Binge-Watching and the Theory of Desire: A Lacanian Perspective on Netflix Consumption Patterns

Authors

DOI:

https://doi.org/10.5195/cinej.2025.682

Keywords:

Jacques Lacan, Theory of Desire, Binge-Watching, Netflix, Psychoanalysis, Media Studies

Abstract

This paper explores the phenomenon of binge-watching on Netflix through the lens of Jacques Lacan’s Theory of Desire. While this behavior is often viewed as a product of convenience or entertainment, it reflects a deeper psychological process rooted in the structure of desire. Lacan’s theory posits that desire is not merely about satisfying needs but is fundamentally tied to the symbolic order and the endless pursuit of the unattainable. This study argues that Netflix’s business model and content strategies are deeply aligned with Lacanian concepts, particularly the notion of desire as an unfulfilled and perpetual pursuit. By continuously providing new content, Netflix sustains and amplifies the viewer’s desire, keeping them engaged in a cycle of consumption that mirrors Lacan’s structure of desire.

References

Bailly, Lionel. 2012. Lacan: A Beginner’s Guide. One World Pub.

Barker, Cory & Wiatrowski, Myc (Ed.). 2017. The Age of Netflix: Critical Essays on Streaming Media, Digital Delivery and Instant Access. McFarland & Company Pub.

Bucher, Taina. 2018. If... Then: Algorithmic Power and Politics. Oxford University Press.

Broe, Dennis. 2019. Birth of the Binge: Serial TV and the End of the Leisure. Wayne State University Press.

Cheney-Lippold, J. (2011). A New Algorithmic Identity: Soft Biopolitics and the Modulation of Control. Theory, Culture & Society, 28(6), 164-181. https://doi.org/10.1177/0263276411424420

Coffman, N., & Shumar, W. (2023). Binge new world: Streaming television narratives and the interpellated subject. In Television’s Streaming Wars (pp. 173-187). Routledge.

Deleuze, Gilles & Guattari, Felix. 2009 [1977]. Anti-Oedipus: Capitalism and Schizophrenia. Penguin Classics.

Deuze, M. (2008). The Professional Identity of Journalists in the Context of Convergence Culture. Observatorio (OBS*), 2(4): 103-117.. https://doi.org/10.15847/obsOBS242008216

Fink, Bruce. 1995. The Lacanian Subject: Between Language and Jouissance. Princeton University Press.

Gillespie, Tarleton (Ed.). (2014). Media Technologies: Essays on Communication, Materiality, and Society. (pp. 167-194). MIT Press.

Hanah Yun, & Jae-Cheol Moon (2024). Jacques Lacan’s Subjectivity Reflections on Spectatorship in Post-Network Television. Moving Image & Technology (MINT), 4(1), 1-8. https://doi.org/10.15323/mint.2024.4.4.1.1

Homer, Sean. 2005. Jacques Lacan. Routledge.

Jenkins, Henry. 2009. Confronting the Challenges of Participatory Culture: Media Education for the 21st Century. MIT Press.

Jenner, Mareike. 2018. Netflix and the Re-invention of the Television. Palgrave Macmillan Press.

Kotsko, Adam. 2010. Awkwardness. John Hunt Publishing.

Lacan, Jacques. [1957] 2017. Formations of the Unconscious: The Seminar of Jacques Lacan Book V. Edited by Jacques-Alain Miller. Polity Press.

Manovich, Lev. 2001. The Language of New Media. MIT Press.

McDonald, Kevin & Smith-Rowsey, Daniel. 2016. The Netflix Effect: Technology and Entertainment in the 21st Century. Bloomsbury Academic Pub.

McKee, Robert. 2016. Story: Substance, Structure, Style, and the Principles of Screenwriting. Regan Books.

Yıldırım, N. (2020). Transformation of Comedy with Streaming Services: The Case of Bartu Ben. CINEJ Cinema Journal, 8(2), 403–425. https://doi.org/10.5195/cinej.2020.300

Zuboff, Shoshana. 2019. The Age of Surveillance Capitalism: The Fight for a Human Future at the New Frontier of Power. Public Affairs.

Downloads

Published

2025-05-27

How to Cite

Öztürk, E. (2025). Binge-Watching and the Theory of Desire: A Lacanian Perspective on Netflix Consumption Patterns. CINEJ Cinema Journal, 13(1), 262–287. https://doi.org/10.5195/cinej.2025.682

Issue

Section

Articles