Reading of the Architectural Identity via Cinema
Keywords:Architect, Architecture, The profession of architecture, Cinema, Film,
This study focused on the identity and proficiency of the profession of architecture via characters of “architect”, “student of architecture” and “having ambition to become an architect” in various films. Conclusions have been drawn about the professional applications and architectural life from the cinematographic level regarding the architect characters and their jobs via the seven films and a total of eleven different architect characters studied. This study aims to revise, through the cinema, the questions of what does an architect do? How does an architect work? What are the tools that an architect uses? How does an architect create their works? What is the mental map of an architect like? In short, who is an architect? New conclusions have been drawn, via a total of eleven different characters of architects in seven films, about architects and architects’ job from the cinematographic level to Professional practice
and architectural life.
Gençosmanoğlu Beşgen, A. 2012. CINEJ Cinema Journal, To Find Is To Choose, To Choose Is To Create: Culture(s) in Cinematic and Architectural Space(s) Stoker’s Dracula (1992), Volume 1.2 (2012), DOI 10.5195/cinej.2012.15.
Hasol, D. 2005. Ansiklopedik Mimarlık Sözlüğü, Yapı Endüstri Merkezi Yayınları, İstanbul.
Vitruvius, P., 1993, Mimarlık Üzerine On Kitap, ç. M.H. Moran, Şevki Vanlı Yayınları.
Tanyeli, U., 2001. Sinema ve Mimarlık: Temsiliyet Nesnenin Temsili Sanatın Sanallıkla İfadesi”, Journal of Arredamento Mimarlık, 11:66.
Türk Dil Kurumu Sözlüğü. 1969. Ankara.
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