Search

Search Results

• The Black Tent (1956) and Bengazi (1955): The Image of Arabs in Two post-Empire Journeys into the Deserts of Libya

  Richard Andrew Voeltz

  169-188

  2018-12-21

• Order, Disobedience and Power in Kieslowski’s Dekalog

  Janet Barış

  142-168

  2018-12-21

• Editorial

  Bengisu Bayrak

  1-5

  2018-04-25

• The Orientation of Future Cinema: Technology, Aesthetics, Spectacle

  Anthony James Ballas

  222-227

  2018-04-25

• “Billions in Debt and Still Surviving”: Curing the Female Shopper in Confessions of a Shopaholic

  Meghna Sapui

  14-44

  2020-12-03

• What’s in the Backdrop: Representation of Landscape in Bollywood Cinema

  Naveen Mishra

  116-141

  2018-12-21

• Interpersonal Relations as a Tool to Film Directing

  Caio Augusto Camargo Bogoni, Renate B. Michel

  91-115

  2018-12-21

• From Box Office to Memory: Telling Stories is not an Innocent Act

  Ayla Kanbur

  72-90

  2018-12-21

• Apocalypse at Painting to Cinema: The end of Western Civilization and Hegemony

  Selma Köksal

  58-71

  2018-12-21

• Presentation of Nuri Bilge Ceylan and his Cinema in the Turkish Media

  Zafer Parlak, Mehmet Işık

  30-57

  2018-12-21

• Women in the Cinema of Nuri Bilge Ceylan

  Funda Masdar Kara, Şakir Eşitti

  200-221

  2018-04-25

• Ceylan's Winter Sleep: From Ambiguity to Nothingness

  Aslı Daldal

  181-199

  2018-04-25

• Cinematic Orientalism: Bab el Oued City & The Time that Remains

  Volkan Yücel, Ziya Toprak

  165-180

  2018-04-25

• Bollywood in the Hollywood Era: Narratives of Ultra-nationalism, Terrorism and Violence

  Iqbal Shailo

  23-47

  2019-09-20

• The Homosexual Male Gaze: Normalizing Homosexuality through the Use of Heteronormative Narrative Techniques in Film

  Lauren Rohrs

  5-22

  2019-09-20

• Women Trauma and Stereotype Tradition in Tunde Kelani’s Film, Thunderbolt

  Olugbenga Elegbe

  144-164

  2018-04-25

• Nollywood in Cameroon: Transnationalisation and Reception of a Dynamic Cinematic Culture

  Floribert Patrick C. Endong

  129-143

  2018-04-25

• Panoptic Pranksters: Power, Space and Visibility in the Information Panopticon in Scare Campaign

  Elloit Cardozo

  112-128

  2018-04-25

• Editorial

  Bengisu Bayrak

  1-3

  2017-09-14

• Holocaust Cinema as Depicted by Film Advisory Boards in Five English Speaking Countries

  Alon Lazar, Tal Litvak Hirsch

  88-111

  2018-04-25

• Bollywood in the Hollywood Era: Narratives of Ultra-nationalism, Terrorism and Violence

  Iqbal Shailo

  71-87

  2018-04-25

• Stereotype Representation of Women in Nigerian Films

  Andrew Ali Ibbi

  49-70

  2018-04-25

• Editorial

  Bengisu Bayrak

  1-3

  2016-10-11

• Aestheticizing the Downfall of Industrial Capitalism: Jim Jarmusch’s Tale of Intellectual Vampires in Zombies’ World

  Bahar Muratoğlu Pehlivan, Gül Esra Atalay

  32-48

  2018-04-25

• Books received

  Murat Akser

  157-160

  2017-09-14