Vol 10, No 1 (2022)

Fall 2022

Table of Contents

Articles

Deterritorializing The Self: Becoming-Child in the Characters of Reha Erdem’s What’s A Human Anyway? (2004)
Suphi Keskin
PDF
1-26
The Relation of Female Characters to Nature in the Turkish Series Wounded Love (2016–2018): Ecofeminist Approaches
Fazıla Derya Agiş
PDF
27-58
Victims and Survivors in the Rape-Revenge Narrative: A Comparison of Black Christmas (2019) and I May Destroy You (2020)
Michaela Keating
PDF
59-88
Exploring Modes of Surveillance in Films
Matteo Ciccognani
PDF
89-123
The Black magic: An aesthetic analysis of its illustration in the sociohorteur film: Dachra
Faten Ridene
PDF
124-149
Zombie-Themes Outbreak Films and World War Z (2013)
Barış Tolga Ekinci
PDF
150-186
The Ambivalent Object(s) of America in Wim Wenders
Laurent Shervington
PDF
187-223
Politicizing the superhero genre: The case of Watchmen (HBO, 2019)
Evdokia Stefanopoulou
PDF
224-248
Minik Serçe as a Contrary Example Among the Singer Films in Turkish Cinema
Yasemin Barlan
PDF
249-272
Güneş Ne Zaman Doğacak?: A different approach from the perspective of Turkish cinematic art
Mehmet Yılmazata, Erdem Güven
PDF
273-313
Thirteen Days: A Political Reading
İkbal Sinemden Oylumlu
PDF
314-339

Book Reviews

Review of An Orthodox Monk Watching Films
Ioan Buteanu
PDF
340-346