Vol 6, No 2 (2017)

Fall 2017

Table of Contents

Editor's Note

Editorial
Bengisu Bayrak
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1-5

Articles

Transnational Life: Where’d I Be Happy? A Research on the Films of Immigrant Directors From Turkey Living in Austria
Hasan Gürkan
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6-31
Aestheticizing the Downfall of Industrial Capitalism: Jim Jarmusch’s Tale of Intellectual Vampires in Zombies’ World
Bahar Muratoğlu Pehlivan, Gül Esra Atalay
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32-48
Stereotype Representation of Women in Nigerian Films
Andrew Ali Ibbi
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49-70
Bollywood in the Hollywood Era: Narratives of Ultra-nationalism, Terrorism and Violence
Iqbal Shailo
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71-87
Holocaust Cinema as Depicted by Film Advisory Boards in Five English Speaking Countries
Alon Lazar, Tal Litvak Hirsch
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88-111
Panoptic Pranksters: Power, Space and Visibility in the Information Panopticon in Scare Campaign
Elloit Cardozo
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112-128
Nollywood in Cameroon: Transnationalisation and Reception of a Dynamic Cinematic Culture
Floribert Patrick C. Endong
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129-143
Women Trauma and Stereotype Tradition in Tunde Kelani’s Film, Thunderbolt
Olugbenga Elegbe
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144-164
Cinematic Orientalism: Bab el Oued City & The Time that Remains
Volkan Yücel, Ziya Toprak
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165-180
Ceylan's Winter Sleep: From Ambiguity to Nothingness
Aslı Daldal
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181-199
Women in the Cinema of Nuri Bilge Ceylan
Funda Masdar Kara, Şakir Eşitti
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200-221

Book Reviews

The Orientation of Future Cinema: Technology, Aesthetics, Spectacle
Anthony James Ballas
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222-227