Search

Search Results

• The Black magic: An aesthetic analysis of its illustration in the sociohorteur film: Dachra

  Faten Ridene

  124-149

  2022-12-19

• For Western Eyes: Nelofer Pazira's Accented Returns to Afghanistan

  Rahat Imran

  115-169

  2023-10-20

• The Mortality Narratives in Cultural Representations: Themes and Tropes in Malayalam Cinema

  Swapna Gopinath

  89-114

  2022-10-04

• Changes in Women’s Representations in Turkish Cinema from the 1980s to the Early 1990s

  Fatma Özen

  286-320

  2021-12-14

• Exposing the world through Emanuel Lubezki's method

  Majid Bagherzadeh, Elyas Sanati, Masoud Naghipour

  193-215

  2023-10-20

• The Acoustic Mirror and Subversive Visual Strategies in Park Chan Wook’s The Handmaiden

  Javier Zapata Claveria

  170-192

  2022-05-08

• Exploring Modes of Surveillance in Films

  Matteo Ciccognani

  89-123

  2022-12-19

• Demystifying the state of Minorities in Contemporary India: Reading Amit Masurkar's Sherni (The Tigress) from the Vantage Point of Marginality

  Purbali Sengupta

  77-97

  2023-12-20

• Victims and Survivors in the Rape-Revenge Narrative: A Comparison of Black Christmas (2019) and I May Destroy You (2020)

  Michaela Keating

  59-88

  2022-12-19

• Locating the Storyteller in Silent Waters: Sabiha Sumar’s Cinematic Tale of Shared Histories and Divided Identities

  Rahat Imran

  231-285

  2021-12-14

• Mapping Yeşilçam: A relational approach to the Turkish film industry

  Serkan Savk, Burak Dogu

  193-230

  2021-12-14

• Review of An Orthodox Monk Watching Films

  Ioan Buteanu

  340-346

  2022-12-19

• Reading Bhadralok Cultural Memory, Kitsch And Culture Industry In Ritwik Ghatak’s Films

  Sarbani Banerjee

  21-49

  2023-12-20

• The Songs of Pyaasa - A Narrative within a Narrative

  Srijana Siri Murthy

  60-88

  2023-10-19

• Books Received 2021

  Murat Akser

  557-561

  2021-07-14

• Diversity and Inclusion in Film, Television and Media Sector: Policy Alternatives for an Inclusive Film Industry and Training

  Murat Akser

  1-13

  2021-07-14

• Understanding masculinity in Turkey through the films of male auteur directors

  Hasan Gürkan, Işıl Yarcı

  30-59

  2023-10-19

• The Relation of Female Characters to Nature in the Turkish Series Wounded Love (2016–2018): Ecofeminist Approaches

  Fazıla Derya Agiş

  27-58

  2022-12-19

• Yilmaz Güney’s The Fields of Yuréghir and Arkadaş: From Despair to Hope

  Stephen Carruthers

  164-192

  2021-12-14

• Socio-Cultural Archetypes: Interrogating African Virginity Discourse in Tunde Kelani’s Films.

  Adeyoola Mercy Ojemola

  1-29

  2023-10-19

• Review of Theorizing Film Through Contemporary Art: Expanding Cinema

  Melanie Wilmink

  548-556

  2021-07-14

• Real, Reel and the Anthropocene: Eco-trauma Testimonies in the Film Valiya Chirakulla Pakshikal

  Bibin Thomas, Reju George Mathew

  147-163

  2021-12-14

• Review of Shoe Reels: The History and Philosophy of Footwear in Film

  Nilay Ulusoy

  538-547

  2021-07-14

• The Impulse-Image of Vampiric Capital and the Politics of Vision and Disability: Evil and Horror in Don’t Breathe

  Moritz Wischert-Zielke

  492-525

  2021-07-14

• Review of Towards A Political Aesthetics of Cinema: The Outside of Film

  Marco Poloni

  531-537

  2021-07-14