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• I’ll be back? The Deconstruction of the 1980s and the 1990s Hard Body Movies

  Moshe Machlev

  456-491

  2021-07-14

• Coming of Age in the Diaspora: Bollywood and the Representation of Second Generation British Indian Diaspora

  Utsa Mukherjee, Anil Pradhan, Ravinder Barn

  114-146

  2021-12-14

• Deterritorializing The Self: Becoming-Child in the Characters of Reha Erdem’s What’s A Human Anyway? (2004)

  Suphi Keskin

  1-26

  2022-12-19

• An Examination of Red Dragon (2002) in Light of the Deleuzian Theory of Becoming‑Animal

  Kemal Yardimci

  1-20

  2023-12-20

• Disgraced of the West, Deserted of the East: Men in the Films Shame and Issız Adam (Alone)

  Selen Gökçem Akyıldız

  424-455

  2021-07-14

• The world of Assamese celluloid: ‘yesterday and today’

  Violet Barman Deka

  393-423

  2021-07-14

• The reception of Cameroon Films and home videos in student residential areas: the case of Bambili – Cameroon

  Paul Animbom Ngong

  371-392

  2021-07-14

• Baudrillard, Hyperreality, and the Evil in Othello and The Hateful Eight

  Pouria Torkamaneh, Farhad Poordakan, Pedram Lalbakhsh

  346-370

  2021-07-14

• Cinema, Life and Other Viruses: The Future of Filmmaking, Film Education and Film Studies in the Age of Covid-19 Pandemic

  Murat Akser

  1-13

  2020-12-03

• Books Received 2020

  Murat Akser

  481-485

  2020-12-03

• Post-Coloniality: Projection of Ghana In Video-Films

  Augustine Danso

  100-113

  2021-12-14

• The Liminal and the Surreal: The Space of Limbo and Dreams in Luis Bunuel’s The Discreet Charm of the Bourgeoisie

  Miniature Malekpour

  320-345

  2021-07-14

• Waking (Dreaming): A Vedantic Reflection on Richard Linklater’s Waking Life

  Jaya Upadhyay

  292-319

  2021-07-14

• “About Miracles”: Seeing the “real thing” in Hong Sang-soo’s Woman on the Beach and Éric Rohmer’s Le Rayon vert

  Jacob Hovind

  246-291

  2021-07-14

• Review of A Christian Approach to Cinema: Tarkovsky. Film as Prayer

  Ioan Buteanu

  526-530

  2021-07-14

• A Moebial Ride through Polanski’s Repulsion

  Defne Tüzün

  426-456

  2020-12-03

• Formation Of The Ambiguous Heroic Archetype: Three Jewish-American Film Actors And The United States’ Film System, 1929-1948

  John Thomas McGuire

  200-245

  2021-07-14

• Some Problems with Gendered Subjectivity and Representation: Baise Moi and Hard-Core Pornography

  Temmuz Süreyya Gürbüz

  99-129

  2021-12-14

• “not conducive for sobriety”: Sex Addiction and Neoliberal Masculinity in Don Jon and Thanks for Sharing

  Joel Gwynne

  181-199

  2021-07-14

• Cinema: Not Frames But Veils

  Maria del Carmen Molina Barea

  146-180

  2021-07-14

• Rocky Balboa: The Innocent and the Invincible Hero of Low Income Class

  Yildirim Uysal

  39-98

  2021-12-14

• Review of The Mummy on Screen: Orientalism and Monstrosity in Horror Cinema

  Sebastián Francisco Maydana

  474-480

  2020-12-03

• Reading the Simultaneous Motion and Reality Bending Concepts through Doctor Strange

  Gülşah Uner, Ebru Erdogan

  1-38

  2021-12-14

• Transformation of Comedy with Streaming Services: The Case of Bartu Ben

  Nisa Yıldırım

  403-425

  2020-12-03

• Portrayal of Women in Contemporary Nollywood Films: Isoken and King of Boys in Focus

  Emwinromwankhoe Osakpolor

  117-145

  2021-07-14