Mindspacing, Mental Health Discourse, and Midsommar (2019)

Authors

DOI:

https://doi.org/10.5195/cinej.2026.715

Keywords:

mindspace, mental health, visual media, space

Abstract

Numerous cultural analyses of mental health representation in visual media examine the discursive codes through which mind, mental health, and mental illness become intelligible. However, critical concepts for analyzing the spatialization of these phenomena in visual narratives remain underdeveloped. Building on the conceptual lenses of mindscapes and mindspaces from literature, film, and game studies, the present essay develops the conceptual tool of mindspacing. Where previous perspectives read the folding dreamscapes of Nolan’s Inception or the mythical fantasy world of Pan’s Labyrinth as visual externalizations of inner states, the praxeological perspective developed in this essay reads them as instances of mindspacing, the ongoing discursive accomplishment of relating and co-constituting the elements of mind and space. Exemplifying the new perspective, the folk horror film Midsommar (2019) is analyzed as a self-aware instance of mindspacing that critically engages Western mental health discourse.

Author Biography

Moritz Wischert-Zielke, Catholic University Eichstätt-Ingolstadt

Moritz Wischert-Zielke works as a psychologist and researcher in American Cultural Studies at the Catholic University of Eichstätt-Ingolstadt.

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Published

2026-05-22

How to Cite

Wischert-Zielke, M. (2026). Mindspacing, Mental Health Discourse, and Midsommar (2019). CINEJ Cinema Journal, 14(1), 601–639. https://doi.org/10.5195/cinej.2026.715

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