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• The Relation of Film, Literature, and Music: The Big Lebowski’s Soundtrack as a Means of Significance Beyond the Anglophone World

  Carlos Gerald Pranger, Cintia Gutierrez Reyes

  359-388

  2025-12-03

• Finding Leadership in Media Education

  Banu Baybars, Murat Akser

  269-287

  2024-12-03

• “I hope I don’t die before my child”: The representation of autism in Turkish films

  Emin Paftalı, Ayşe Tunç-Paftalı, Gizem Yıldız

  288-310

  2025-05-27

• Binge-Watching and the Theory of Desire: A Lacanian Perspective on Netflix Consumption Patterns

  Emrah Öztürk

  262-287

  2025-05-27

• Green Border: Cinematic Storytelling as History of the Present

  Dikmen Yakalı, Zahide Erdogan

  244-268

  2024-12-03

• Deconstructing Japanese Romance Films through the Lens of Wabi-sabi, Mono no aware, Yūgen, and Kawaii (1990-2010)

  Fengmuhan Li

  166-193

  2025-12-03

• Triangle of Sadness: Of Vulnerability and Michel Foucault's Subject-Power Concept

  Beril Özer, Nuri Paşa Özer

  227-261

  2025-05-27

• Death, Aging, and Ecology in The Ballad of Narayama (1983)

  M. Talha Altınkaya

  196-226

  2025-05-27

• Zuhal: A Portrait of Urban Individuals Through Female Perspective

  Emel Uzun Yedekci

  156-195

  2025-05-27

• The Deconstruction of Patriarchal Honor in Turkish Cinema: An Analysis Of Female Characters Resisting Patriarchy Across Three Genres

  Hakan Ün

  116-165

  2025-12-03

• Sleeping through The Big Lebowski: Sleep, Dreams, and Rest in the Coen Brothers' Films and Jeff Bridges' Music

  Thomas Britt

  127-155

  2025-05-27

• ‘The Dude is not in’: How the Coen Bros.’ slacker detective upends Joseph Campbell’s hero’s arc

  Eric Althoff

  86-115

  2025-12-03

• Il Cinema Modernissimo – Where every film is an underground film

  Herbert F. Mintz II

  229-243

  2024-12-03

• Singin’ in the Cave: Singin’ in the Rain and Hollywood’s Sparkling Shadows

  Talya Alon-Altman

  59-85

  2025-12-03

• From Cinema to Youtube: Globalization and Active Audience of KKN Di Desa Penari Film

  Dony Arung Triantoro, M. Agung Pramana

  30-58

  2025-12-03

• The Lexicons of Cult Film: Rhetoric, Media, and The Big Lebowski

  Andrew C Jones, Sebastian Williams, Lonnie Martin

  101-126

  2025-05-27

• Calcutta Through Different Lenses: Revisiting India in Jean Renoir’s The River and Satyajit Ray’s The Apu Trilogy

  Ayush Chakraborty

  208-228

  2024-12-03

• Reading the Representations of Children and Childhood(s) in Malayalam Films

  Rona Reesa Kurian, Preeti Navaneeth

  67-100

  2025-05-27

• ‘Everything Must Go’: Joker as a Banner for Postmodernism

  Valdir da Silva Bezerra, Justin Rathbun

  221-244

  2025-12-03

• Review of Farmed Animals on Film: A Manifesto for a New Ethic

  Carrie Packwood Freeman

  481-488

  2024-09-12

• Fiction Movies as a Means of Culinary Heritage’s Safeguarding and Research Referencing: Cases of Couscous Illustration in Tunisian Cinema

  Faten Ridene

  288-317

  2024-12-16

• Masochistic Performance of Scheherazade: A Multimodal Analysis of Prince Charming

  Attiya Zafar, Nadia Anwar

  180-207

  2024-12-03

• Ink And Influence: The Role of Media on Climate Policy Understanding

  Ibrahim Dalkılıç, Nezahat Doğan

  445-480

  2024-09-12

• Ecranisation Analysis of Chimamanda Ngozi Adichie’s Half of a Yellow Sun

  Brigette Sagmon, Elizabeth Gwen Gomez

  55-98

  2024-09-12

• Breaking the Power Dynamics Behind the Scenes of Turkish Cinema: A Head-count Research

  Aybike Serttaş, Tugay Sarıkaya

  29-66

  2025-05-27