A hybrid documentary genre: Animated documentary and the analysis of Waltz with Bashir (2008) Movie

Barış Tolga Ekinci

Abstract


The word documentary has been described as an advice” in “Oxford English Dictionary” in the late 1800s. Document is a main source of information for lawyers. And in cinema, basic film forms are defined with their own properties. The common sense is to separate documentary from fiction, experimental from main current and animation from the live action films. While these definitions were being made, it has been considered that which expression methods were used. The film genre which is called documentary has been defined in many different ways. In this study, animated documentary genre which is a form of hybrid documentary has been concerned with Baudrillard’s theory. In this context, Ari Folman’s animated documentary Waltz with Bassir (2008) has been analyzed with genre criticism method.


Keywords


Documentary, animated documentary, Waltz with Bassir, reality, hybrid genres.

Full Text:

PDF

References


ADANIR, O. (2010) Baudrillard. İstanbul: Say Yayınları.

ADALI, B. (1986) Belgesel Sinema. İstanbul: Hil Yayınları.

BAUDRILLARD, J. (2010) Simülakrlar ve Simülasyon. Çev. O. Adanır. Ankara: Doğu-Batı Yayınları.

BEATTIE, K. (2004) Documentary Screens Non-Fiction Film and Television. New York: Palgrave Macmillan.

BENDOR, R. (2011) Animated Recollection and Spectatorial Experience in Waltz with Bashir. Animation: An Interdisciplinary Journal. 6(3). pp.1-18 [Online]. http://anm.sagepub.com/content/early/2011/08/19/1746847711417775 [Accessed: 04/01/2016].

BUCKLAND, W. (2010) Sinemayı Anlamak. Çev. M. Dinçer. İstanbul: Optimist. Yayınları.

CUBITT, S. (2004) The Cinema Effect. London: Mit Press.

GIDDENS, A. (2010) Modernliğin Sonuçları. Çev. E. Kuşdil. İstanbul: Ayrıntı Yayınları.

HANN, S.J. (2012) A Case for the Anımated Documentary. Master of Fine Arts in Science and Natural History Filmmaking, Montana State Unıversıty: Bozeman, Montana.

HANKIR, A. and AGIUS, M. (2010) An Exploration Of How Film Portrays Psychopathology: The Animated Documentary Film Waltz With Bashir. The Depiction Of PTSD And Cultural Perceptions. Vol. 24(1). pp. 70-76.

KABADAYI, L. (2013) Film Eleştirisi: Kuramsal Çerçeve ve Sinemamızdan Örnek Çözümlemeler. İstanbul: Ayrıntı Yayınları.

ÖKER, Z. (2005) Baudrillard. RİGEL, N. (ed.) içinde. Kadife Karanlık: 21.Yüzyıl İletişim Çağını Aydınlatan Kuramcılar. pp.193-260, İstanbul: Su Yayınları.

ÖZARSLAN, Zey. (2013) Sinemada Tür Kuramı. ÖZASLAN, Z. (ed.) içinde. Sinema Kuramları 2. pp.51-75, İstanbul: Su Yayınları.

ÖZDEN, Z.(2014) Film Eleştirisi: Film Eleştirisinde Temel Yaklaşımlar ve Tür Filmi Eleştirisi. Ankara: İmge Kitapevi.

ÖZÖN, N. (2008) Sinemaya Giriş. İstanbul: Agora Kitaplığı.

NEIDHARDT, I. (2011) Co-Producing the Memory. Global Media Journal German Edition. Vol (1). Spring, pp.1-13.

NICHOLS, B. (2001) Introduction to Documentary. Bloomington & Indianapolis: Indiana University Press.

NICHOLS, B. (2008) The Question of Evidence, the Power of Rhetoric and Documentary Film. Thomas Austin and Wilma de Jong (ed.) içinde. Rethinking

Documentary New Perspectives, New Practices. pp.13-29. New York: Open University Press.

MCLANE, B. A. (2012) A New History of Documentary Film. London: Continuum Press.

MCINNES. G. (2004) One Man's Documentary. Canada: University of Manitoba Press.

ROE, H. A. (2011) Absence, Excess and Epistemological Expansion: Towards a Framework for the Study of Animated Documentary. Animation: An Interdisciplinary Journal. 6 (3). pp. 215-230.

ROE. H. A. (2013) Animated Documentary. London: Palgrave Macmıllan Press.

RYU, H. J. (2007) Reality & Effect: A Cultural History of Visual Effects. Communication Dissertations. 5 (3). Department of Communication, Georgia State University. [Online]. http://scholarworks.gsu.edu/communication_diss [Accessed: 14/02/2016].

SHEILA, S. (2005) The Truth in Pictures. Fps Magazine: Frames per second magazine. Issue 1. pp. 7-11.

SONG, M. (2009) The Role of Computer Graphics in Documentary Film Production. [Online]. http://arxiv.org/pdf/1101.0663.pdf [Accessed: 02/01/2016].

SMITH, G. R. (2010) The Baudrillard Dictionary. Britain: Edinburgh University Press.

SPENCE, L. and NAVARRO, V. (2011) Crafting Truth: Documentary Form and Meanin., London: Rutgers University Press.




DOI: https://doi.org/10.5195/cinej.2017.144

Refbacks

  • There are currently no refbacks.




Copyright (c) 2017 Barış Tolga EKINCI

Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 International License.

 New articles in this journal are licensed under a Creative Commons Attribution 4.0 License.

 

This journal is published by the University Library System, University of Pittsburgh as part of its D-Scribe Digital Publishing Program and is cosponsored by the University of Pittsburgh Press.

 

ISSN 2159-2411 (print) 2158-8724 (online)