Search

Search Results

• The Eye of the Tiger, Amongst Other Animals: The Non-Chinese Viewer’s Guide to the Symbolic Significance of Animals in Jia Zhangke’s A Touch of Sin

  Kar Lok Pang

  1-26

  2024-09-12

• Short History of Industrialization: A Cinematographic Approach

  Hasan Yüksel

  333-388

  2023-12-20

• Seeking the Political Function of Time-Image in New Turkish Cinema from a Deleuzian Perspective

  Azime Cantaş

  250-274

  2023-12-20

• Cinematic Views on Critical Representations of the Economic Policies of the Democrat Party Era: Social Realist Film Initiatives in Turkish Cinema

  Betül Sarı Aksakal

  275-332

  2023-12-20

• Representation of Teachers in Turkish Cinema Between 1940 and 1980

  Murat Cem Acaralp, Fevzi Kasap, Mustafa Ufuk Çelik

  474-497

  2023-12-20

• Cinematic Mythology in the Narrative and Design of Tomm Moore’s The Secret of Kells

  Yasemin Kılınçarslan

  225-249

  2023-12-20

• Framing the Subaltern: Humanitarian Violence in Liz Mermin’s documentary The Beauty Academy of Kabul

  Deepthi Siriwardena

  200-224

  2023-12-20

• Experimenting with Epos: 3 Characters from 3 Directors in Turkish Cinema

  Selma Köksal

  177-199

  2023-12-20

• Thirteen Days: A Political Reading

  İkbal Sinemden Oylumlu

  314-339

  2022-12-19

• From “Makers of Images” to Cineastes? Looking Critically at Festivals and Critics’ Reception of Nollywood

  Floribert Patrick C. Endong

  358-386

  2023-10-20

• Güneş Ne Zaman Doğacak?: A different approach from the perspective of Turkish cinematic art

  Mehmet Yılmazata, Erdem Güven

  273-313

  2022-12-19

• Minik Serçe as a Contrary Example Among the Singer Films in Turkish Cinema

  Yasemin Barlan

  249-272

  2022-12-19

• Exploring Time Travel Rules in Time Travel Films

  Jarvis Tyrell Curry

  149-176

  2023-12-20

• Politicizing the superhero genre: The case of Watchmen (HBO, 2019)

  Evdokia Stefanopoulou

  224-248

  2022-12-19

• The Ambivalent Object(s) of America in Wim Wenders

  Laurent Shervington

  187-223

  2022-12-19

• A Narrative of An Ideological Destruction: Where Do We Go Now?

  Gamzenur Aygün, Ayça Tunç Cox

  339-357

  2023-10-20

• Zombie-Themes Outbreak Films and World War Z (2013)

  Barış Tolga Ekinci

  150-186

  2022-12-19

• Autobiographical Traces in Chantal Akerman’s Jeanne Dielman and Meetings with Anna

  Stephen Carruthers

  127-148

  2023-12-20

• Slow Steps: The Institutional Development of Slovak Film From Proto-National to National Film 1939-1950

  Nicholas David Hudac

  316-338

  2023-10-20

• Othering New Women: A Multimodal Approach to The Hymn of Death

  Morgan Mok-Won Park

  289-315

  2022-12-14

• Excursion among the Countries, Documentary, and Essay: Layered Narratives and Self-Representation in A Dog Called Money

  Özgür Çalışkan

  98-126

  2023-12-20

• Deceptive Retrospective Narrative Strategy and Synchronistic Prerequisite: Case Study on The Design of Impossible Puzzles

  Yu Yang

  258-288

  2023-10-19

• The Blair Witch Project: Metatextual Layers of Subverting the Female Gaze

  Emily Moeck

  240-257

  2023-10-20

• When Silence Becomes Overstretched: Exploring the Loud Silence in Women's Struggle for Liberation in Contemporary Nollywood

  Osakpolor Emwinromwankhoe

  50-76

  2023-12-20

• Ancient Telling, Contemporary Showing: A Reading of The Killing of a Sacred Deer (2017) As Film Adaptation

  Poya Raissi, Morteza Ghaffari

  216-239

  2023-10-20