Vol 9, No 1 (2021)

Spring 2021

Table of Contents

Articles

Diversity and Inclusion in Film, Television and Media Sector: Policy Alternatives for an Inclusive Film Industry and Training
Murat Akser
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1-13
Female Representation in Select Films of Frank Rajah Arase: Evidence of Male Chauvinist Tendencies in the Ghanaian Film Culture
Osakue S. Omoera, Charles C. Okwuowulu
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14-41
The Millennial Antinostalgic: Yoav in Nadav Lapid’s Synonymes
Jora Vaso
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42-86
The Social Implications of Metaphor in Bong Joon-ho’s Parasite
Alireza Farahbakhsh, Ramtin Ebrahimi
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87-116
Portrayal of Women in Contemporary Nollywood Films: Isoken and King of Boys in Focus
Emwinromwankhoe Osakpolor
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117-145
Cinema: Not Frames But Veils
Maria del Carmen Molina Barea
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146-180
“not conducive for sobriety”: Sex Addiction and Neoliberal Masculinity in Don Jon and Thanks for Sharing
Joel Gwynne
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181-199
Formation Of The Ambiguous Heroic Archetype: Three Jewish-American Film Actors And The United States’ Film System, 1929-1948
John Thomas McGuire
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200-245
“About Miracles”: Seeing the “real thing” in Hong Sang-soo’s Woman on the Beach and Éric Rohmer’s Le Rayon vert
Jacob Hovind
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246-291
Waking (Dreaming): A Vedantic Reflection on Richard Linklater’s Waking Life
Jaya Upadhyay
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292-319
The Liminal and the Surreal: The Space of Limbo and Dreams in Luis Bunuel’s The Discreet Charm of the Bourgeoisie
Miniature Malekpour
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320-345
Baudrillard, Hyperreality, and the Evil in Othello and The Hateful Eight
Pouria Torkamaneh, Farhad Poordakan, Pedram Lalbakhsh
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346-370
The reception of Cameroon Films and home videos in student residential areas: the case of Bambili – Cameroon
Paul Animbom Ngong
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371-392
The world of Assamese celluloid: ‘yesterday and today’
Violet Barman Deka
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393-423
Disgraced of the West, Deserted of the East: Men in the Films Shame and Issız Adam (Alone)
Selen Gökçem Akyıldız
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424-455
I’ll be back? The Deconstruction of the 1980s and the 1990s Hard Body Movies
Moshe Machlev
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456-491
The Impulse-Image of Vampiric Capital and the Politics of Vision and Disability: Evil and Horror in Don’t Breathe
Moritz Wischert-Zielke
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492-525

Book Reviews

Review of A Christian Approach to Cinema: Tarkovsky. Film as Prayer
Ioan Buteanu
PDF
526-530
Review of Towards A Political Aesthetics of Cinema: The Outside of Film
Marco Poloni
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531-537
Review of Shoe Reels: The History and Philosophy of Footwear in Film
Nilay Ulusoy
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538-547
Review of Theorizing Film Through Contemporary Art: Expanding Cinema
Melanie Wilmink
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548-556

Books Received

Books Received 2021
Murat Akser
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557-561