|
Issue |
Title |
|
Vol 6, No 1 (2017): Spring 2017 |
“Ever heard of EVEL Knievel?”: James Bond meets the Rural sheriff |
Abstract
PDF
|
John D. Schwetman |
|
Vol 9, No 1 (2021): Spring 2021 |
The Social Implications of Metaphor in Bong Joon-ho’s Parasite |
Abstract
PDF
|
Alireza Farahbakhsh, Ramtin Ebrahimi |
|
Vol 3, No 2 (2014): Spring 2014 |
Review of Devised and Directed by Mike Leigh |
Abstract
PDF
|
Swati Jaywantrao Bute |
|
Vol 7, No 2 (2019): Spring/Summer 2019 |
The Homosexual Male Gaze: Normalizing Homosexuality through the Use of Heteronormative Narrative Techniques in Film |
Abstract
PDF
|
Lauren Rohrs |
|
Vol 10, No 1 (2022): Fall 2022 |
Minik Serçe as a Contrary Example Among the Singer Films in Turkish Cinema |
Abstract
PDF
|
Yasemin Barlan |
|
Vol 8, No 2 (2020): Fall 2020 |
Crushing Life in the Anthropocene? Destroying Simulated "Nature" in The Cabin in the Woods |
Abstract
PDF
|
Michael Fuchs |
|
Vol 3, No 2 (2014): Spring 2014 |
Review of Monster Culture in the 21st Century: A Reader |
Abstract
PDF
|
Shane Brown |
|
Vol 6, No 1 (2017): Spring 2017 |
Kingdom of Heaven and its ideological message |
Abstract
PDF
|
Yiou Liu |
|
Vol 7, No 2 (2019): Spring/Summer 2019 |
Samsara documentary: narrative and discourse analysis and a possible interpretation |
Abstract
PDF
|
Ricardo Henrique Almeida Dias |
|
Vol 2, No 1 (2012): Fall 2012 |
The impact of sound technology on the distribution of shot lengths in Hollywood cinema, 1920 to 1933 |
Abstract
PDF
|
Nick Redfern |
|
Vol 3, No 2 (2014): Spring 2014 |
Review of Guillermo del Toro: Film as Alchemic Art |
Abstract
PDF
|
Ian Pettigrew |
|
Vol 1, No 2 (2012) |
Transperance Me I Want to be Visible: Gay Gaze in Tom Ford’s film A Single Man |
Abstract
PDF
|
Selen Gokcem |
|
Vol 3, No 2 (2014): Spring 2014 |
Review of Japanese Horror Films and the Their American Remakes |
Abstract
PDF
|
Marcus Harmes |
|
Vol 1, No 2 (2012) |
Seeking God in Early Bergman: The Cases of The Seventh Seal and Winter Light |
Abstract
PDF
|
Esma Kartal |
|
Vol 5, No 2 (2016): Spring 2016 |
Audience Reactions to the Different Aspects of Nollywood Movies |
Abstract
PDF
|
Uchenna Onuzulike |
|
Vol 3, No 2 (2014): Spring 2014 |
Towards a Singular Cinematic Pedagogy: Gilles Deleuze and Manoel de Oliveira |
Abstract
PDF
|
Susana Viegas |
|
Vol 1, No 2 (2012) |
The Thin Blue Line: How can we destroy actuality with editing? |
Abstract
PDF
|
Özlem Tuğçe Kaymaz |
|
Vol 5, No 2 (2016): Spring 2016 |
Howard Hughes and the Cold War Aviation Film Jet Pilot (1957) |
Abstract
PDF
|
Richard Andrew Voeltz |
|
Vol 3, No 2 (2014): Spring 2014 |
Bikes and Movies: A Brief History Of Motorcycle In Cinema |
Abstract
PDF
|
Sandra Martinez, Antonio Sanjuán |
|
Vol 5, No 1 (2015): Fall 2015 |
Sleaze, Slur... and the Search for a Sanitized Identity: Bhojpuri Media at a Crossroads |
Abstract
PDF
|
Madhusri Shrivastava |
|
Vol 3, No 2 (2014): Spring 2014 |
It Is a Man's World: Romantic Relief In The Hollywood Blockbuster |
Abstract
PDF
|
Esma Kartal |
|
Vol 5, No 1 (2015): Fall 2015 |
Cowboys and kings: The coming of age film in 1990s Irish cinema |
Abstract
PDF
|
Carlos Menendez-Otero |
|
Vol 3, No 1 (2013): Fall 2013 |
Festival Review: TIFF 2013, The Neoliberal Labyrinth of Cinema |
Abstract
PDF
|
Ege Edener |
|
Vol 4, No 1 (2014): Fall 2014 |
New Media and Film Festivals in the Middle East |
Abstract
PDF
|
Murat Akser |
|
Vol 3, No 1 (2013): Fall 2013 |
The Body As Cogito: A Certain Contemporary Film In The Light of Merleau-Ponty |
Abstract
PDF
|
Julio Bezerra |
|
26 - 50 of 54 Items |
<< < 1 2 3 > >> |