Vol 2, No 2 (2013)

Spring 2013

Table of Contents

Articles

Editorial
Murat Akser
PDF
1-3
The Tale Of Gandhi Through The Lens: An Inter-Textual Analytical Study Of Three Major Films- Gandhi, The Making Of The Mahatma, And Gandhi, My Father
C.S.H.N. Murthy, Oinam Bedajit Meitei, Dapkupar Tariang
PDF
4-37
Chop Shop and Foreign Parts settle on the fuzzy boundary between fiction and documentary: new representations of New York City in Contemporary Cinema.
Fernando Canet
PDF
38-50
The American Dark Ages and the Terrorist Witch in Season of the Witch
Tom Vercruysse
PDF
51-65
Liu Na’ou And The 1930s Soft Film Movement: A New Approach In Revisionist Chinese Film Historiography
Donna Ong
PDF
66-81
Wenders in Motion: A Study On The Way Of Characterization In Wim Wenders’ Road Movies
Erman Pehlivan
PDF
82-109
Same Story But Different Cover: The Substitution Principle in Religion and Understanding It Through Watching Films
Gökhan Uğur
PDF
110-125
Nostalgia for the Light: A ‘Documemory’ and The Conflict between History and Memory
Didem Durak
PDF
126-139
Defining Italian Neorealism: A Compulsory Movement
Esma Kartal
PDF
140-148
Nation, Genre and Female Performance in Canadian Cinema
Murat Akser
PDF
149-166