent, which, for the avoidance of doubt, allows others to copy, distribute, and transmit the Work under the following conditions:
- Attribution—other users must attribute the Work in the manner specified by the author as indicated on the journal Web site;
- The Author is able to enter into separate, additional contractual arrangements for the nonexclusive distribution of the journal's published version of the Work (e.g., post it to an institutional repository or publish it in a book), as long as there is provided in the document an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post online a prepublication manuscript (but not the Publisher’s final formatted PDF version of the Work) in institutional repositories or on their Websites prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work. Any such posting made before acceptance and publication of the Work shall be updated upon publication to include a reference to the Publisher-assigned DOI (Digital Object Identifier) and a link to the online abstract for the final published Work in the Journal.
- Upon Publisher’s request, the Author agrees to furnish promptly to Publisher, at the Author’s own expense, written evidence of the permissions, licenses, and consents for use of third-party material included within the Work, except as determined by Publisher to be covered by the principles of Fair Use.
- The Author represents and warrants that:
- the Work is the Author’s original work;
- the Author has not transferred, and will not transfer, exclusive rights in the Work to any third party;
- the Work is not pending review or under consideration by another publisher;
- the Work has not previously been published;
- the Work contains no misrepresentation or infringement of the Work or property of other authors or third parties; and
- the Work contains no libel, invasion of privacy, or other unlawful matter.
- The Author agrees to indemnify and hold Publisher harmless from Author’s breach of the representations and warranties contained in Paragraph 6 above, as well as any claim or proceeding relating to Publisher’s use and publication of any content contained in the Work, including third-party content.
Revised 7/16/2018. Revision Description: Removed outdated link.