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• The Relationship Between the Behavior Change Created in the Audience By Disaster Scenarios in Cinema Cities During the Covid-19 Period and the Pandemic

  Murat Cem Acaralp

  1-28

  2025-05-27

• A Sentimental Android? M3GAN (2022) and Monstrous Doubling as a Negotiation of the Gendered Neo-Liberal Self

  Michael Eden

  406-444

  2024-09-12

• Social Construct of Nollywood Films and Ethnocentrism in Southern Nigeria

  Perpetua Ogechi Vitalis, Richard N. Amadi, Dike Harcourt Whyte

  152-179

  2024-12-03

• Confronting Existential Dilemmas: An In-Depth Analysis of Vicky Cristina Barcelona through the Philosophies of Sartre and Camus

  Debarath Das

  144-151

  2024-12-03

• The Ultimately Determinant Role of Economy in Yilmaz Güney's Movies: An Essay From the Perspective of Marxist Theory

  Betül Sarı Aksakal

  93-143

  2024-12-03

• Reading Stanley Kubrick’s The Shining Against the Backdrop of His Cinematic Expression

  Özge Onay

  385-405

  2024-09-12

• Mary Shelley Biopic (2017): A filmic discourse analysis

  Thanya Araujo, Lívia Fernanda Silva

  66-92

  2024-12-03

• Interactive documentary as a living and embodying experience to represent reality: A practice-based case study

  Hsham Aburghif

  30-65

  2024-12-03

• Beyond The “Joker” Movie: Cinema As A Politainment Agent

  Ibrahim Dalkılıç

  519-551

  2023-12-20

• Masochist and Sadist Individuals at the Socio-Cultural Crisis in The Banshees of Inisherin

  Sajed Hosseini, Payam Babaie

  360-384

  2024-09-12

• Being Queer in Turkish Cinema: Existence, Appearance, and Representation

  Övünç Ege

  319-359

  2024-09-12

• Imagining Friends and Foes: The (Re)Education of Jojo Rabbit

  William Skiles

  284-318

  2024-09-12

• Woman’s Cinema on the Sri Lankan Silver Screen and the "Other" Female Filmmakers

  Lanka Bandaranayake

  241-283

  2024-09-12

• The Possibility of Impossibility: Reading The Watermelon Woman with Derrida and Adorno

  Christopher Morris

  1-29

  2024-12-03

• An Exploration of the Changing Reputation of Spring In A Small Town at Different Times

  Kaihui Bi

  207-240

  2024-09-12

• Sound Design in the Turkish TV Series and Cinema Sector: Post-Production Stage

  Rahime Akikol, Bahar Atmaca Demir, Haluk Zülfikar

  182-206

  2024-09-12

• Getting Your Money Back: Swedish Funding Institutions and Questions About Quality Films

  Zehra Cerrahoğlu

  387-412

  2023-10-20

• Existence is a Location: “The Others” in the Form of Conceptual Metaphor

  Park Morgan Mok-Won

  498-518

  2023-12-20

• From Home to Destitution: Deprived and Ignored Children in Yusuf ile Kenan (1979) and Masumiyet (1997)

  Zühre Canay Güven

  140-181

  2024-09-12

• The Embodiment of the Post-human Child in Malayalam Films

  Rona Reesa Kurian, Dr. Preeti Navaneeth

  446-473

  2023-12-20

• A Corpus-Based Socio-Onomastic Analysis On Turkish And American Horror Film Naming

  Ferdi Bozkurt, Mandana Kolahdouz Mohammadi

  418-445

  2023-12-20

• Mapping the Trajectory of Adolescent Sexuality: The Portrait of Durga in Satyajit Ray’s Pather Panchali

  Rebanta Gupta, Aniket Roy

  118-139

  2024-09-12

• Joker: Film, Working Class and Post-Truth

  Yildirim Uysal

  389-417

  2023-12-20

• The Role of the Chorus in Akira Kurosawa's 1990 Yume (Dreams)

  Lampros Papagiannis

  99-117

  2024-09-12

• Representation of India Pakistan tensions in Bollywood (2015-2020): Case study of Bajrangi Bhaijaan and Tiger Zinda Hai films

  Mohammad Mohammadzadeh

  27-54

  2024-09-12