Fiction Criticizing Reality: Abbas Kiarostami and the Cracked Windshield of Cinema

Authors

  • James Blake Ewing Graduated from Baylor University with a MA in Communication Studies

DOI:

https://doi.org/10.5195/cinej.2013.77

Keywords:

Documentary, Reality, Cinema, Abbas Kiarostami, Fiction, Close-Up

Abstract

This article argues that Abbas Kiarostami uses documentaries and fiction films to examine the distinction between reality and fiction. Through the use of an arthouse style of filmmaking, the insertion of a surrogate director into the narrative and a recurring breakdown in technology, Kiarostami demonstrates that film’s ability to capture reality is a flawed, sometimes broken, endeavor.

References

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Önala, Hülya, and Meral Özçınar. “Tracing the Truth within the Blurring Borders of Fiction and Documentary.” Journal of Yasar University 21, no. 6 (2011): 3563-3571.

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Published

2014-04-08

How to Cite

Ewing, J. B. (2014). Fiction Criticizing Reality: Abbas Kiarostami and the Cracked Windshield of Cinema. CINEJ Cinema Journal, 3(1), 28–46. https://doi.org/10.5195/cinej.2013.77

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Section

Articles