Vol 7, No 1 (2018)

Spring 2018

Table of Contents

Editor's Note

Editorial
Bengisu Bayrak
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1-4

Articles

Halit Refig's I Lost My Heart to a Turk: Woman, Islam and Modernity in Turkish Cinema
Murat Akser
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5-29
Presentation of Nuri Bilge Ceylan and his Cinema in the Turkish Media
Zafer Parlak, Mehmet Işık
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30-57
Apocalypse at Painting to Cinema: The end of Western Civilization and Hegemony
Selma Köksal
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58-71
From Box Office to Memory: Telling Stories is not an Innocent Act
Ayla Kanbur
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72-90
Interpersonal Relations as a Tool to Film Directing
Caio Augusto Camargo Bogoni, Renate B. Michel
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91-115
What’s in the Backdrop: Representation of Landscape in Bollywood Cinema
Naveen Mishra
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116-141
Order, Disobedience and Power in Kieslowski’s Dekalog
Janet Barış
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142-168
The Black Tent (1956) and Bengazi (1955): The Image of Arabs in Two post-Empire Journeys into the Deserts of Libya
Richard Andrew Voeltz
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169-188
Violence in the Postcolonial Ghetto: Ngozi Onwurah's Welcome II the Terrordome (1994)
Emilie Herbert
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189-204
Going Beyond Boundaries: There is a Way and the Use of English Medium in Hausa Film Industry
Muhammad Muhsin Ibrahim, Aliyu Yakubu Yusuf
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205-224
Political Claustrophobia in Lars von Trier’s Europa and America Trilogies
Özlem Denli
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225-237
Let’s Make it American: American Remakes of the British Films
Elif Kahraman Dönmez
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238-261

Book Reviews

Film and Television Genres of the Late Soviet Era
Jeanine Pfahlert
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262-266
Comic Venus: Women and Comedy in American Silent Film
Patrick Adamson
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267-271
The War that Won't Die: The Spanish Civil War in Cinema
Sarah Lonsdale
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272-276
Queer Theory and Brokeback Mountain
James Hodgson
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277-282
Global Cinematic Cities: New Landscape of Film and Media
Maria Korolkova
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283-286