Deconstructing Japanese Romance Films through the Lens of Wabi-sabi, Mono no aware, Yūgen, and Kawaii (1990-2010)

Fengmuhan Li

doi:10.5195/cinej.2025.679

Deconstructing Japanese Romance Films through the Lens of Wabi-sabi, Mono no aware, Yūgen, and Kawaii (1990-2010)

Authors

Fengmuhan Li University of Aberdeen

DOI:

https://doi.org/10.5195/cinej.2025.679

Keywords:

Japanese romance film, Japanese aesthetics, Wabi-sabi, Mono no aware, Yūgen, Kawaii

Abstract

This study takes a close look at Japanese romance films made between 1990 and 2010, examining them through both traditional and modern Japanese aesthetic ideas such as Wabi-sabi, Mono no aware, Yūgen, and Kawaii. By connecting this age-old aesthetics with today's pop culture, the research reveals how these varied principles create a distinctive cinematic language. By analysing films like Love Letter and Sky of Love, this study highlights the dynamic interaction between ancient philosophies and modern storytelling methods, showing how Japanese aesthetics have deepened and evolved in today's cinema. The study offers fresh insights into the cultural and artistic importance of Japanese romance films, providing a deeper understanding of their emotional impact and lasting charm.

References

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Published

2025-12-03

How to Cite

Li, F. (2025). Deconstructing Japanese Romance Films through the Lens of Wabi-sabi, Mono no aware, Yūgen, and Kawaii (1990-2010). CINEJ Cinema Journal, 13(2), 166–193. https://doi.org/10.5195/cinej.2025.679

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Issue

Vol. 13 No. 2 (2025): Fall

Section

Articles

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