An analytical study of the ritual ceremonies in Iranian performing arts, a case study of Travellers

Authors

  • Shiva Khalili Kolahian

DOI:

https://doi.org/10.5195/cinej.2020.260

Keywords:

rites, ceremony, performing arts, Travellers

Abstract

Rites and myths are important parts of the identity and the culture of every nation. Iranian rites and performing arts, as a part of Iranian art and culture, which has always got attention throughout history, can help us recognize ancient Iranian culture and history. Cinema, among other interactive arts, has sometimes been able to portray ritual arts well. Travellers movie, made by Bahram Beyzai, is one of the most prominent examples of the visualization of ritual arts in Iran, because the movie consists of three parts, like the three theaters, in which the rites are portrayed as the main story of the movie, and the Persian culture and customs have been exhibited. This paper, which its research method is descriptive-analytical, examines the standing of rites and ritual arts in Travellers movie and analyzes its atmosphere regarding to performing rituals. Its scene design changes as the script process, so that the application of elements such as light and color, and their intensity and reduction in different mental conditions, from pleasure to mourning, has been considered wisely, and the atmosphere has a dramatic impact on the audience in different scenes. The lighting and the coloring of the scenes in the movie, indicates a tribute to beliefs and faith in rites and ritual arts.

References

Aghapour, V. (2009). The study of the concept of ritual and ritual ritual from the perspective of Grotovsky in the theater.tehran

Alizadeh, H.; Afshar, M., (1395). Re-creation of the religion by the suspension of time. place and personality in the cinema Bahram Beyzaee. Quarterly Journal of Dramatic Literature and Visual Arts. (3), Summer, 100-79.

Bracket, S. G. (1366). World Theater History, Translation by Houshang

Azadevar, Volume I. First Edition. Tehran: Pearl Publishing.

Beyzai, B. (1371). Travellers Movie. Tehran: Roshangar Publishing House.

Beyzai, B. (1344). Show in Iran. First Edition. Tehran: Kavian Publishing House.

Chevalier, J. and Gheerbrant, A. (2005). Symbol Culture. Translation by Soodabeh Fazaheli, Volume One A (Eomanis-Mirne). Second Edition. Tehran: Jayoun Publishing.

Eliade, M. et al. (1388). Myths and Rites (from ancient times to today). translation by Abolghasem Esmailpour, Tehran: Myth Publishing.

Eliade, M. (2009). Holy and Unholy (The Nature of Religion). Translation by Behzad Saleki, Second Edition. Tehran: Scientific and Cultural Publishing.

Eliade, M. (1388). The myth of the eternal return. translated by Bahman Sarkarati, Tehran: Ghatra Publishing.

Ferasati, M. (2002). Missing at Labirent Times (Travellers by Bahram Beizai), Cinema Review, No. (35), pp.11-3.

Ghenaat, H. (1999). Travellers From the Viewpoint of Old Religious Beliefs. Reviewing and Introducing Beyzyani's Works. Collector Ghukkasyan Zavon. Tehran: AJ Publishing.

Ghukkasyan, Zavon. 1371. on Travellers. Tehran: Roshangar Publishing House.

Maleki, M. (1391). Seven windows towards mystical architecture. Tehran: Royan Pajouh Publication.

Mohammadi, I. and Afshar, M. (1393). A translated video of mythical time in Beyzaee Cinema. Literary Review. 25, 210-185.

nedaee, A.; Alvandi, N.; Irani, s., (1394). Reviewing the function of Zen ritual arts in the spring, summer, autumn, winter and spring spring. Journal of Music Performing Arts, No., (11), Autumn and Winter, 63-51.

Rouholamini, M. (2004). Rites and Celebrations in Iran today. Tehran: Azad Publication.

Shahin, S. (2004). The study of the color symbol in the literary theater and in the religion of the nations. The Art of Fine Arts., (18), Summer, 99-108.

Shayegan, D.(1380). eternal idols and mental memory. Tehran: Amir Kabir.

Downloads

Published

2020-12-03

How to Cite

Khalili Kolahian, S. (2020). An analytical study of the ritual ceremonies in Iranian performing arts, a case study of Travellers. CINEJ Cinema Journal, 8(2), 217–246. https://doi.org/10.5195/cinej.2020.260

Issue

Section

Articles