Vol. 12 No. 2 (2024): Fall

Articles

• The Possibility of Impossibility: Reading The Watermelon Woman with Derrida and Adorno

  Christopher Morris

  1-29

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• Interactive documentary as a living and embodying experience to represent reality: A practice-based case study

  Hsham Aburghif

  30-65

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• Mary Shelley Biopic (2017): A filmic discourse analysis

  Thanya Araujo, Lívia Fernanda Silva

  66-92

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• The Ultimately Determinant Role of Economy in Yilmaz Güney's Movies: An Essay From the Perspective of Marxist Theory

  Betül Sarı Aksakal

  93-143

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• Confronting Existential Dilemmas: An In-Depth Analysis of Vicky Cristina Barcelona through the Philosophies of Sartre and Camus

  Debarath Das

  144-151

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• Social Construct of Nollywood Films and Ethnocentrism in Southern Nigeria

  Perpetua Ogechi Vitalis, Richard N. Amadi, Dike Harcourt Whyte

  152-179

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• Masochistic Performance of Scheherazade: A Multimodal Analysis of Prince Charming

  Attiya Zafar, Nadia Anwar

  180-207

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• Calcutta Through Different Lenses: Revisiting India in Jean Renoir’s The River and Satyajit Ray’s The Apu Trilogy

  Ayush Chakraborty

  208-228

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• Il Cinema Modernissimo – Where every film is an underground film

  Herbert F. Mintz II

  229-243

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• Green Border: Cinematic Storytelling as History of the Present

  Dikmen Yakalı, Zahide Erdogan

  244-268

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• Finding Leadership in Media Education

  Banu Baybars, Murat Akser

  269-287

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• Fiction Movies as a Means of Culinary Heritage’s Safeguarding and Research Referencing: Cases of Couscous Illustration in Tunisian Cinema

  Faten Ridene

  288-317

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