Zuhal: A Portrait of Urban Individuals Through Female Perspective

Authors

DOI:

https://doi.org/10.5195/cinej.2025.675

Keywords:

Turkish cinema, feminist cinema, postmodern cinema, the metropolitan individual, achievement society, liquid modernity, gender

Abstract

An apartment in the center of the metropolis, a woman living in this apartment and a cat sound that no one can hear, only the woman can hear. In the film Zuhal; the loneliness, burnout, fatigue and alienation of urban individuals are conveyed effectively with these few elements. In addition, each character in the film, which tells the stories of not only Zuhal but also her neighbors, offers an example of the metropolitan type personality. These exhausted and tired urban individuals live a life far from their inner world, alienated from themselves and their surroundings. This study focuses on the individual living in today's cities, using sociological and feminist analysis methods through the film Zuhal (2021). Present-day’s individual lives in Bauman’s “liquid modernity” which is quite different than Simmel’s “the metropolitan individual”. According to Han, an individual in present-day’s “achievement society” that is dominated by speed and positivity in late modern era, grapples with psychological problems such as depression, attention deficit, hyperactivity and burnout syndrome. Furthermore, being a woman in this society brings additional challenges to the individual. The film’s protagonist, Zuhal, is in such a psychological state; she is distant from herself, alienated from others including herself, worn, exhausted and tired. Through the study, it is emphasized that the psychological state that urban individual experiences is a consequence of the social structure rather than being an individual one.

References

Antalya Altın Portakal Film Festivali (2021, October 4) Zuhal Söyleşi #58AltınPortakal [Video]. YouTube. https://www.youtube.com/watch?v=VwqOOvrrZOA

Bauman, Z. (2013). Liquid modernity. John Wiley & Sons.

Bauman, Z., & Lyon, D. (2013). Liquid surveillance: A conversation. John Wiley & Sons.

Beauvoir, S. (1993). İkinci Cins. İstanbul: Payel Yayınevi.

Berktay, F. (1998). Kadın Olmak Yaşamak Yazmak. İstanbul: Pencere Yayınları.

Butler, J. (2014). Cinsiyet Belası. İstanbul: Metis Yayınları.

Cemiloğlu, M. (2021). Tarihsel perspektiften Türk sinemasında kadın yönetmenler. Türkiye Film Araştırmaları Dergisi, 1(2), 152-164.

Donovan, J. (2006). Feminist Theory (3. Edition). London: Continuum.

Durlu, N. E. (Director). 2021. Zuhal. Istos Film.

Fortini, P. (2025). Women's New Cinema in Contemporary Turkey. Edinburgh University Press.

izmir35haber (2023, August 28). ‘Zuhal’ Filmine Foça’daki Sinemaseverlerden Yoğun İlgi [Video]. YouTube. https://www.youtube.com/watch?v=yrGKMnsJr2k

Han B. C. (2015a). The Transparency Society. E. Butler (Trans.). California: Stanford University Press.

Han, B. C. (2015b). The Burnout Society. E. Butler (Trans.). California: Stanford University Press.

Han, B. C. (2017). Psychopolitics: Neoliberalism and New Technologies of Power. E. Butler (Trans.). London: Verso Books.

Hooks, B. (2000). Feminism is for Everybody: Passionate Politics. New York: South End Press.

Simmel, G. (2013). “Metropol ve Tinsel Hayat”, In Modern Kültürde Çatışma, (83-100). N. Kalaycı (Trans.). A. Artun (Comp.). İstanbul: İletişim Yayınları.

Thornham, S. (2007). Women, Feminism and Media. Edinburgh: Edinburgh University Press.

Uğur Tanrıöver, H. (2016). Women as film directors in Turkish cinema. European Journal of Women’s Studies, 24(4), 321-335. https://doi.org/10.1177/1350506816649985

Downloads

Published

2025-05-27

How to Cite

Uzun Yedekci, E. (2025). Zuhal: A Portrait of Urban Individuals Through Female Perspective. CINEJ Cinema Journal, 13(1), 156–195. https://doi.org/10.5195/cinej.2025.675

Issue

Section

Articles