Emerging Discourses, Changing Perspectives: Iraq in Oscar Documentary Films

Authors

DOI:

https://doi.org/10.5195/cinej.2020.247

Keywords:

Religio-Political Discourses, Conflict, Peace, Documentary Film, VUCA

Abstract

Documentary film has become an important tool to seek information. This study shows how documentaries are projecting skepticism and sarcasm of Iraqi people due to volatile, uncertain complex, and ambiguous (VUCA) conditions. The fims discussed in this study consists of Oscar-winning and Oscar-nominated documentary films from 2003 to 2011 with a total of 45 films. The year 2003 is selected for its demarcation of U.S.-led invasion of Iraq which started in March 2003 and toppled over the government of Saddam Hussein. The year 2011 denotes the end with the departure of US troops in 2011. Through the criterion sampling, four films are selected that depict Iraq and all the four got the nomination for Oscar that includes: Iraq in Fragments (2006-Nomination); My Country My Country (2006-N); No End in Sight (2007-N); Operation Homecoming: Writing the Wartime Experience (2007-N). To explore Iraqi people’s perspectives, further sampling is applied and two documentaries are selected depicting entanglement of religion and politics in Iraq from Iraqi people’s perspective.

Author Biography

Abida Ashraf, University of the Punjab

Institute of Communication Studies, Assistant Professor

References

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Published

2020-12-03

Issue

Vol. 8 No. 2 (2020): Fall 2020

Section

Articles

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