Vol. 12 No. 1 (2024): Spring

Published: 2024-09-12

Articles

The Eye of the Tiger, Amongst Other Animals: The Non-Chinese Viewer’s Guide to the Symbolic Significance of Animals in Jia Zhangke’s A Touch of Sin

Kar Lok Pang

1-26
- PDF
Representation of India Pakistan tensions in Bollywood (2015-2020): Case study of Bajrangi Bhaijaan and Tiger Zinda Hai films

Mohammad Mohammadzadeh

27-54
- PDF
Ecranisation Analysis of Chimamanda Ngozi Adichie’s Half of a Yellow Sun

Brigette Sagmon, Elizabeth Gwen Gomez

55-98
- PDF
The Role of the Chorus in Akira Kurosawa's 1990 Yume (Dreams)

Lampros Papagiannis

99-117
- PDF
Mapping the Trajectory of Adolescent Sexuality: The Portrait of Durga in Satyajit Ray’s Pather Panchali

Rebanta Gupta, Aniket Roy

118-139
- PDF
From Home to Destitution: Deprived and Ignored Children in Yusuf ile Kenan (1979) and Masumiyet (1997)

Zühre Canay Güven

140-181
- PDF
Sound Design in the Turkish TV Series and Cinema Sector: Post-Production Stage

Rahime Akikol, Bahar Atmaca Demir, Haluk Zülfikar

182-206
- PDF
An Exploration of the Changing Reputation of Spring In A Small Town at Different Times

Kaihui Bi

207-240
- PDF
Woman’s Cinema on the Sri Lankan Silver Screen and the "Other" Female Filmmakers

Lanka Bandaranayake

241-283
- PDF
Imagining Friends and Foes: The (Re)Education of Jojo Rabbit

William Skiles

284-318
- PDF
Being Queer in Turkish Cinema: Existence, Appearance, and Representation

Övünç Ege

319-359
- PDF
Masochist and Sadist Individuals at the Socio-Cultural Crisis in The Banshees of Inisherin

Sajed Hosseini, Payam Babaie

360-384
- PDF
Reading Stanley Kubrick’s The Shining Against the Backdrop of His Cinematic Expression

Özge Onay

385-405
- PDF
A Sentimental Android? M3GAN (2022) and Monstrous Doubling as a Negotiation of the Gendered Neo-Liberal Self

Michael Eden

406-444
- PDF
Ink And Influence: The Role of Media on Climate Policy Understanding

Ibrahim Dalkılıç, Nezahat Doğan

445-480
- PDF

Book Reviews

Review of Farmed Animals on Film: A Manifesto for a New Ethic

Carrie Packwood Freeman

481-488
- PDF

Vol. 12 No. 1 (2024): Spring

Articles

The Eye of the Tiger, Amongst Other Animals: The Non-Chinese Viewer’s Guide to the Symbolic Significance of Animals in Jia Zhangke’s A Touch of Sin

Representation of India Pakistan tensions in Bollywood (2015-2020): Case study of Bajrangi Bhaijaan and Tiger Zinda Hai films

Ecranisation Analysis of Chimamanda Ngozi Adichie’s Half of a Yellow Sun

The Role of the Chorus in Akira Kurosawa's 1990 Yume (Dreams)

Mapping the Trajectory of Adolescent Sexuality: The Portrait of Durga in Satyajit Ray’s Pather Panchali

From Home to Destitution: Deprived and Ignored Children in Yusuf ile Kenan (1979) and Masumiyet (1997)

Sound Design in the Turkish TV Series and Cinema Sector: Post-Production Stage

An Exploration of the Changing Reputation of Spring In A Small Town at Different Times

Woman’s Cinema on the Sri Lankan Silver Screen and the "Other" Female Filmmakers

Imagining Friends and Foes: The (Re)Education of Jojo Rabbit

Being Queer in Turkish Cinema: Existence, Appearance, and Representation

Masochist and Sadist Individuals at the Socio-Cultural Crisis in The Banshees of Inisherin

Reading Stanley Kubrick’s The Shining Against the Backdrop of His Cinematic Expression

A Sentimental Android? M3GAN (2022) and Monstrous Doubling as a Negotiation of the Gendered Neo-Liberal Self

Ink And Influence: The Role of Media on Climate Policy Understanding

Book Reviews

Review of Farmed Animals on Film: A Manifesto for a New Ethic

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