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Issue |
Title |
|
Vol 7, No 1 (2018): Spring 2018 |
Presentation of Nuri Bilge Ceylan and his Cinema in the Turkish Media |
Abstract
PDF
|
Zafer Parlak, Mehmet Işık |
|
Vol 6, No 1 (2017): Spring 2017 |
For Those Who Seek Mastery and Personality, by Halit Refiğ |
Abstract
PDF
|
Murat Akser |
|
Vol 6, No 2 (2017): Fall 2017 |
Women in the Cinema of Nuri Bilge Ceylan |
Abstract
PDF
|
Funda Masdar Kara, Şakir Eşitti |
|
Vol 10, No 1 (2022): Fall 2022 |
Güneş Ne Zaman Doğacak?: A different approach from the perspective of Turkish cinematic art |
Abstract
PDF
|
Mehmet Yılmazata, Erdem Güven |
|
Vol 9, No 2 (2021): Fall 2021 |
Mapping Yeşilçam: A relational approach to the Turkish film industry |
Abstract
PDF
|
Serkan Savk, Burak Dogu |
|
Vol 8, No 2 (2020): Fall 2020 |
Transformation of Comedy with Streaming Services: The Case of Bartu Ben |
Abstract
PDF
|
Nisa Yıldırım |
|
Vol 6, No 2 (2017): Fall 2017 |
Ceylan's Winter Sleep: From Ambiguity to Nothingness |
Abstract
PDF
|
Aslı Daldal |
|
Vol 9, No 2 (2021): Fall 2021 |
Changes in Women’s Representations in Turkish Cinema from the 1980s to the Early 1990s |
Abstract
PDF
|
Fatma Özen |
|
Vol 3, No 1 (2013): Fall 2013 |
Auteur and Style in National Cinema: A Reframing of Metin Erksan's Time To Love |
Abstract
PDF
|
Murat Akser |
|
Vol 6, No 1 (2017): Spring 2017 |
Editorial |
Abstract
PDF
|
Bengisu Bayrak |
|
Vol 4, No 1 (2014): Fall 2014 |
From Past To Present A Cognitive Work On “New Turkish Cinema” |
Abstract
PDF
|
Arif Can Güngör |
|
Vol 2, No 1 (2012): Fall 2012 |
Islam goes Hollywood. An exploratory study on Islam in Turkish cinema |
Abstract
PDF
|
Petra de Bruijn |
|
Vol 8, No 1 (2020): Winter 2020 |
Becoming-Animal in the Narrative and the Form of Reha Erdem’s Kosmos |
Abstract
PDF
|
Suphi Keskin, Burcu Baykan |
|
Vol 3, No 2 (2014): Spring 2014 |
Editorial |
Abstract
PDF
|
Murat Akser |
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