Coding And Signification In Cinema: Semiological Perusal Of The Film In The Shadows

Authors

DOI:

https://doi.org/10.5195/cinej.2025.725

Keywords:

Cinema, meaning, semiotics, signifier, signified

Abstract

The aim of this study is to reveal how the art of cinema narrates stories through visual and auditory elements and the role of signs in the process of meaning production. Cinema communicates various messages to the audience through its unique language and encodes these messages using signs. In this context, film language is evaluated as a communication system that plays a central role in the production of meaning. The study adopts a semiotic film analysis method based on the production and transmission of meaning and applies this method to examine the 2020 dystopian film In the Shadows. Signs within the film, including characters, settings, color usage, and narrative structure are analyzed to elaborate on the multilayered nature of cinematic language in meaning-making. The findings demonstrate that film language is not merely composed of visual and auditory elements but also conveys deep meanings to the audience through cultural codes and symbols. Thus, this study clarifies the semiotic function of cinema in meaning production and how this function is encoded.

References

Adanır, O. (2012). Sinemada anlam ve anlatım. Say Yayınları.

Althusser, L. (1971). Ideology and ideological state apparatuses. In Lenin and philosophy and other essays (B. Brewster, Trans.). Monthly Review Press.

Andrew, J. D. (1976). The major film theories: An introduction. Oxford University Press. (İ. Şener, Trans., 2000). Sinema kuramları. İzdüşüm.

Andrew, J. D. (1976). The major film theories: An introduction. Oxford University Press.

Bağder, D. (1999). Sinema göstergebilimi. Dilbilim Araştırmaları Dergisi, 10, 143–152.

Benjamin, W. (1969). Theses on the philosophy of history. In H. Arendt (Ed.), Illuminations (H. Zohn, Trans.). Schocken Books.

Bircan, U. (2015). Roland Barthes ve göstergebilim. Sosyal Bilimler Araştırma Dergisi 13(26), 17-41. https://avys.omu.edu.tr/storage/app/public/ozeny/114829/roland_barthes_ve_gostergebilim.pdf

Budak, Abdulhamit. “İbn Haldun’da isyan olgusu. Kilis 7 Aralık Üniversitesi İlahiyat Fakültesi Dergisi 7-1 (June2020), 561-599. https://doi.org/10.46353/k7auifd.710227.

Büker, S. (1985). Sinema dili üzerine yazılar. Dost Kitabevi.

Büker, S. (2012). Sinemada anlam yaratma. Hayalperest Yayınları.

Chandler, D. (2007). Semiotics: The basics. Routledge.

Culler, J. (2002). Barthes: A very short introduction. Oxford University Press. (H. Gür, Trans., 2008). Barthes. Dost Kitabevi.

Çağlar, B. (2012). Bir iletişim biçimi olarak göstergebilim. LAÜ Sosyal Bilimler Dergisi, Aralık, 22–34.

Debord, G. (1994). The society of the spectacle. (D. Nicholson-Smith, Trans., 1994). Zone Books.

Deleuze, G. (1992). Postscript on the societies of control. October, 59, 3–7. https://doi.org/10.2307/778828

Eco, U. (1976). A theory of semiotics. Indiana University Press.

Eco, U. (1985). Sinemanın göstergebilime katkısı üzerine. In S. Büker & O. Onaran (Eds.), Sinema kuramları (pp. 263–280). Dost Yayınları.

Fiske, J. (1990). Introduction to communication studies. Routledge.

Foucault, M. (1991). Discipline and punish: The birth of the prison (A. Sheridan, Trans.) Penguin.

Foucault, M. (1994). Bio-histoire et bio-politique. In Dits et écrits (Vol. 3). Gallimard.

Gramsci, A. (1971). Selections from the prison notebooks (Q. Hoare & G. Nowell Smith, Eds. & Trans.). International Publishers.

Güçhan, G. (1992). Toplumsal değişme ve Türk sineması. İmge Yayınları.

Kotan, S. (Ed.). (2022). Kıyamet senaryoları: Sinemada distopik anlatılar. Literatürk Yayınları.

Marx, K. (2016). Economic and Philosophic Manuscripts of 1844. (M. Belge, Trans.). Routledge.

Monaco, J. (2009). How to read a film: Movies, media, and beyond. Oxford University Press.

Öztin, B. D. (1999). Sinema göstergebilimi. Simurg Yayınları.

Peirce, C. S. (1982). Writings of Charles S. Peirce: A chronological edition (Vol. 1). Indiana University Press.

Peirce, C. S. (2014). Illustrations of the Logic of Science. Open Court.

Propp, V. (1971). Morphology of the folktale. University of Texas Press.

Rifat, M. (1992). Göstergebilimin ABC’si. Simavi Yayınları.

Saussure, F. de. (2013). Course in general linguistics. Bloomsbury Academic.

Sharman, R and Sharma Maharaj, K. (2018). Colour Therapy - Miracle Of Sun Rays (Ham): The Miracle of Sunrays; Healing Colours for Body and Mind Disorders. Pustak Mahal.

Taylan, A. (2000). Dilbilim ve yapısalcılık (ss. 218–236). In İ. Hıdıroğlu (Ed.), İletişim kuramları. Açıköğretim Fakültesi Yayınları.

Vardar, B. (1998). Açıklamalı dilbilim terimleri sözlüğü. Multilingual Yayınları.

Wollen, P. (1969). Signs and meaning in the cinema (Z. Aracagök & B. Doğan, Trans., 2004, 2nd ed.). Sinemada göstergeler ve anlam. Metis Yayınları.

Yücel, H. (2013). İmgeden yoruma. Ayrıntı Yayınları.

Žižek, S. (1989). The sublime object of ideology (T. Birkan, Trans., 2008). İdeolojinin yüce nesnesi. Metis Yayınları.

Downloads

Published

2025-12-03

How to Cite

Kotan, S. (2025). Coding And Signification In Cinema: Semiological Perusal Of The Film In The Shadows. CINEJ Cinema Journal, 13(2), 312–358. https://doi.org/10.5195/cinej.2025.725

Issue

Section

Articles