, United States
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CINEJ Cinema Journal Vol. 12 No. 2 (2024): Fall - Articles
The Possibility of Impossibility: Reading The Watermelon Woman with Derrida and Adorno
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CINEJ Cinema Journal Vol. 12 No. 1 (2024): Spring - Articles
Imagining Friends and Foes: The (Re)Education of Jojo Rabbit
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CINEJ Cinema Journal Vol. 12 No. 1 (2024): Spring - Book Reviews
Review of Farmed Animals on Film: A Manifesto for a New Ethic
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CINEJ Cinema Journal Vol. 12 No. 2 (2024): Fall - Articles
Il Cinema Modernissimo – Where every film is an underground film
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CINEJ Cinema Journal CINEJ Special Issue 1 (2011): IMAGES - Films as Spaces of Cultural Encounter. The 2011 IMAGES Project Publication - Thematical Articles
Strangers No More: the Initial Hitchcock murder
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CINEJ Cinema Journal Vol. 1 No. 2 (2012) - Articles
Historical “Truth,” Constructed Memory: Restaging Germany’s Reunification in Thomas Berger’s Television Melodrama Wir sind das Volk. Liebe kennt keine Grenzen (We are the people. Love without limits) (2008)
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CINEJ Cinema Journal Vol. 1 No. 2 (2012) - Articles
Necessary Fictions: From Cinéma vérité to Ciné, ma vérité(s)
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CINEJ Cinema Journal Vol. 1 No. 2 (2012) - Articles
Secrets, Trauma, and the Memory Market (or the return of the repressed in recent Argentine post-dictatorship cultural production)
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CINEJ Cinema Journal Vol. 3 No. 1 (2013): Fall 2013 - Articles
Fiction Criticizing Reality: Abbas Kiarostami and the Cracked Windshield of Cinema
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CINEJ Cinema Journal Vol. 3 No. 1 (2013): Fall 2013 - Book Reviews
Book Review: Screen Distribution and the New King Kongs of the Online World
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CINEJ Cinema Journal Vol. 3 No. 2 (2014): Spring 2014 - Book Reviews
Review of Masculinity and Gender in Greek Cinema
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CINEJ Cinema Journal Vol. 3 No. 2 (2014): Spring 2014 - Book Reviews
Review of Guillermo del Toro: Film as Alchemic Art
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CINEJ Cinema Journal Vol. 3 No. 2 (2014): Spring 2014 - Book Reviews
Review of Dark Energy: Hitchcock’s Absolute Camera and the Physics of Cinematic Spacetime
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CINEJ Cinema Journal Vol. 5 No. 2 (2016): Spring 2016 - Articles
Howard Hughes and the Cold War Aviation Film Jet Pilot (1957)
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CINEJ Cinema Journal Vol. 5 No. 2 (2016): Spring 2016 - Articles
Tragicomedy, Melodrama, and Genre in Early Sound Films: The Case of Two “Sad Clown” Musicals
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CINEJ Cinema Journal Vol. 5 No. 2 (2016): Spring 2016 - Articles
Audience Reactions to the Different Aspects of Nollywood Movies
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CINEJ Cinema Journal Vol. 6 No. 1 (2017): Spring 2017 - Articles
The politics of spectatorship in the Tree of Wooden Clogs
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CINEJ Cinema Journal Vol. 5 No. 2 (2016): Spring 2016 - Book Reviews
Review of Christophe Honore
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CINEJ Cinema Journal Vol. 6 No. 1 (2017): Spring 2017 - Book Reviews
The architecture of David Lynch
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CINEJ Cinema Journal Vol. 6 No. 1 (2017): Spring 2017 - Articles
“Ever heard of EVEL Knievel?”: James Bond meets the Rural sheriff
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CINEJ Cinema Journal Vol. 7 No. 2 (2019): Spring/Summer 2019 - Articles
The Homosexual Male Gaze: Normalizing Homosexuality through the Use of Heteronormative Narrative Techniques in Film
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CINEJ Cinema Journal Vol. 8 No. 2 (2020): Fall 2020 - Articles
“Billions in Debt and Still Surviving”: Curing the Female Shopper in Confessions of a Shopaholic
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CINEJ Cinema Journal Vol. 6 No. 2 (2017): Fall 2017 - Book Reviews
The Orientation of Future Cinema: Technology, Aesthetics, Spectacle
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CINEJ Cinema Journal Vol. 7 No. 1 (2018): Spring 2018 - Articles
The Black Tent (1956) and Bengazi (1955): The Image of Arabs in Two post-Empire Journeys into the Deserts of Libya
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CINEJ Cinema Journal Vol. 7 No. 2 (2019): Spring/Summer 2019 - Articles
Star Wars: The Force Awakens [the Western Pleasure Principle]
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CINEJ Cinema Journal Vol. 8 No. 1 (2020): Winter 2020 - Articles
Man In A Hat: Martin Balsam And The Refining Of Male Character Acting In American Films, 1957-1976
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CINEJ Cinema Journal Vol. 7 No. 2 (2019): Spring/Summer 2019 - Book Reviews
Comic Venus: Women and Comedy in American Silent Film
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CINEJ Cinema Journal Vol. 8 No. 1 (2020): Winter 2020 - Book Reviews
Review of The Dynamic Frame: Camera Movement in Classical Hollywood
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CINEJ Cinema Journal Vol. 8 No. 1 (2020): Winter 2020 - Book Reviews
Review of Cinema/Politics/Philosophy
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CINEJ Cinema Journal Vol. 8 No. 1 (2020): Winter 2020 - Articles
Deglamming as Estrangement: Ugly in Monster, The Hours, and Cake
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CINEJ Cinema Journal Vol. 8 No. 2 (2020): Fall 2020 - Book Reviews
Review of Allegory in Iranian Cinema: The Aesthetics of Poetry and Resistance
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CINEJ Cinema Journal Vol. 8 No. 2 (2020): Fall 2020 - Book Reviews
Review of The Supernatural Sublime: The Wondrous Ineffability of the Everyday in Films from Mexico and Spain
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CINEJ Cinema Journal Vol. 9 No. 1 (2021): Spring 2021 - Articles
“not conducive for sobriety”: Sex Addiction and Neoliberal Masculinity in Don Jon and Thanks for Sharing
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CINEJ Cinema Journal Vol. 9 No. 1 (2021): Spring 2021 - Articles
Formation Of The Ambiguous Heroic Archetype: Three Jewish-American Film Actors And The United States’ Film System, 1929-1948
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CINEJ Cinema Journal Vol. 9 No. 1 (2021): Spring 2021 - Articles
“About Miracles”: Seeing the “real thing” in Hong Sang-soo’s Woman on the Beach and Éric Rohmer’s Le Rayon vert
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CINEJ Cinema Journal Vol. 9 No. 1 (2021): Spring 2021 - Articles
I’ll be back? The Deconstruction of the 1980s and the 1990s Hard Body Movies
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CINEJ Cinema Journal Vol. 10 No. 1 (2022): Fall 2022 - Articles
Victims and Survivors in the Rape-Revenge Narrative: A Comparison of Black Christmas (2019) and I May Destroy You (2020)
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CINEJ Cinema Journal Vol. 11 No. 1 (2023): Fall 2023 - Articles
The Acoustic Mirror and Subversive Visual Strategies in Park Chan Wook’s The Handmaiden
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CINEJ Cinema Journal Vol. 11 No. 1 (2023): Fall 2023 - Articles
The Blair Witch Project: Metatextual Layers of Subverting the Female Gaze
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CINEJ Cinema Journal Vol. 11 No. 2 (2023): Winter - Articles
Exploring Time Travel Rules in Time Travel Films
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CINEJ Cinema Journal Vol. 11 No. 2 (2023): Winter - Articles
Framing the Subaltern: Humanitarian Violence in Liz Mermin’s documentary The Beauty Academy of Kabul
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CINEJ Cinema Journal Vol. 12 No. 1 (2024): Spring - Articles
The Eye of the Tiger, Amongst Other Animals: The Non-Chinese Viewer’s Guide to the Symbolic Significance of Animals in Jia Zhangke’s A Touch of Sin
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CINEJ Cinema Journal Vol. 7 No. 2 (2019): Spring/Summer 2019 - Articles
Reclaiming Subjectivities: A Psychoanalytic-Feminist Perspective on Item Songs in Contemporary Indian Cinema
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