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• The Aesthetics of Imperfection: A Theoretical Evaluation of the Meaning Layers of Glitch Aesthetics in Communication Design and Cinema

  Zuhal Akmeşe

  812-844

  2025-12-03

• Review of Exposing Vulnerability: Self-Mediation in Scandinavian Films by Women

  Sinem Yankı Özcan

  907-915

  2025-12-03

• Zeki Demirkubuz as a Creator of Meaning: A Critique of the Film Hayat

  Barış Kılınç, Elif Pınar Kılınç

  773-811

  2025-12-03

• Audiovisual Strategies and the Unity in Diversity Principle of the EU: A Cultural Dimensions Perspective on European and Turkish Cinema

  Çağrı Kara, Ayça Can Kırgız Özer, M. Hakan Keskin

  734-772

  2025-12-03

• Review of Architecture in Cinema

  Ebru Erdoğan

  893-906

  2025-12-03

• Review of Rated A: Soft Porn Cinema and Mediations of Desire in India

  Sourav Saha, Shyamkiran Kaur

  885-892

  2025-12-03

• The Interrelation of TV-series and Interior Design in the Construction of Meaning: Cinematic Narratives and the Psychological Function of Space

  İdil Bolat, Oylum Dikmen Güleryüz

  845-884

  2025-12-03

• Deconstruction of Chinese Masculinity, Adaptation of Hong Kong Gangster Films, and Political Criticism in Television Series The Knockout

  Xuechun Jin

  615-640

  2025-12-03

• Evaluating Turkish Comedy Cinema From the Perspective of a Female Audience

  Nergiz Karadaş Toktaş

  704-733

  2025-12-03

• Use of ASMR Technique in Movies

  Fatih Diren

  641-660

  2025-12-03

• Oral History Study on Erotic Cinema: Turkish Cinema from 1974 to 1980

  Bahadir Kapir, Ferhat Zengin

  531-580

  2025-12-03

• Dementia, Cognitive Narratology, and Unreliable Narration in Florian Zeller’s The Father

  Slavica Srbinovska

  489-530

  2025-12-03

• Queer Cinema and Melodrama: A Perspective from Queer Directors

  Esra Yılmaz, Çiğdem Tanyel Başar

  460-488

  2025-12-03

• An Investigation of the Relationship Between Violence and Emotion Perception: Evidence from Turkish Cinema

  Semra Keleş, Filiz Mergen

  426-459

  2025-12-03

• Avatar: A Film at the Center of the Feminine Other

  Pelin Güregen Dereboyu, Ebru Güzel, Gabriela Oana Olaru, Erhan Ayberk

  447-486

  2025-05-27

• Is She Still There?: Child Sex Trafficking, Traumatic Memory and Resilience in Mischa Marcus’ Film I Am Still Here

  Sheetal Kumari

  389-425

  2025-12-03

• Coding And Signification In Cinema: Semiological Perusal Of The Film In The Shadows

  Semra Kotan

  312-358

  2025-12-03

• Revisiting History in Yeşilçam Cinema: An Analysis on Yeşilçam Heroes; Karaoğlan, Malkoçoğlu, Kara Murat and Battal Gazi

  Sırrı Serhat Serter

  409-446

  2025-05-27

• Infrahumanization and Dehumanization of Women in Turkish Comedy Films as an Element of Comedy

  Melek Kaymaz Mert; Hümeyra Türedi

  372-408

  2025-05-27

• Remembering The Civil War in Today’s Lebanese Cinema

  Gökhan Evecen, Sırrı Serhat Serter

  335-371

  2025-05-27

• Spatial Thresholds and Existential Dilemmas in New Turkish Cinema: A Reading of Something Useful

  Ozlem Ozgür, Mehmet Serdar Büyükpala

  268-311

  2025-12-03

• Joyland: A Cinematic Representation of Pakistani Patriarchal Joint Family

  Rizwan Bashir Baloch, Abul Hassan, Syed Atef Amjad Ali, Ali Ab Ul Hassan

  194-220

  2025-12-03

• Frank Sinatra: Jazz Actor

  Frank Tomasulo

  245-267

  2025-12-03

• Between the Law and Desire: The Split Subject in Asghar Farhadi’s A Hero

  Farzad Kolahjooei

  311-334

  2025-05-27

• The Relation of Film, Literature, and Music: The Big Lebowski’s Soundtrack as a Means of Significance Beyond the Anglophone World

  Carlos Gerald Pranger, Cintia Gutierrez Reyes

  359-388

  2025-12-03