Issue Title
Vol 6, No 1 (2017): Spring 2017 “Ever heard of EVEL Knievel?”: James Bond meets the Rural sheriff Abstract  PDF
John D. Schwetman
Vol 9, No 1 (2021): Spring 2021 The Social Implications of Metaphor in Bong Joon-ho’s Parasite Abstract  PDF
Alireza Farahbakhsh, Ramtin Ebrahimi
Vol 3, No 2 (2014): Spring 2014 Review of Devised and Directed by Mike Leigh Abstract  PDF
Swati Jaywantrao Bute
Vol 7, No 2 (2019): Spring/Summer 2019 The Homosexual Male Gaze: Normalizing Homosexuality through the Use of Heteronormative Narrative Techniques in Film Abstract  PDF
Lauren Rohrs
Vol 10, No 1 (2022): Fall 2022 Minik Serçe as a Contrary Example Among the Singer Films in Turkish Cinema Abstract  PDF
Yasemin Barlan
Vol 8, No 2 (2020): Fall 2020 Crushing Life in the Anthropocene? Destroying Simulated "Nature" in The Cabin in the Woods Abstract  PDF
Michael Fuchs
Vol 3, No 2 (2014): Spring 2014 Review of Monster Culture in the 21st Century: A Reader Abstract  PDF
Shane Brown
Vol 6, No 1 (2017): Spring 2017 Kingdom of Heaven and its ideological message Abstract  PDF
Yiou Liu
Vol 7, No 2 (2019): Spring/Summer 2019 Samsara documentary: narrative and discourse analysis and a possible interpretation Abstract  PDF
Ricardo Henrique Almeida Dias
Vol 2, No 1 (2012): Fall 2012 The impact of sound technology on the distribution of shot lengths in Hollywood cinema, 1920 to 1933 Abstract  PDF
Nick Redfern
Vol 3, No 2 (2014): Spring 2014 Review of Guillermo del Toro: Film as Alchemic Art Abstract  PDF
Ian Pettigrew
Vol 1, No 2 (2012) Transperance Me I Want to be Visible: Gay Gaze in Tom Ford’s film A Single Man Abstract  PDF
Selen Gokcem
Vol 3, No 2 (2014): Spring 2014 Review of Japanese Horror Films and the Their American Remakes Abstract  PDF
Marcus Harmes
Vol 1, No 2 (2012) Seeking God in Early Bergman: The Cases of The Seventh Seal and Winter Light Abstract  PDF
Esma Kartal
Vol 5, No 2 (2016): Spring 2016 Audience Reactions to the Different Aspects of Nollywood Movies Abstract  PDF
Uchenna Onuzulike
Vol 3, No 2 (2014): Spring 2014 Towards a Singular Cinematic Pedagogy: Gilles Deleuze and Manoel de Oliveira Abstract  PDF
Susana Viegas
Vol 1, No 2 (2012) The Thin Blue Line: How can we destroy actuality with editing? Abstract  PDF
Özlem Tuğçe Kaymaz
Vol 5, No 2 (2016): Spring 2016 Howard Hughes and the Cold War Aviation Film Jet Pilot (1957) Abstract  PDF
Richard Andrew Voeltz
Vol 3, No 2 (2014): Spring 2014 Bikes and Movies: A Brief History Of Motorcycle In Cinema Abstract  PDF
Sandra Martinez, Antonio Sanjuán
Vol 5, No 1 (2015): Fall 2015 Sleaze, Slur... and the Search for a Sanitized Identity: Bhojpuri Media at a Crossroads Abstract  PDF
Madhusri Shrivastava
Vol 3, No 2 (2014): Spring 2014 It Is a Man's World: Romantic Relief In The Hollywood Blockbuster Abstract  PDF
Esma Kartal
Vol 5, No 1 (2015): Fall 2015 Cowboys and kings: The coming of age film in 1990s Irish cinema Abstract  PDF
Carlos Menendez-Otero
Vol 3, No 1 (2013): Fall 2013 Festival Review: TIFF 2013, The Neoliberal Labyrinth of Cinema Abstract  PDF
Ege Edener
Vol 4, No 1 (2014): Fall 2014 New Media and Film Festivals in the Middle East Abstract  PDF
Murat Akser
Vol 3, No 1 (2013): Fall 2013 The Body As Cogito: A Certain Contemporary Film In The Light of Merleau-Ponty Abstract  PDF
Julio Bezerra
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