|
Issue |
Title |
|
Vol 6, No 1 (2017): Spring 2017 |
For Those Who Seek Mastery and Personality, by Halit Refiğ |
Abstract
PDF
|
Murat Akser |
|
Vol 8, No 2 (2020): Fall 2020 |
Shattered Identity of Immigrant Artist and Creation of Art in a Hybridized Space: The Case Study of A Girl Walks Home Alone at Night |
Abstract
PDF
|
Hoda Shabrang |
|
Vol 7, No 2 (2019): Spring/Summer 2019 |
Editorial |
Abstract
PDF
|
Murat Akser |
|
Vol 9, No 2 (2021): Fall 2021 |
Locating the Storyteller in Silent Waters: Sabiha Sumar’s Cinematic Tale of Shared Histories and Divided Identities |
Abstract
PDF
|
Rahat Imran |
|
Vol 6, No 2 (2017): Fall 2017 |
Bollywood in the Hollywood Era: Narratives of Ultra-nationalism, Terrorism and Violence |
Abstract
PDF
|
Iqbal Shailo |
|
Vol 7, No 2 (2019): Spring/Summer 2019 |
Bollywood in the Hollywood Era: Narratives of Ultra-nationalism, Terrorism and Violence |
Abstract
PDF
|
Iqbal Shailo |
|
Vol 3, No 1 (2013): Fall 2013 |
The Otolith Group’s “Monuments to Dead Television.” Independent Cinema and the Migrant Experience in Europe between Television and the Museum |
Abstract
PDF
|
Beatrice Ferrara |
|
Vol 5, No 2 (2016): Spring 2016 |
Bollywood of India: Geopolitical Texts of Belonging and Difference and Narratives of Mistrust and Suspicion |
Abstract
PDF
|
Iqbal Shailo |
|
Vol 3, No 2 (2014): Spring 2014 |
Pan-American Highways: American Tourism to Mexico and 1950s Hollywood film |
Abstract
PDF
|
Stephanie Fuller |
|
Vol 3, No 1 (2013): Fall 2013 |
The Role Of The Refugee And The Impact Of Fragmented Identities In Diasporic Filmmakers. A Review Of Dogville By Lars von Trier |
Abstract
PDF
|
Sara Marino |
|
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