|
Issue |
Title |
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Vol 8, No 1 (2020): Winter 2020 |
Man In A Hat: Martin Balsam And The Refining Of Male Character Acting In American Films, 1957-1976 |
Abstract
PDF
|
John Thomas McGuire |
|
Vol 9, No 1 (2021): Spring 2021 |
Formation Of The Ambiguous Heroic Archetype: Three Jewish-American Film Actors And The United States’ Film System, 1929-1948 |
Abstract
PDF
|
John Thomas McGuire |
|
Vol 7, No 1 (2018): Spring 2018 |
Apocalypse at Painting to Cinema: The end of Western Civilization and Hegemony |
Abstract
PDF
|
Selma Köksal |
|
Vol 7, No 1 (2018): Spring 2018 |
Halit Refig's I Lost My Heart to a Turk: Woman, Islam and Modernity in Turkish Cinema |
Abstract
PDF
|
Murat Akser |
|
Vol 8, No 2 (2020): Fall 2020 |
Emerging Discourses, Changing Perspectives: Iraq in Oscar Documentary Films |
Abstract
PDF
|
Abida Ashraf |
|
Vol 8, No 2 (2020): Fall 2020 |
Cinema, Life and Other Viruses: The Future of Filmmaking, Film Education and Film Studies in the Age of Covid-19 Pandemic |
Abstract
PDF
|
Murat Akser |
|
Vol 7, No 1 (2018): Spring 2018 |
Interpersonal Relations as a Tool to Film Directing |
Abstract
PDF
|
Caio Augusto Camargo Bogoni, Renate B. Michel |
|
Vol 9, No 1 (2021): Spring 2021 |
Female Representation in Select Films of Frank Rajah Arase: Evidence of Male Chauvinist Tendencies in the Ghanaian Film Culture |
Abstract
PDF
|
Osakue S. Omoera, Charles C. Okwuowulu |
|
Vol 8, No 1 (2020): Winter 2020 |
Cinema And Society In The Light Of Emile Zola’s Naturalism |
Abstract
PDF
|
Hossein Shahin Karbalaeetaher |
|
Vol 7, No 1 (2018): Spring 2018 |
The Black Tent (1956) and Bengazi (1955): The Image of Arabs in Two post-Empire Journeys into the Deserts of Libya |
Abstract
PDF
|
Richard Andrew Voeltz |
|
Vol 7, No 1 (2018): Spring 2018 |
From Box Office to Memory: Telling Stories is not an Innocent Act |
Abstract
PDF
|
Ayla Kanbur |
|
Vol 6, No 2 (2017): Fall 2017 |
Holocaust Cinema as Depicted by Film Advisory Boards in Five English Speaking Countries |
Abstract
PDF
|
Alon Lazar, Tal Litvak Hirsch |
|
Vol 8, No 2 (2020): Fall 2020 |
The Effects of Film Illumination Hues – An Exploration Study |
Abstract
PDF
|
Mustafa Mahmoud Yousry Matbouly |
|
Vol 8, No 2 (2020): Fall 2020 |
Wild Pear Trees, Patrimonial Legacies: Father-Son Relationship in Nuri Bilge Ceylan's The Wild Pear Tree |
Abstract
PDF
|
Coşkun Liktor |
|
Vol 7, No 1 (2018): Spring 2018 |
Let’s Make it American: American Remakes of the British Films |
Abstract
PDF
|
Elif Kahraman Dönmez |
|
Vol 9, No 1 (2021): Spring 2021 |
Diversity and Inclusion in Film, Television and Media Sector: Policy Alternatives for an Inclusive Film Industry and Training |
Abstract
PDF
|
Murat Akser |
|
Vol 8, No 1 (2020): Winter 2020 |
Music and sound in documentary film communication: an exploration of Une Affaire de Nègres and Chef! |
Abstract
PDF
|
Paul Animbom Ngong |
|
Vol 2, No 2 (2013): Spring 2013 |
Liu Na’ou And The 1930s Soft Film Movement: A New Approach In Revisionist Chinese Film Historiography |
Abstract
PDF
|
Donna Ong |
|
Vol 9, No 1 (2021): Spring 2021 |
The reception of Cameroon Films and home videos in student residential areas: the case of Bambili – Cameroon |
Abstract
PDF
|
Paul Animbom Ngong |
|
Vol 9, No 2 (2021): Fall 2021 |
Mapping Yeşilçam: A relational approach to the Turkish film industry |
Abstract
PDF
|
Serkan Savk, Burak Dogu |
|
Vol 9, No 2 (2021): Fall 2021 |
Rocky Balboa: The Innocent and the Invincible Hero of Low Income Class |
Abstract
PDF
|
Yildirim Uysal |
|
Vol 9, No 2 (2021): Fall 2021 |
Post-Coloniality: Projection of Ghana In Video-Films |
Abstract
PDF
|
Augustine Danso |
|
Vol 6, No 1 (2017): Spring 2017 |
Books received |
Abstract
PDF
|
Murat Akser |
|
Vol 9, No 2 (2021): Fall 2021 |
Reading the Simultaneous Motion and Reality Bending Concepts through Doctor Strange |
Abstract
PDF
|
Gülşah Uner, Ebru Erdogan |
|
Vol 9, No 2 (2021): Fall 2021 |
Real, Reel and the Anthropocene: Eco-trauma Testimonies in the Film Valiya Chirakulla Pakshikal |
Abstract
PDF
|
Bibin Thomas, Reju George Mathew |
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