Vol. 9 No. 1 (2021): Spring 2021

Articles

Diversity and Inclusion in Film, Television and Media Sector: Policy Alternatives for an Inclusive Film Industry and Training

Murat Akser

1-13
- PDF
Female Representation in Select Films of Frank Rajah Arase: Evidence of Male Chauvinist Tendencies in the Ghanaian Film Culture

Osakue S. Omoera, Charles C. Okwuowulu

14-41
- PDF
The Millennial Antinostalgic: Yoav in Nadav Lapid’s Synonymes

Jora Vaso

42-86
- PDF
The Social Implications of Metaphor in Bong Joon-ho’s Parasite

Alireza Farahbakhsh, Ramtin Ebrahimi

87-116
- PDF
Portrayal of Women in Contemporary Nollywood Films: Isoken and King of Boys in Focus

Emwinromwankhoe Osakpolor

117-145
- PDF
Cinema: Not Frames But Veils

Maria del Carmen Molina Barea

146-180
- PDF
“not conducive for sobriety”: Sex Addiction and Neoliberal Masculinity in Don Jon and Thanks for Sharing

Joel Gwynne

181-199
- PDF
Formation Of The Ambiguous Heroic Archetype: Three Jewish-American Film Actors And The United States’ Film System, 1929-1948

John Thomas McGuire

200-245
- PDF
“About Miracles”: Seeing the “real thing” in Hong Sang-soo’s Woman on the Beach and Éric Rohmer’s Le Rayon vert

Jacob Hovind

246-291
- PDF
Waking (Dreaming): A Vedantic Reflection on Richard Linklater’s Waking Life

Jaya Upadhyay

292-319
- PDF
The Liminal and the Surreal: The Space of Limbo and Dreams in Luis Bunuel’s The Discreet Charm of the Bourgeoisie

Miniature Malekpour

320-345
- PDF
Baudrillard, Hyperreality, and the Evil in Othello and The Hateful Eight

Pouria Torkamaneh, Farhad Poordakan, Pedram Lalbakhsh

346-370
- PDF
The reception of Cameroon Films and home videos in student residential areas: the case of Bambili – Cameroon

Paul Animbom Ngong

371-392
- PDF
The world of Assamese celluloid: ‘yesterday and today’

Violet Barman Deka

393-423
- PDF
Disgraced of the West, Deserted of the East: Men in the Films Shame and Issız Adam (Alone)

Selen Gökçem Akyıldız

424-455
- PDF
I’ll be back? The Deconstruction of the 1980s and the 1990s Hard Body Movies

Moshe Machlev

456-491
- PDF
The Impulse-Image of Vampiric Capital and the Politics of Vision and Disability: Evil and Horror in Don’t Breathe

Moritz Wischert-Zielke

492-525
- PDF

Book Reviews

Review of A Christian Approach to Cinema: Tarkovsky. Film as Prayer

Ioan Buteanu

526-530
- PDF
Review of Towards A Political Aesthetics of Cinema: The Outside of Film

Marco Poloni

531-537
- PDF
Review of Shoe Reels: The History and Philosophy of Footwear in Film

Nilay Ulusoy

538-547
- PDF
Review of Theorizing Film Through Contemporary Art: Expanding Cinema

Melanie Wilmink

548-556
- PDF

Books Received

Books Received 2021

Murat Akser

557-561
- PDF

Articles

Diversity and Inclusion in Film, Television and Media Sector: Policy Alternatives for an Inclusive Film Industry and Training

Female Representation in Select Films of Frank Rajah Arase: Evidence of Male Chauvinist Tendencies in the Ghanaian Film Culture

The Millennial Antinostalgic: Yoav in Nadav Lapid’s Synonymes

The Social Implications of Metaphor in Bong Joon-ho’s Parasite

Portrayal of Women in Contemporary Nollywood Films: Isoken and King of Boys in Focus

Cinema: Not Frames But Veils

“not conducive for sobriety”: Sex Addiction and Neoliberal Masculinity in Don Jon and Thanks for Sharing

Formation Of The Ambiguous Heroic Archetype: Three Jewish-American Film Actors And The United States’ Film System, 1929-1948

“About Miracles”: Seeing the “real thing” in Hong Sang-soo’s Woman on the Beach and Éric Rohmer’s Le Rayon vert

Waking (Dreaming): A Vedantic Reflection on Richard Linklater’s Waking Life

The Liminal and the Surreal: The Space of Limbo and Dreams in Luis Bunuel’s The Discreet Charm of the Bourgeoisie

Baudrillard, Hyperreality, and the Evil in Othello and The Hateful Eight

The reception of Cameroon Films and home videos in student residential areas: the case of Bambili – Cameroon

The world of Assamese celluloid: ‘yesterday and today’

Disgraced of the West, Deserted of the East: Men in the Films Shame and Issız Adam (Alone)

I’ll be back? The Deconstruction of the 1980s and the 1990s Hard Body Movies

The Impulse-Image of Vampiric Capital and the Politics of Vision and Disability: Evil and Horror in Don’t Breathe

Book Reviews

Review of A Christian Approach to Cinema: Tarkovsky. Film as Prayer

Review of Towards A Political Aesthetics of Cinema: The Outside of Film

Review of Shoe Reels: The History and Philosophy of Footwear in Film

Review of Theorizing Film Through Contemporary Art: Expanding Cinema

Books Received

Books Received 2021

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