|
Issue |
Title |
|
Vol 8, No 1 (2020): Winter 2020 |
Becoming-Animal in the Narrative and the Form of Reha Erdem’s Kosmos |
Abstract
PDF
|
Suphi Keskin, Burcu Baykan |
|
Vol 3, No 1 (2013): Fall 2013 |
Pattern of the Body Image in La Maison en Petits Cubes on the Basis of Milieu and Individual Relationship |
Abstract
PDF
|
Yasemin Kılınçarslan |
|
Vol 1, No 2 (2012) |
Transperance Me I Want to be Visible: Gay Gaze in Tom Ford’s film A Single Man |
Abstract
PDF
|
Selen Gokcem |
|
Vol 1, No 2 (2012) |
The Thin Blue Line: How can we destroy actuality with editing? |
Abstract
PDF
|
Özlem Tuğçe Kaymaz |
|
Vol 4, No 1 (2014): Fall 2014 |
Reading of the Architectural Identity via Cinema |
Abstract
PDF
|
Havva Alkan Bala |
|
Vol 3, No 1 (2013): Fall 2013 |
Fiction Criticizing Reality: Abbas Kiarostami and the Cracked Windshield of Cinema |
Abstract
PDF
|
James Blake Ewing |
|
Vol 3, No 2 (2014): Spring 2014 |
Books Received |
Abstract
PDF
|
Murat Akser |
|
Vol 3, No 2 (2014): Spring 2014 |
Editorial |
Abstract
PDF
|
Murat Akser |
|
Vol 2, No 2 (2013): Spring 2013 |
Chop Shop and Foreign Parts settle on the fuzzy boundary between fiction and documentary: new representations of New York City in Contemporary Cinema. |
Abstract
PDF
|
Fernando Canet |
|
Vol 3, No 2 (2014): Spring 2014 |
Bicycles, Airplanes and Peter Pans: Flying Scenes in Steven Spielberg's Films |
Abstract
PDF
|
Emilio Audissino |
|
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