The Filmic Representation of Women: Paradigm Versus Perspective in the Depiction of Women in Funke Akindele’s Two Selected Works

Sanjo Ilori; Adewale Oyewo; Olamiposi Oyeleye

doi:10.5195/cinej.2025.711

The Filmic Representation of Women: Paradigm Versus Perspective in the Depiction of Women in Funke Akindele’s Two Selected Works

Authors

Sanjo Ilori Osun State University
Adewale Oyewo Osun State University https://orcid.org/0000-0002-6983-0278
Olamiposi Oyeleye Osun State University https://orcid.org/0009-0009-7197-6792

DOI:

https://doi.org/10.5195/cinej.2025.711

Keywords:

Film, Women's image, Paradigm, Perspective, Akindele, Nigerian Cinema

Abstract

Funke Akindele's holistic portrayal of women in She Must Be Obeyed and A Tribe Called Judah has transcended the biases of just putting women in the limelight given the multifaceted nature women, like men, possess. Subjecting the two films to a close viewing and placing the analysis drawn side by side with the backdrop of the parameters of feminist film theory, pushes for evaluating Akindele’s ideologies. The study found that Akindele prioritizes perspectives over paradigms in women's image projection in her works, making the works more inclusive in their representation of realities, a shift described as realistic-feminism.

Author Biographies

Adewale Oyewo, Osun State University

Adewale Christopher Oyewo PhD teaches in the Department of Theatre Arts at Ikire Campus of Osun State University Oshogbo Nigeria.

Olamiposi Oyeleye, Osun State University

Olamiposi Oyeleye Ph.D teaches in the Department of English at Ikire Campus of Osun State University Oshogbo.

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Published

2025-12-03

How to Cite

Ilori, S., Oyewo, A., & Oyeleye, O. (2025). The Filmic Representation of Women: Paradigm Versus Perspective in the Depiction of Women in Funke Akindele’s Two Selected Works. CINEJ Cinema Journal, 13(2), 1–18. https://doi.org/10.5195/cinej.2025.711

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Issue

Vol. 13 No. 2 (2025): Fall

Section

Articles

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